Search a film or person :

Rita Hayworth is a Actor and Producer American born on 17 october 1918 at New York City (USA)

Rita Hayworth

If you like this person, let us know!

Do you like this person ?

I like

I don't like

Birth name Margarita Carmen Cansino
Nationality USA
Birth 17 october 1918 at New York City (USA)
Death 14 may 1987 (at 68 years) at New York City (USA)

Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918 – May 14, 1987) was an American actress and dancer. She achieved fame during the 1940s as one of the era's top stars, appearing in a total of 61 films over 37 years. The press coined the term "love goddess" to describe Hayworth after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II.

Hayworth is perhaps best known for her performance in the 1946 film noir, Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. Fred Astaire, with whom she made two films, called her his favorite dance partner. Her greatest success was in the Technicolor musical Cover Girl (1944), with Gene Kelly. She is listed as one of the top 25 female motion picture stars of all time in the American Film Institute's survey, AFI's 100 Years...100 Stars.

In 1980 Hayworth was diagnosed with Alzheimer's disease, which contributed to her death at age 68. The public disclosure and discussion of her illness drew international attention to Alzheimer's, then a little-known disease, and helped to greatly increase public and private funding for Alzheimer's research.

Biography

Marriages and family
In 1941, Hayworth said she was the antithesis of the characters she played. "I naturally am very shy … and I suffer from an inferiority complex." Her provocative role in Gilda, in particular, was responsible for people expecting her to be what she was not. Hayworth once said, with some bitterness, "Men go to bed with Gilda, but wake up with me."

Hayworth's two younger brothers, Vernon and Eduardo Cansino, Jr., both served in World War II. Vernon left the United States Army in 1946 with several medals, including the Purple Heart, and later married Susan Vail, a dancer. Eduardo Cansino, Jr. followed Hayworth into acting; he was also under contract with Columbia Pictures. In 1950, he made his screen debut in Magic Carpet.

Hayworth was married and divorced five times. She said, "Basically, I am a good, gentle person, but I am attracted to mean personalities."

Edward Charles Judson
In 1937, when Hayworth was 18, she married Edward Judson, an oilman turned promoter who was more than twice her age. They married in Las Vegas. He had played a major role in launching her acting career. A shrewd businessman, he was domineering and became her manager for months before he proposed. "He helped me with my career," Hayworth conceded after they divorced, "and helped himself to my money." She alleged Judson compelled her to transfer considerable property to him and promise to pay him $12,000 under threats that he would do her "great bodily harm." She filed for divorce from him on February 24, 1942, with the complaint of cruelty. She noted to the press his work took him to Oklahoma and Texas while she lived and worked in Hollywood. Judson was as old as her father, who was enraged by the marriage, which caused a rift between Hayworth and her parents until the divorce. Judson had failed to tell Hayworth before they married he had previously been married twice. When she left him, she literally had no money; she asked her friend Hermes Pan if she could eat at his home.

Orson Welles

Hayworth married Orson Welles on September 7, 1943, during the run of The Mercury Wonder Show. None of her colleagues knew about the planned wedding (before a judge) until she announced it the day before. For the civil ceremony, she wore a beige suit, ruffled white blouse, and a veil. A few hours after they got married, they returned to work at the studio. They had a daughter, Rebecca, who was born on December 17, 1944, and died at the age of 59 on October 17, 2004. They struggled in their marriage. Hayworth said that Welles did not want to be tied down:

During the entire period of our marriage, he showed no interest in establishing a home. When I suggested purchasing a home, he told me he didn't want the responsibility. Mr. Welles told me he never should have married in the first place; that it interfered with his freedom in his way of life.
Hayworth called Welles the great love of her life. On November 10, 1947, she was granted a divorce that became final the following year.

Prince Aly Khan
In 1948, Hayworth left her film career to marry Prince Aly Khan, a son of Sultan Mahommed Shah, Aga Khan III, the leader of the Ismaili sect of Shia Islam. They were married on May 27, 1949. Her bridal trousseau had been influenced by Dior's "New Look", launched in 1947.

