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Lucinda Raikes is a Actor born on 14 april 1971

Lucinda Raikes

Lucinda Raikes
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Birth 14 april 1971 (53 years)

Lucinda Mary J Raikes (born 14 April 1971 in Cambridge) is an English actress, most noted for playing Karen Ball in the sitcom Green Wing and Angela Heaney in The Thick of It and its spin off film In the Loop. She has also appeared in Sensitive Skin, Extras, Casanova and 15 Storeys High.

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Source : Wikidata

Filmography of Lucinda Raikes (4 films)

Display filmography as list

Actress

Miss You Already, 1h52
Directed by Catherine Hardwicke
Origin United-kingdom
Genres Drama, Comedy, Comedy-drama, Romantic comedy, Romance
Themes Medical-themed films, Films about cancer
Actors Drew Barrymore, Jennifer Aniston, Toni Collette, Dominic Cooper, Paddy Considine, Tyson Ritter
Roles Teacher
Rating68% 3.409133.409133.409133.409133.40913
Miss You Already follows two best friends, Milly (Toni Collette) and Jess (Drew Barrymore), as they navigate life’s highs and lows. Inseparable since they were young girls, they can’t remember a time they didn’t share everything — secrets, clothes, even boyfriends — but nothing prepares them for the day Milly is hit with life-altering news.
Bright Star, 2h
Directed by Jane Campion
Origin United-kingdom
Genres Drama, Biography, Romance
Themes Films about writers, Poésie
Actors Ben Whishaw, Abbie Cornish, Paul Schneider, Kerry Fox, Thomas Brodie-Sangster, Edie Martin
Roles Reynolds sister
Rating68% 3.447493.447493.447493.447493.44749
In 1818 Hampstead, the fashionable Fanny Brawne (Abbie Cornish) is introduced to poet John Keats (Ben Whishaw) through the Dilke family. The Dilkes occupy one half of a double house, with Charles Brown (Paul Schneider)—Keats' friend, roommate, and associate in writing—occupying the other side.
In the Loop, 1h46
Directed by Armando Iannucci
Origin United-kingdom
Genres Comedy, Politic, Black comedy
Themes Politique, Political films
Actors Peter Capaldi, James Gandolfini, Mimi Kennedy, Chris Addison, Tom Hollander, Gina McKee
Roles Reporter
Rating73% 3.697793.697793.697793.697793.69779
Both the UK and the US are hinting at a military intervention in the Middle East. During a radio interview on BBC Radio 4's PM programme, Minister for International Development Simon Foster (Tom Hollander) accidentally states that a war in the Middle East is "unforeseeable". The Prime Minister's Director of Communications, Malcolm Tucker (Peter Capaldi) scolds him and tells him to toe the line of intervention. Joining the department on his first day, Simon's new aide Toby Wright (Chris Addison) manages to get him into the Foreign Office meeting that day through his girlfriend Suzy (Olivia Poulet), who works there. Leading the meeting is the US Assistant Secretary of State for Diplomacy Karen Clarke (Mimi Kennedy), who is against military intervention and flags a report by her assistant Liza Weld (Anna Chlumsky) titled "Post-War Planning, Parameters, Implications and Possibilities" (PWPPIP). The report heavily opposes intervention, noting the lack of intelligence except that which is coming from the source "Iceman". Also during the committee it is hinted at that the US Assistant Secretary of State for Policy, Linton Barwick (David Rasche), may have set up a secret war committee. After the meeting Simon is ambushed by reporters and contradicts his previous statements by saying the government has to be prepared to "climb the mountain of conflict." Malcolm again scolds him for making too many waves.
Special People, 1h20
Origin United-kingdom
Genres Drama
Actors Jason Maza, David Proud, Lucinda Raikes
Rating82% 4.125514.125514.125514.125514.12551
Enlisted to teach a class of wheelchair-users about filmmaking, the neurotic Jasper gets a little more than he bargained for. His charges seem to know more than he does about his subject; they're not impressed by his own heartfelt social realist oeuvre; and they meet his every suggestion with the blank indifference peculiar to the streetwise adolescent. Questions condescending outreach projects, self-defeating attitudes within the disabled community, and the vacuity of the film business - all with a sly wink and a healthy helping of self-parody