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Henry Geldzahler is a Actor American born on 9 july 1935 at Antwerp (Belgique)
Henry Geldzahler (July 9, 1935 – August 16, 1994) was a curator of contemporary art in the late 20th century, as well as a modern art art historian and art critic. He is best known for his work at the Metropolitan Museum of Art and as New York City Commissioner of Cultural Affairs, and for his social role in the art world with a close relationship with contemporary artists.
Source : Wikidata
Henry Geldzahler
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Nationality USA
Birth 9 july 1935 at Antwerp (Belgique)
Death 16 august 1994 (at 59 years) at Southampton (USA)
Birth 9 july 1935 at Antwerp (Belgique)
Death 16 august 1994 (at 59 years) at Southampton (USA)
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Filmography of Henry Geldzahler (4 films)
Actor
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, 1h26Origin USA
Genres Documentary
Themes Films about writers, Films about journalists
Actors Lauren Bacall, Marisa Berenson, Cecil Beaton, Dick Cavett, Truman Capote, Mike Douglas
Roles Self
Rating74%
The film features recorded audio and filmed interviews of Vreeland, as well as interviews with colleagues, family, and friends of Vreeland. Beginning with an exploration of Vreeland’s childhood, the film offers a glimpse of fashionable Paris during the Belle Époque, a time when Vreeland had access to exciting and influential friends of her parents, such as ballet dancer Sergei Diaghilev. She even claimed to have ridden with Buffalo Bill Cody, though the documentary makes it clear that Vreeland would occasionally exaggerate for the sake of storytelling.
A Bigger Splash (1973)
, 1h46Directed by Jack Hazan
Genres Drama, Documentary
Themes Documentary films about the visual arts, Documentaire sur une personnalité
Actors Henry Geldzahler
Roles Self (Collector)
Rating58%
Une heure et demie avec le peintre David Hockney. Chaque acteur joue son propre rôle.
Since (1966)
, 1h7Directed by Andy Warhol
Origin USA
Genres Drama, Historical
Themes Films about families, Political films
Actors Ondine, Mary Woronov, Gerard Malanga, Henry Geldzahler, Susan Bottomly
Rating54%
The film begins with a close up of Ondine, with an off screen voice saying that the film will follow the "Oswald model on television". The voice adds that "First it happened, then it was played back in tape, and then it was played back in slow motion." The voice also says that the performers don't have to maintain "stiff character portrayals" and are free to assume other roles, assuming they have "assumed that role by choice originally."
