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Monang Carvajal is a Actor born on 1 january 1898 at Manila City (Philippines)

Monang Carvajal

Monang Carvajal
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Birth name Patrocinio Tagaroma Carvajal
Birth 1 january 1898 at Manila City (Philippines)
Death 22 june 1980 (at 82 years) at San Juan City (Philippines)

Monang Carvajal (born Patrocinio Tagaroma Carvajal; 1898 – June 22, 1980) was a Filipina film actress best known for her roles in thriller and horror movies. She was dubbed the "Queen of Horror Pictures".

Biography

Carvajal was born in Manila in 1898, the daughter of Spanish Zarzuela actors, Don Jose Carvajal and Patrocinio Tagaroma de Carvajal. By the age of four, she was appearing on stage, appearing alongside her parents. In her teens, she was touring the bodabil circuit together with Manuel Silos as a comedy duo known as "Monang & Sano". Silos would later become a prominent film director.

Carvajal made her film debut in 1920, in the silent film El Trust de los Tenorios. Soon, she found herself frequently cast in horror films, often as a monster, a witch (mangkukulam) or some other supernatural being. Along her roles in this vein were in such films as Sumpa ng Aswang (1935), Gamu-Gamong Naging Lawin (1937),
Halimaw (1941), and Malaya, Mutya ng Gubat (1948).

Carvajal was also adept as a film comedian as well, appearing in comic roles in Ay Monang (1939),
Victory Joe (1946), and Principe Amante (1950). In 1962, she would be nominated for a FAMAS Best Supporting Actress award for her role in El Filibusterismo, Gerardo de Leon's film version of Jose Rizal's second novel. Thirty two years earlier, Carvajal had appeared in a silent film version of Rizal's first novel, Noli Me Tangere.

Carvajal maintained an active film career until nearly the end of her life, appearing in Mga Bilangong Birhen (1977). She died from cancer at Cardinal Santos Medical Center in June 1980.

Usually with

Source : Wikidata

Filmography of Monang Carvajal (4 films)

Display filmography as list

Actress

Black Mama, White Mama, 1h27
Directed by Eddie Romero
Origin USA
Genres Thriller, Action, Crime
Themes Prison films, Films about sexuality, Erotic films, Sexploitation films, Women in prison films
Actors Pam Grier, Sid Haig, Lynn Borden, Eddie García, Zaldy Zshornack, Alona Alegre
Rating55% 2.7992552.7992552.7992552.7992552.799255
Brought to a women's prison in a tropical country which resembles the film's Philippines-set location, Lee (Pam Grier) and Karen (Margaret Markov) encounter sadistic matron Densmore (Lynn Borden) who voyeuristically observes through a peephole as the inmates take a shower.
Child of Sorrow, 1h59
Directed by Lamberto V. Avellana
Origin Philippines
Genres Drama, Crime
Actors Rosa Rosal, Vic Silayan, Monang Carvajal, Eddie Rodriguez
Roles Customs Officer
Rating67% 3.353973.353973.353973.353973.35397
The story begins with Cita (Rosa Rosal), a prostitute residing in one of the makeshift houses in the squatter colony, strutting down the slums in carefree fashion, donning a dress that seems inappropriate in the slum's state of deprivation, revealing a bit of her cleavage and her shapely legs. the Against the overt images of extreme penury, her striking beauty and glamorous get-up seem scandalous and sinful. Everything changes when she arrives at her destination: a pitiful shanty that houses a dying old woman whose only wish is to see for the very last time her only son, a soldier who was sent to the Korean War. Vic (Tony Santos, Sr.), the war hero who returns to Manila and is forced to live within the ruined walls of the cathedral and among the people who have temporarily resided therein, whose left arm was rendered useless by a war injury, returns to the Philippines a hero. His welcome is cut short when Cita's younger brother informs him of his mother's impending death. He rushes to his mother's shanty in the slums and rushes to her bed, and she recognizes his face, greeted by Cita's emphatic stare and her mother's staggered breath. As if it’s the only thing she is waiting before crossing the realm of afterlife, she screams, lays her head on the side, and dies in his arms, leaving Vic in the grips of despair and depression, driving away the concern of people around him including his mother’s friend Cita who struggles to give him hope and win his love. Disillusioned and unemployed he turns to black market trading and currency smuggling.