Leo Mittler is a Director and Story Autrichien born on 18 december 1893 at Vienna (Austria)
Leo Mittler
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Nationality AustriaBirth 18 december 1893 at Vienna (
Austria)
Death 16 may 1958 (at 64 years) at Berlin (
German)
Leo Mittler (1893–1958) was an Austrian playwright, screenwriter and film director. Mittler was born in Vienna, then the capital of the Austro-Hungarian Empire, to a Jewish family. He attended the University of Music and Performing Arts and worked as a playwright and director in the German theatre. Mittler then switched to work in the booming German film industry during the silent era.
Mittler's best known film as director was Beyond the Street (1929), a "street film" influenced by Soviet cinema. As well as his work in the German industry, Mittler also spent time at the American company Paramount's French language-subsidiary based at the Joinvillle Studios in Paris.
Following the Nazi rise to power in 1933, Mittler spent many years in exile in several countries including Britain and France before settling in the United States during the Second World War. Mittler's career as a director had all but ended in the mid-1930s, after making the Stanley Lupino musical comedy Cheer Up, but he worked occasionally as a screenwriter. Mitler wrote the original story of the MGM pro-Soviet film Song of Russia (1944) which was later investigated by HUAC for its alleged communist sympathies. Mittler returned to Germany post-war, and died there in 1958. Before his death he worked for German theatre and television. Biography
Leo Mittler étudie à l'Académie de musique et d'arts du spectacle de Vienne. Il devient comédien et joue dans différents théâtres d'Autriche et d'Allemagne. Il a exercé notamment au théâtre Volksbühne Berlin et au Deutsches Theater de Berlin.
Il commence sa carrière cinématographique en 1926 en tant que scénariste et réalisateur.
Installé à Paris à partir de 1930, il devient administrateur de la Paramount.
En 1939, il émigre en Angleterre avant de se rendre aux États-Unis où il vit et travaille jusqu'en 1948.
Il revient ensuite exercer son métier dans les théâtres allemands et autrichiens, travaillant également pour la télévision à Berlin-Ouest.
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