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Setareh Eskandari is a Actor Iranienne born on 15 june 1974 at Torbat-e Heydarieh (Iran)
Setareh Eskandari (Persian: ستاره اسکندری , born June 15, 1974 in Torbat heydarieh ) is an Iranian actress.
she has begun theater in 1994 at Tehran university.
the most important awards:
the best actress in 19th "Fajdr "festival 2001
the best actress in "Iranian society of theater critics" 2001.
the best actress in 33th" Fajdr "festival 2015
the best actress in "iran's house of Theater " 2015
she acts in many t.v series: she has two awards as e best actress in t.v 2006 and 2008 .
Source : Wikidata
Setareh Eskandari
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Birth name Setareh Eskandari
Nationality Iran
Birth 15 june 1974 (50 years) at Torbat-e Heydarieh (Iran)
Nationality Iran
Birth 15 june 1974 (50 years) at Torbat-e Heydarieh (Iran)
she has begun theater in 1994 at Tehran university.
the most important awards:
the best actress in 19th "Fajdr "festival 2001
the best actress in "Iranian society of theater critics" 2001.
the best actress in 33th" Fajdr "festival 2015
the best actress in "iran's house of Theater " 2015
she acts in many t.v series: she has two awards as e best actress in t.v 2006 and 2008 .
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Filmography of Setareh Eskandari (2 films)
Actress
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Hush! Girls Don't Scream (2013)
, 1h44Directed by Pouran Derakhshandeh
Origin Iran
Genres Drama, Crime
Actors Merila Zarei, Tannaz Tabatabaei, Amir Aghaei, Babak hamidian, Jamshid Hashempour, Shirin Bina
Rating68%
Sweet eight years of neglect and indifference of parents, an event that marks her for years that their scar on his soul remains all his life is overshadowed. Than the deeper the wound, and the event will lead to disaster, is that she is not one to share her pain with...
Shirin (2008)
, 1h32Directed by Abbas Kiarostami
Origin Iran
Genres Drama, War, Documentary, Historical
Themes Films about films, Documentary films about the film industry, Documentary films about films
Actors Niki Karimi, Taraneh Allidousti, Golshifteh Farahani, Mahnāz Afshār, Juliette Binoche, Zahra Amir Ebrahimi
Rating66%
Cent-quatorze spectateurs, essentiellement féminins, assistent à la projection de l'adaptation cinématographique d'un classique de la littérature perse du XII siècle. Ces spectateurs s'émeuvent de l'histoire d'amour qui se déroulent sous leurs yeux : le film n'apparaît dans la mise en abyme qu'à travers sa bande son et les réactions du public. Néanmoins, le réalisateur trompe le spectateur puisque les actrices n'assistent pas réellement à une représentation filmique.