Gustaf Molander is a Director and Scriptwriter Suédois born on 18 november 1888 at Helsinki (Finlande)
Gustaf Molander
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Nationality SuedeBirth 18 november 1888 at Helsinki (
Finlande)
Death 19 june 1973 (at 84 years) at Stockholm (
Suede)
Gustaf Harald August Molander (18 November 1888 – 19 June 1973) was a Swedish actor and film director. His parents were director Harald Molander, Sr. (1858–1900) and singer and actress Lydia Molander, née Wessler, and his brother was director Olof Molander (1892–1966). He was the father of director and producer Harald Molander from his first marriage to actress Karin Molander and father to actor Jan Molander from his second marriage to Elsa Fahlberg.
Gustaf Molander was born in Helsinki in Finland, where his father was working at the Swedish Theatre. He studied in the school of the Royal Dramatic Theatre in Stockholm 1907–1909, acted at the Swedish theatre in Helsinki 1909–1913, and then at the Royal Dramatic Theatre from 1913–1926. The last years there he headed the school; his students included Greta Garbo.
Molander wrote several screenplays for Victor Sjöström and Mauritz Stiller, and was helped by the latter to get employment as a director for Svensk Filmindustri, where he worked 1923–1956. All in all, he directed sixty-two films. He often worked with Gösta Ekman, and his films include Intermezzo (1936), which became Ingrid Bergman's breakthrough and paved her way to America, where she starred in the 1939 Hollywood remake of the film. Biography
Gustaf Molander est né à Helsingfors (aujourd'hui Helsinki) dans le grand-duché de Finlande (appartenant à l'Empire russe), où son père travaillait au Théâtre suédois. Il fit ses études à l'Académie royale d'art dramatique de Stockholm (1907-1909), joua au théâtre suédois de Helsingfors (1909-1913), puis à l'Académie royale d'art dramatique (1913-1926). Les dernières années, il dirigea l'Académie : Greta Garbo fut une de ses élèves. Contrairement à ses contemporains Victor Sjöström et Mauritz Stiller qui émigrèrent aux États-Unis, Molander demeura fidèle au cinéma suédois. Il travailla d'une façon régulière avec le plus grand acteur suédois de l'époque, Gösta Ekman, interprète aux côtés d'Ingrid Bergman, jeune débutante, d' Intermezzo (1936). À travers deux films, Chevauchée nocturne (Rid i natt!) (1942), d'après un roman de Vilhelm Moberg, et Ordet (1943), adaptation d'une œuvre théâtrale de Kaj Munk, que Carl Theodor Dreyer portera, à son tour, à l'écran en 1954, Molander condamna avec courage et fermeté le totalitarisme nazi. Après la Seconde Guerre mondiale, il collabora de façon intime avec Ingmar Bergman, qui lui écrivit les scénarios de La Femme sans visage (1947), Eva (Sensualité) (1948) et Divorce (1951).
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