Kenneth Mars is a Actor American born on 14 april 1935 at Chicago (USA)
Kenneth Mars
Kenneth Mars participated to
49 films (as actor, director or script writer).
Among those,
2 have good markets following the box office.
Here are the best films classified by number of entries :
Actor
, 1h23
Directed by Ron Clements,
John MuskerOrigin USAGenres Fantasy,
Musical,
Animation,
RomanceThemes Films about magic and magicians,
Seafaring films,
Transport films,
Mermaids in film,
Witches in film,
Musical films,
Children's filmsActors Jodi Benson,
Christopher Daniel Barnes,
Samuel E. Wright,
Pat Carroll,
Jason Marin,
Kenneth MarsRoles King Triton (voice)
Rating75%
Ariel, a sixteen-year-old mermaid princess, is dissatisfied with underwater life and is curious about the human world. With her best friend Flounder, Ariel collects human artifacts and goes to the surface of the ocean to visit Scuttle the seagull, who offers very inaccurate knowledge of human culture. She ignores the warnings of her father King Triton, the ruler of Atlantica, and his adviser and court composer Sebastian that contact between merpeople and humans is forbidden., 1h30
Directed by Mel BrooksOrigin USAGenres Comedy,
MusicalThemes Films about religion,
Films about sexuality,
Théâtre,
LGBT-related films,
Musical films,
Political films,
Films about Jews and Judaism,
LGBT-related films,
LGBT-related filmActors Zero Mostel,
Gene Wilder,
Kenneth Mars,
Dick Shawn,
Estelle Winwood,
Renee TaylorRoles Franz Liebkind
Rating74%
Max Bialystock (Zero Mostel) is a washed-up, aging, and also fraud and corruptible greedy Broadway producer who ekes out a living romancing lascivious wealthy elderly women in exchange for money for his next play. Accountant Leopold "Leo" Bloom (Gene Wilder) arrives at Max's office to do his books and discovers there is a $2,000 discrepancy in the accounts of Max's last play. Max persuades Leo to hide the relatively minor fraud, and, while shuffling numbers, Leo has a revelation: a producer could make a lot more money with a flop than a hit, by overselling the shares in the production as no one will audit the books of a play presumed to have lost money. Max immediately puts this scheme into action. They will over-sell shares on a massive scale, and produce a play that will close on opening night, thus avoiding a pay-out and leaving the duo free to flee to Rio de Janeiro with the profits. Leo is afraid such a criminal venture will fail and they will go to prison, but Max eventually convinces him that his drab existence is no better than prison.