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Sérgio Ricardo is a Actor, Director, Story, Original Music Composer and Additional Music Brésilien born on 18 june 1932 at Marília (Bresil)

Sérgio Ricardo

Sérgio Ricardo
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Nationality Bresil
Birth 18 june 1932 at Marília (Bresil)
Death 23 july 2020 (at 88 years)

Sérgio Ricardo (born 18 June 1932) is a Brazilian film director and composer. He directed five films between 1964 and 1974.

In 1967 he gained attention when taking part of the third Festival de Música Popular Brasileira, in which he performed a rearranged version of "Beto bom de bola". The audience disliked the fact that he would not perform the original version and booed him during the whole performance. At a certain moment, he gave up playing, shouted "You won!" at the audience, broke his acoustic guitar and threw it at the crowd. He was then immediately disqualified.



^ "Sérgio Ricardo". cpdoc. Retrieved 2011-12-11.

^ Braune, Bia; Rixa Braune (2007). "Som da Caixa". In Felipe Schuery. Almanaque da TV - Histórias e curiosidades desta máquina de fazer doido (in Portuguese). Rio de Janeiro: Ediouro. p. 101. ISBN 978-85-00-02070-4.

Usually with

Source : Wikidata

Filmography of Sérgio Ricardo (6 films)

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Actor

2 Rabbits
2 Rabbits (2012)
, 1h48
Origin Bresil
Genres Drama, Action, Crime
Actors Alessandra Negrini, Caco Ciocler, Sérgio Ricardo
Roles Capanga do Robério 1
Rating72% 3.642363.642363.642363.642363.64236
Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.
Un animal doué de déraison, 1h40
Directed by Pierre Kast
Genres Romance
Actors Alexandra Stewart, Jean-Claude Brialy, Hugo Carvana, Jacques Spiesser, Sérgio Ricardo
Rating52% 2.6230952.6230952.6230952.6230952.623095
Un richissime promoteur français installé à Rio tente de séduire Alexandra, une jeune femme de la haute société, mais prisonnière de sa stricte éducation et de son carcan. Il fait alors part de son projet à un ami journaliste, qui décide d'en faire le thème d'un roman qu'il imagine dans le Brésil du XVIIIe siècle...

Director

Scriptwriter

The Night of the Scarecrow, 1h32
Directed by Sérgio Ricardo
Origin Bresil
Genres Drama, Horror, Musical
Roles Story
Rating61% 3.087763.087763.087763.087763.08776

