, 1h48 Directed byIsmaël Ferroukhi OriginFrance GenresDrama, Comedy, Romance ThemesFilms about religion, Transport films, Films about automobiles, Films about Islam, Road movies ActorsNicolas Cazalé, Mohammed Majd, Jacky Nercessian, Kamel Belghazi, Roxane Mesquida Rating71% Réda (Nicolas Cazalé) is a French-Moroccan teenager due to sit for Baccalauréat. When his devout father (played by Mohamed Majd) asks Réda to accompany him on a pilgrimage to Mecca, he reluctantly agrees. However, the father insists that they travel by car. As both embark on a road trip thousands of kilometres away from southern France, the once-icy father-and-son relationship starts to thaw as both gradually come to know each other. Réda speaks only in French to his father, who is seen speaking only Arabic for the majority of the film. Later, when necessary, the father proves that he in fact speaks impeccable French; his choice to speak only Arabic to his son is therefore purposeful.
, 1h40 Directed byCédric Kahn OriginFrance GenresDrama, Comedy ThemesFilms about children ActorsIsabelle Carré, Vincent Lindon, Nicolas Briançon, Sophie Guillemin Roles Writer Rating57% Le film mélange réalisme, rêve et fantastique. Charly, un petit garçon de huit ans reçoit à Noël une grande maquette d'avion, son père meurt peu après et le garçon s'aperçoit que l'avion est « vivant ». Il arrive à le dompter et part, avec son aide, à la recherche de son père.
, 1h48 Directed byIsmaël Ferroukhi OriginFrance GenresDrama, Comedy, Romance ThemesFilms about religion, Transport films, Films about automobiles, Films about Islam, Road movies ActorsNicolas Cazalé, Mohammed Majd, Jacky Nercessian, Kamel Belghazi, Roxane Mesquida Roles Writer Rating71% Réda (Nicolas Cazalé) is a French-Moroccan teenager due to sit for Baccalauréat. When his devout father (played by Mohamed Majd) asks Réda to accompany him on a pilgrimage to Mecca, he reluctantly agrees. However, the father insists that they travel by car. As both embark on a road trip thousands of kilometres away from southern France, the once-icy father-and-son relationship starts to thaw as both gradually come to know each other. Réda speaks only in French to his father, who is seen speaking only Arabic for the majority of the film. Later, when necessary, the father proves that he in fact speaks impeccable French; his choice to speak only Arabic to his son is therefore purposeful.