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Justino Díaz is a Actor Porto ricain born on 29 january 1940 at San Juan (USA)
Justino Díaz (born January 29, 1940) is a Puerto Rican operatic bass-baritone. In 1963, Díaz won an annual contest held at the Metropolitan Opera of New York, becoming the first Puerto Rican to obtain such an honor and as a consequence, made his Metropolitan debut on October 1963 in Verdi's Rigoletto as Monterone.
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Justino Díaz
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Filmography of Justino Díaz (2 films)
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Callas Forever (2002)
, 1h50Directed by Franco Zeffirelli
Origin France
Genres Drama, Musical, Romance
Themes Films about music and musicians, Films about classical music and musicians, Musical films
Actors Fanny Ardant, Jeremy Irons, Joan Plowright, Jay Rodan, Justino Díaz, Manuel de Blas
Roles Scarpia
Rating63%
The partially fictionalized film is set in 1977, the year in which Callas died, and centers on the making of a movie of Georges Bizet's Carmen. The diva, whose now-ragged voice is well past its prime, is persuaded to star in it by longtime friend and former manager Larry Kelly, who abandoned classical music to become a rock impresario. He insists by lip-synching to her old recording she will recapture her lost youth and leave behind a priceless legacy for her admirers, and his theory is supported by Callas confidante and journalist Sarah Keller.
Otello (1986)
, 1h58Directed by Franco Zeffirelli
Origin Italie
Genres Drama, Musical
Themes Seafaring films, Films about music and musicians, Théâtre, Transport films, Musical films, Films based on plays, Films based on works by William Shakespeare, Films based on operas
Actors Justino Díaz, Antonio Pierfederici, Urbano Barberini, Remo Remotti
Roles Iago
Rating68%
With only a few exceptions, the film follows the same plot as the opera. Iago plots and brings about Otello's downfall by convincing him that his wife Desdemona is engaged in an affair with the young lieutenant Cassio, provoking Otello to murder her in a blind rage. However, in a major change from the opera, Otello kills Iago at the end by throwing a spear at him, while in the stage version he only wounds him with his sword.