Sound

Un animal doué de déraison, 1h40
Directed by Pierre Kast
Genres Romance
Actors Alexandra Stewart, Jean-Claude Brialy, Hugo Carvana, Jacques Spiesser, Sérgio Ricardo
Roles Music
Rating52% 2.6230952.6230952.6230952.6230952.623095
Un richissime promoteur français installé à Rio tente de séduire Alexandra, une jeune femme de la haute société, mais prisonnière de sa stricte éducation et de son carcan. Il fait alors part de son projet à un ami journaliste, qui décide d'en faire le thème d'un roman qu'il imagine dans le Brésil du XVIIIe siècle...
The Night of the Scarecrow, 1h32
Directed by Sérgio Ricardo
Origin Bresil
Genres Drama, Horror, Musical
Roles Original Music Composer
Rating61% 3.087763.087763.087763.087763.08776
Entranced Earth, 1h55
Directed by Glauber Rocha
Origin Bresil
Genres Drama, Thriller
Themes Seafaring films, Politique, Transport films, Political films, Films about Latin American military dictatorships
Actors Jardel Filho, Paulo Autran, José Lewgoy, Glauce Rocha, Paulo Gracindo, Hugo Carvana
Roles Original Music Composer
Rating72% 3.6469253.6469253.6469253.6469253.646925
L'action se déroule dans un pays imaginaire, l'Eldorado, qui offre, cependant, des similitudes avec le Brésil des années 1960. Au plus fort d'une époque en crise, le poète Paulo Martins est écartelé entre ses aspirations politiques et sa passion artistique. À l'agonie, il évoque, à présent, son parcours. Il a servi deux leaders politiques. L'un, Dom Porfirio Diaz, l'a protégé, utilisant son talent littéraire à des fins de pouvoir. Pourtant, Paulo Martins le trahit pour rejoindre ses adversaires politiques groupés autour de Don Felipe Vieira, dirigeant populiste et démagogique. Après son élection comme gouverneur, Vieira, confronté à l'inconsistance des promesses faites aux paysans pauvres, finit par utiliser Paulo Martins à des fins policières. Désabusé, le poète se replie sur lui-même et sur ses premières amours avec une fiancée bourgeoise présentée, autrefois, par Dom Porfirio Diaz, commettant une infidélité à l'égard de Sara, militante de l'autre camp... Mais, Sara et ses camarades l'enjoignent et le convainquent de les rallier à nouveau. Il trahit une seconde fois Diaz et de façon plus grave. Ce dernier réussit, cependant, à être couronné. Quant à Paulo Martins, « sa quête conjointe de la "justice et de la beauté" le vouera donc à un destin de déchirure, de trahisons successives de lui-même et de ses amis (et de ses amantes), et finalement à ne pouvoir dépasser l'horreur et le dégoût que dans la mort et le sacrifice.
Black God, White Devil, 1h55
Directed by Glauber Rocha
Origin Bresil
Genres Drama, Adventure, Historical, Crime, Western
Actors Geraldo Del Rey, Othon Bastos, Yoná Magalhães, Maurício do Valle
Roles Music
Rating71% 3.596933.596933.596933.596933.59693
The film starts in the 1940s, during another drought in the sertão, when ranch hand Manuel (Geraldo Del Rey) is fed up with his situation. His boss tries to cheat him of his earnings and Manuel kills him, fleeing with his wife, Rosa (Yoná Magalhães). Now an outlaw, Manuel joins up with a self-proclaimed saint who condones violence (at one point slaughtering a baby) and preaches disturbing doctrines. It is now Rosa who turns to killing and the two are on the move once again. And so it goes, the two running from one allegiance to another, following the words of others as they attempt to find a place in their ruthless land. Blending mysticism, religion, and popular culture in this symbolic and realistic drama, Rocha insists that rather than follow the external and obscure dogmas of culture and religion, man must determine his path by his own voice.

Team

Antonio das Mortes, 1h35
Directed by Glauber Rocha
Origin Bresil
Genres Drama, Action, Historical, Crime, Western
Actors Maurício do Valle, Odete Lara, Othon Bastos, Hugo Carvana, Joffre Soares
Roles Additional Music
Rating69% 3.4939553.4939553.4939553.4939553.493955
After the World War II, in the Brazilian sertão. A group of impoverished peasant mystics (beatos) gathered around Dona Santa (Rosa Maria Penna), a female spiritual figure, join in veneration of Saint George with an obscure figure named Coirana (Lorival Pariz). Coirana claims to have restarted the cangaço and seeks to take the revenge of Lampião and other cangaceiro martyrs, presenting the tale of Saint George and the Dragon in a contemporary class conflict context. They threaten the town of Jardim de Piranhas governed by Coronel Horácio (Joffre Soares) a blind and old cattle owner married to younger and attractive Laura (Odete Lara). Dr. Mattos (Hugo Carvana), the corrupt police chief of the town, hires Antônio das Mortes as a jagunço against Coirana and Antônio fatally wounds Coirana in a duel. However, Antônio is changed by his experiences with the poor, and so he then demands that the coronel distribute the food stored in a warehouse to the remaining cangaceiros. The colonel raged and sent Mata Vaca (Vinícius Salvatori) to kill Antônio das Mortes. But Antônio das Mortes with the help of his friend "Professor" (Othon Bastos) kills Mata Vaca and his jagunços. The coronel is killed by Antão (Mário Gusmão), the helper and possibly lover of Dona Santa in a scene reminiscent of Saint George slaying the Dragon iconography. The movie ends with Antônio das Mortes walking by the roadside, carrying on the struggle - in some ways hopeless or unending - which extends beyond the killing of the colonel and the expropriation of his land.