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Pocho Lapouble is a Sound Argentin

Pocho Lapouble

Pocho Lapouble
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Birth name Carlos Alberto Lapouble
Nationality Argentine

Pocho Lapouble (1942 — 2009) was an Argentine jazz drummer, composer and arranger.

Carlos Alberto Pocho Lapouble was born in La Plata. He and a group of local teens, including pianists Alberto Favero and Caco Álvarez, bassist Guri Baccaro, and trombonist Vicente Izzi, formed the La Plata Contemporary Jazz Group in 1959, performing together until 1968, and appearing in numerous university concerts and radio shows. He formed a trio with Favero and bassist Adalberto Cevasco, with whom he appeared in the contemporary music program at the Torcuato di Tella Institute in 1971, and in 1972 released his first album, Quinteplus, for EMI.

Lapouble became a prominent arranger and musician in the theatre, notably for Norma Aleandro, Inda Ledesma, Lito Cruz, and Juan Carlos Gené. He joined pop singer Palito Ortega in 1972 as lead arranger, and began his work in the cinema of Argentina in 1976 for Ortega as music director in the comedy production, Dos locos en el aire. He joined Cevasco in experimental pianist Gustavo Kerestesachi's jazz trio in 1974, and was honored at the 4th International Festival of Jazz Composers in Monaco, in 1978. Lapouble first composed for film in Alejandro Azzano's 1981 tragedy, Venido a menos. Among his many other Argentine credits include arrangements for Sandro, Leonardo Favio, Raúl Lavié, Nacha Guevara, Susana Giménez, and Antonio Gasalla, as well as numerous local television commercials, including one in which Amelita Baltar, a well-known tango vocalist, began her own career.

He later joined renowned bandoneonist and nuevo tango composer Ástor Piazzolla in his sextet, and later worked with Jorge Anders, Rodolfo Mederos, Dino Saluzzi, Roberto Pettinato, and Karlheinz Miklin, among others. He was honored at the Cannes Film Festival in 1985, 1986, 1988, 1993, and 1995, as well as in numerous Argentine events. He was reunited with pianist Alberto Favero for numerous albums and tours, including a tribute to George Gershwin (1993), Stella by Starlight (1996), and their version of Porgy and Bess (2002). The Argentine Society of Composers (SADAIC), awarded his tango piece, Palermo Viejo, a grand prize in 1998. His film score for Juan José Jusid's romantic comedy ¿Dónde estás amor de mi vida que no te puedo encontrar? (1992) ended his film collaborations, though he made a cameo appearance as himself in Lucho Bender's Felicidades, in 2000.

Lapouble taught in his discipline from 2002 onwards in the Buenos Aires suburb of Monte Grande, and headed the jazz program at the Argentine Society of Music Education (SADEM) from 2004. On May 15, 2009, Lapouble suffered a stroke and died in an Adrogué clinic at age 67.

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Source : Wikidata

Filmography of Pocho Lapouble (3 films)

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Sound

¿Dónde estás amor de mi vida que no te puedo encontrar?, 1h35
Directed by Juan José Jusid
Genres Comedy
Actors Susú Pecoraro, Fernando Siro
Rating58% 2.925522.925522.925522.925522.92552
The film shows the encounters and romances of several characters who seek love counsel through the eponymous late-night radio talk-show, conducted by Octavio (Siro). Octavio sets up blind dates among the characters, mainly advising Sarah (Pecoraro), a thirty-something loner who is hooked up with Fernandez (Martínez), a shy, introverted man who still lives with his father. Their relationship is chronicled through a series of episodes, involving Martínez' affair with a spiritist (Schultz), Sarah's entanglement with a psychopath and a subplot involving Sarah's strong-willed but ultimately broken and suicidal friend, Tina (Brando).
Adiós, Roberto, 1h30
Directed by Enrique Dawi
Genres Drama, Romance
Actors Ana María Picchio, Héctor Alterio, Osvaldo Terranova, María Cristina Laurenz, Héctor Pellegrini, María Vaner
Rating62% 3.1279153.1279153.1279153.1279153.127915
Roberto separates from his wife and needs a place to stay. When he moves in with gay Marcelo, he is clueless about Marcelo's sexuality and the two become close friends. One night after a night out a very drunk Roberto has sex with Marcelo and must confront his feelings and sexuality and the potential ridicule of his family and friends.