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Michel Bernheim is a Director, Scriptwriter, Researcher, Assistant Director and Director of Photography French born on 17 january 1908 at Paris (France)
Among those, 1 have good markets following the box office.
Here are the best films classified by number of entries :
Directed by Richard Rosson, Victor Fleming
Origin USA
Genres Drama, War, Historical
Themes Films about religion, Jeanne d'Arc, Political films, Films based on plays, Histoire de France
Actors Ingrid Bergman, José Ferrer, Francis L. Sullivan, J. Carrol Naish, George Coulouris, Gene Lockhart
Roles Researcher
Rating63%
Unlike the play Joan of Lorraine, which is a drama that shows how the story of Joan affects a group of actors who are performing it, the film is a straightforward recounting of the life of the French heroine. It begins with an obviously painted shot of the inside of a basilica with a shaft of light, possibly descending from heaven, shining down from the ceiling, and a solemn off-screen voice pronouncing the canonization of the Maid of Orleans. Then, the opening page of what appears to be a church manuscript recounting Joan's life in Latin is shown on the screen, while some uncredited voiceover narration by actor Shepperd Strudwick sets up the tale. The actual story of Joan then begins, from the time she becomes convinced that she has been divinely called to save France to her being burnt at the stake at the hands of the English and the Burgundians.
Michel Bernheim
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Among those, 1 have good markets following the box office.
Here are the best films classified by number of entries :
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Add to a movie listJoan of Arc (1948)
, 2h25Directed by Richard Rosson, Victor Fleming
Origin USA
Genres Drama, War, Historical
Themes Films about religion, Jeanne d'Arc, Political films, Films based on plays, Histoire de France
Actors Ingrid Bergman, José Ferrer, Francis L. Sullivan, J. Carrol Naish, George Coulouris, Gene Lockhart
Roles Researcher
Rating63%
Unlike the play Joan of Lorraine, which is a drama that shows how the story of Joan affects a group of actors who are performing it, the film is a straightforward recounting of the life of the French heroine. It begins with an obviously painted shot of the inside of a basilica with a shaft of light, possibly descending from heaven, shining down from the ceiling, and a solemn off-screen voice pronouncing the canonization of the Maid of Orleans. Then, the opening page of what appears to be a church manuscript recounting Joan's life in Latin is shown on the screen, while some uncredited voiceover narration by actor Shepperd Strudwick sets up the tale. The actual story of Joan then begins, from the time she becomes convinced that she has been divinely called to save France to her being burnt at the stake at the hands of the English and the Burgundians.