Aly Khan and his family were heavily involved in horse racing, owning and racing horses. Hayworth had no interest in the sport, but became a member of the Del Mar Thoroughbred Club anyway. Her filly, Double Rose, won several races in France and finished second in the 1949 Prix de l'Arc de Triomphe.

In 1951, while still married to Hayworth, Khan was spotted dancing with the actress Joan Fontaine in the nightclub where he and his wife had met. Hayworth threatened to divorce him in Reno, Nevada. In early May, Hayworth moved to Nevada to establish legal residence to qualify for a divorce. She stayed at Lake Tahoe with their daughter, saying there was a threat the child would be kidnapped. Hayworth filed for divorce from Khan on September 2, 1951, on the grounds of "extreme cruelty, entirely mental in nature."

Hayworth once said she might convert to Islam, but did not. During the custody fight over their daughter, Princess Yasmin Aga Khan, born (1949-12-28)December 28, 1949, the Prince said he wanted her raised as a Muslim; Hayworth wanted the child to be a Christian. Hayworth rejected his offer of $1 million if she would rear Yasmin as a Muslim from age seven and allow her to go to Europe to visit with him for two or three months each year, stating:

Nothing will make me give up Yasmin's chance to live here in America among our precious freedoms and habits. While I respect the Muslim faith, and all other faiths, it is my earnest wish that my daughter be raised as a normal, healthy American girl in the Christian faith. There isn't any amount of money in the entire world for which it is worth sacrificing this child's privilege of living as a normal Christian girl here in the United States. There just isn't anything else in the world that can compare with her sacred chance to do that. And I'm going to give it to Yasmin regardless of what it costs.
Dick Haymes
When Hayworth and Dick Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, as two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad, he could not return to California without being arrested. On July 7, 1954, his ex-wife Nora Haymes got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week prior, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children. Hayworth ended up paying most of Haymes's debts.

Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, U.S. officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953 at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.

From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.

After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Cocoanut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.

Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress.

James Hill
Hayworth began a relationship with film producer James Hill, whom she went on to marry on February 2, 1958. He put her in one of her last major films, Separate Tables. This film was popular and highly praised, although The Harvard Lampoon named her the worst actress of 1958 for her performance. On September 1, 1961, Hayworth filed for divorce, alleging extreme mental cruelty. Hill later wrote Rita Hayworth: A Memoir, in which he suggested their marriage collapsed because he wanted Hayworth to continue making movies, while she wanted them both to retire from Hollywood.

In his autobiography, Charlton Heston writes about Hayworth's brief marriage to Hill. One night Heston and his wife Lydia joined the couple for dinner at a restaurant in Spain with the director George Marshall and the actor Rex Harrison, Hayworth's co-star in The Happy Thieves. Heston wrote the occasion "turned into the single most embarrassing evening of my life," describing how Hill heaped "obscene abuse" on Hayworth until she was "reduced to a helpless flood of tears, her face buried in her hands." Heston writes how the others sat stunned, witnesses to a "marital massacre" and, though he was "strongly tempted to slug him" (Hill), he left with his wife Lydia after she stood up, almost in tears. Heston wrote, "I'm ashamed of walking away from Miss Hayworth's humiliation. I never saw her again."

Beauty
Hayworth was a top glamour girl in the 1940s, a pin-up girl for military servicemen and a beauty icon for women. At 5'6" (168 cm) and 120 lb (55 kg), she was tall enough to be a concern for dancing partners such as Fred Astaire. She reportedly changed her hair color eight times in eight movies.

In 1949, Hayworth's lips were voted best in the world by the Artists League of America. She had a modeling contract with Max Factor to promote its Tru-Color lipsticks and Pan-Stik make-up.

