Search a film or person :
FacebookConnectionRegistration
Manas Mukherjee is a Sound

Manas Mukherjee

Manas Mukherjee
If you like this person, let us know!
Death 1986

Manas Mukherjee (also known as Manas Mukharji) was a renowned Bengali music director, who composed several albums in Hindi. Mukherjee was also the parent of two well known Indian singers, Shaan and Sagarika. He died in 1986.

Usually with

Om Puri
Om Puri
(2 films)
Utpal Dutt
Utpal Dutt
(2 films)
Source : Wikidata

Filmography of Manas Mukherjee (3 films)

Display filmography as list

Sound

Lakhon Ki Baat
Directed by Basu Chatterjee
Genres Comedy
Actors Sanjeev Kumar, Farooq Sheikh, Anita Raj, Utpal Dutt, Dinesh Hingoo, Javed Khan Amrohi
Rating64% 3.2363053.2363053.2363053.2363053.236305
Sports photographer Alok Prakash (Farooq Shaikh) is shooting a female hockey game when he's hit with a stray puck. Prakash is hospitalized but only suffers from minor injuries, though his enterprising brother-in-law, Prem Sagar (Sanjeev Kumar), sees an opportunity to make some easy money. Sagar, a lawyer, asks Prakash to exaggerate his injury so he can file a lawsuit and they can live off the settlement. Soon, the whole family is involved, and Prakash and Sagar find the ruse hard to keep up.
Albert Pinto Ko Gussa Kyoon Aata Hai, 1h50
Directed by Saeed Akhtar Mirza
Genres Drama, Comedy, Romance
Actors Naseeruddin Shah, Shabana Azmi, Smita Patil, Om Puri, Sulabha Deshpande, Arvind Deshpande
Rating70% 3.531843.531843.531843.531843.53184
The film captures the angst of a worker, in Mumbai exemplified by a young Christian car mechanic, Albert Pinto (Naseeruddin Shah) who is under the illusion that if he works hard and emulates the rich, one day he can also be successful. He makes friendly relations with his customers, who are usually the rich of the city and who keep telling him that good workers do not go on strike. Strikes are the handiwork of lumpen elements. Pinto gets angry with the supposedly wrong attitudes of the workers who he assumes go on strike under any pretext. However, when Pinto's father, who is a mill worker is abused by the lumpen elements hired by the mill owners, he realizes that it is not the workers but the capitalists who should be blamed for the plight of the workers. He also realizes the legitimacy of strikes. Towards the end of the movie, Pinto still remains an angry man; but now his anger is directed against the capitalists, not the striking workers.