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Kan Mukai is a Director Japonais born on 16 october 1937 at Dalian (Chine)
Kan Mukai (向井寛, Mukai Kan) aka Hiroshi Mukai and Patrick Kan (カン・パトリック, Kan Patorikku) was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre. In the realm of pink cinema, Japanese critics have estimated that Mukai is, "the only serious rival of Kōji Wakamatsu." As a producer, Mukai helped the early careers of many prominent directors, including Hisayasu Satō and Academy-Award winner Yōjirō Takita. In his career he directed nearly 200 films and produced approximately 500.
Source : Wikidata
Kan Mukai
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Birth name Hiroki Mukae
Nationality Japon
Birth 16 october 1937 at Dalian (Chine)
Death 9 june 2008 (at 70 years) at Tokyo (Japon)
Nationality Japon
Birth 16 october 1937 at Dalian (Chine)
Death 9 june 2008 (at 70 years) at Tokyo (Japon)
Kan Mukai (向井寛, Mukai Kan) aka Hiroshi Mukai and Patrick Kan (カン・パトリック, Kan Patorikku) was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre. In the realm of pink cinema, Japanese critics have estimated that Mukai is, "the only serious rival of Kōji Wakamatsu." As a producer, Mukai helped the early careers of many prominent directors, including Hisayasu Satō and Academy-Award winner Yōjirō Takita. In his career he directed nearly 200 films and produced approximately 500.
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Filmography of Kan Mukai (6 films)
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Deep Throat in Tokyo (1975)
, 1h17Directed by Kan Mukai
Genres Drama, Horror
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Actors Kumi Taguchi, Hideo Murota
Rating65%
Kumi Taguchi is a model who leaves her boxer boyfriend after he sustains an injury. She meets and quickly marries Hideo, the heir to a corporate empire. Hideo's father, Takehiko, lusts after Kumi. Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen. Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him. Angered, Takehiko forces Kumi to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm. Hideo, the supposedly murdered son, returns having paid off his assassins. Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's fortune.
Blue Film Woman (1969)
, 1h20Directed by Kan Mukai
Genres Drama
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Rating48%
As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.
Blue Film: Estimation (1968)
, 1h9Directed by Kan Mukai
Genres Pornographic
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Rating62%
The film depicts the plight of a female office worker whose boss introduces to the world of pornographic films.
, 1h8Directed by Kan Mukai
Genres Pornographic
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Rating53%
One member of a secret society of female ninjas in contemporary Tokyo is kidnapped by international slave traders. The other female ninjas set about rescuing her.
Sexy Partners (1967)
, 1h10Directed by Kan Mukai
Genres Pornographic
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.
The Bite (1966)
, 1h2Directed by Kan Mukai
Genres Drama, Pornographic
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Rating62%
A gigolo is paid by a rich older woman to seduce young girls while she and friends watch his love-making behind a two-way mirror. He tries to break free of the older woman's control, but when his sick mother needs an operation, he returns to the rich woman, making love to her for money. Humiliated by his dependency, he takes the woman's daughter to the love-show, where he rapes her in front of her mother.