Biographer Barbara Leaming wrote that Hayworth aged prematurely because of her addiction to alcohol and the stresses of her life. "Despite the artfully applied make-up and shoulder-length red hair, there was no concealing the ravages of drink and stress," she wrote of Hayworth's arrival in New York in May 1956 to begin work on Fire Down Below, her first film in three years. "Deep lines had crept around her eyes and mouth, and she appeared worn, exhausted — older than her thirty-eight years."

Health

Orson Welles noted Hayworth's problem with alcohol during their marriage, but never believed her problem was alcoholism. "It certainly imitated alcoholism in every superficial way," he recalled in 1983. "She'd fly into these rages, never at me, never once, always at Harry Cohn or her father or her mother or her brother. She would break all the furniture and she'd get in a car and I'd have to get in the car and try to control her. She'd drive up in the hills suicidally. Terrible, terrible nights. And I just saw this lovely girl destroying herself. I admire Yasmin so much."

Yasmin Aga Khan spoke of her mother's long struggle with alcohol:

I remember as a child that she had a drinking problem. She had difficulty coping with the ups and downs of the business … As a child, I thought, 'She has a drinking problem and she's an alcoholic.' That was very clear and I thought, 'Well, there's not much I can do. I can just, sort of, stand by and watch.' It's very difficult, seeing your mother, going through her emotional problems and drinking and then behaving in that manner … Her condition became quite bad. It worsened and she did have an alcoholic breakdown and landed in the hospital.
In 1972, the 54-year-old Hayworth wanted to retire from acting, but she needed money. At the suggestion of Robert Mitchum, she agreed to film The Wrath of God. The experience exposed her poor health and worsening mental state. As she could not remember lines, her scenes were shot one line at a time. In November she agreed to do one more movie, the British Tales That Witness Madness, but because of her worsening health she left the set and returned to the United States. She never returned to acting.

In March 1974, both her brothers died within a week of each other, which caused her great sadness and led to heavy drinking. In 1976 at London's Heathrow Airport, Hayworth was removed from a TWA flight after having an angry outburst while traveling with her agent. The event attracted much negative publicity; a disturbing photograph was published in newspapers. Hayworth's alcoholism hid symptoms of what was eventually understood to be Alzheimer's disease.

"It was the outbursts," said Yasmin Aga Khan. "She'd fly into a rage. I can't tell you. I thought it was alcoholism — alcoholic dementia. We all thought that. The papers picked that up, of course. You can't imagine the relief just in getting a diagnosis. We had a name at last, Alzheimer's! Of course, that didn't really come until the last seven or eight years. She wasn't diagnosed as having Alzheimer's until 1980. There were two decades of hell before that."

Alzheimer's disease had been largely forgotten by the medical community since its discovery in 1906. Medical historian Barron H. Lerner wrote that when Hayworth's diagnosis was made public in 1981 she became "the first public face of Alzheimer's, helping to ensure that future patients did not go undiagnosed. … Unbeknownst to her, Hayworth helped to destigmatize a condition that can still embarrass victims and their families."

In July 1981, Hayworth's health had deteriorated to the point where a judge in Los Angeles Superior Court ruled that she should be placed under the care of her daughter, Princess Yasmin Aga Khan of New York City. Hayworth lived in an apartment at The San Remo on Central Park West adjoining that of her daughter, who arranged for her mother's care through her final years.

In 1983 Rebecca Welles arranged to see her mother for the first time in seven years. Speaking to his lifelong friend Roger Hill, Orson Welles expressed his concern about the visit's effect on his daughter. "Rita barely knows me now," Welles said. He recalled seeing Hayworth three years before at an event the Reagans held for Frank Sinatra. "When it was over, I came over to her table and I saw that she was very beautiful, very reposed looking, and didn't know me at first. After about four minutes of speaking, I could see that she realized who I was, and she began to cry quietly."

In an interview the evening before his death in 1985, Welles called Hayworth "one of the dearest and sweetest women that ever lived."