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Xia Yan is a Scriptwriter Chinois born on 30 october 1900

Xia Yan

Xia Yan
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Birth name Shen Duanxian
Nationality Chine
Birth 30 october 1900
Death 6 february 1995 (at 94 years)

Xia Yan (chinois : 夏衍) (30 octobre 1900, Yuhang - 6 février 1995, Pékin) était un dramaturge, scénariste, journaliste et homme politique chinois. "Homme aux soixante pseudonymes", il est également connu sous les noms de Shen Naixi, Duanxuan ou Duanxian.

Usually with

Yuan Muzhi
Yuan Muzhi
(1 films)
Chen Liting
Chen Liting
(1 films)
Hu Die
Hu Die
(1 films)
Zhao Dan
Zhao Dan
(1 films)
Source : Wikidata

Filmography of Xia Yan (5 films)

Display filmography as list

Scriptwriter

A Revolutionary Family
Genres Drama, Historical
Actors Sun Daolin
Roles Writer
Rating62% 3.1363353.1363353.1363353.1363353.136335
Far Away Love
Directed by Chen Liting
Genres Drama, War
Themes Political films
Actors Zhao Dan, Qin Yi
Roles Writer

After university professor Xiao Yuanxi 萧元熙 (Zhao Dan) breaks up with his girlfriend, he finds his maidservant Yu Zhen 余珍 (Qin Yi) an attractive, though unpolished, woman. He decides to transform Yu into his ideal woman. He teaches her modern etiquette and customs, and with his encouragement, Yu develops into an independent-minded modern woman. The two become married.
Children of Troubled Times
Directed by Yuan Muzhi
Genres Drama
Themes Political films
Actors Yuan Muzhi, Wang Renmei, Zhou Xuan
Roles Writer
Rating56% 2.847082.847082.847082.847082.84708
The plot follows the young poet Xin Baihe, who flees Shanghai with his friend, Liang. Liang soon joins the resistance against the Japanese invaders, but Xin chooses to pursue a relationship with a glamorous and westernized widow in Qingdao.
The Classic for Girls
Directed by Zheng Zhengqiu
Genres Drama
Actors Hu Die
Rating63% 3.171073.171073.171073.171073.17107
Spring Silkworms, 1h36
Genres Drama
Roles Adaptation
Rating66% 3.3044253.3044253.3044253.3044253.304425
The film tells the story of a family of poor silk farmers in Zhejiang province, who suffer hardship and deprivation when their crop of silkworm cocoons die off. The film criticizes not only the harsh market conditions that have forced the family into poverty, but the family's own superstitions and selfishness.