Connection
A Man Vanishes is a japonais film of genre Drama directed by Shōhei Imamura with Shōhei Imamura
A Man Vanishes (1967)
Ningen Johatsu (人間蒸発)
If you like this film, let us know!
- Infos
- Casting
- Technical infos
- Photos
- Videos
- Film quotes
- Characters
- Music
- Awards
Add to a movie listA Man Vanishes (人間蒸発, Ningen Jōhatsu) is a 1967 Japanese film by director Shohei Imamura.
Synopsis
Un documentaire autour d'un homme ordinaire qui disparaît, comme beaucoup de japonais chaque année, laissant derrière lui sa femme, son travail. Shōhei Imamura, mène le récit vers des développements inattendus, ce qui amène le spectateur à s'interroger sur ce qui est la réalité et ce qui pourrait être la fiction.Actors
Shōhei Imamura
(Self)
Shigeru Tsuyuguchi
(Self)
Comments
Leave comment :
Suggestions of similar film to A Man Vanishes
There are 6 films with the same actors, 21 films with the same director, 69479 with the same cinematographic genres (including 1036 with exactly the same 2 genres than A Man Vanishes), to have finally 70 suggestions of similar films.If you liked A Man Vanishes, you will probably like those similar films :
Intentions of Murder (1964)
, 2h30Directed by Shōhei Imamura
Origin Japon
Genres Drama
Actors Masumi Harukawa, Kō Nishimura, Shigeru Tsuyuguchi, Yoshi Katō, Yūko Kusunoki, Tomio Aoki
Rating75%
The film tells the story of a dull, plump housewife living in poverty with a common-law husband. After being raped by a thief, she is repeatedly accosted by him as he falls madly in love with her. Stuck between her adulterous, unloving husband and the rapist she struggles to find happiness.
Why Not? (1981)
, 2h31Directed by Shōhei Imamura
Origin Japon
Genres Drama
Themes Seafaring films, Sports films, Transport films, Martial arts films
Actors Kaori Momoi, Ken Ogata, Shigeru Izumiya, Yūko Tanaka, Mitsuko Baishō, Shigeru Tsuyuguchi
Rating67%
The film depicts carnivalesque atmosphere summed up by the cry "Ee ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
, 1h10Directed by Shōhei Imamura
Genres Documentary
Themes Films about sexuality, Erotic films, Films about prostitution, Documentary films about war, Documentary films about historical events, Documentary films about prostitution, Political films, Documentary films about World War II
Actors Shōhei Imamura
Rating72%
The Insect Woman (1963)
, 2h3Directed by Shōhei Imamura
Origin Japon
Genres Drama, Documentary
Actors Masumi Harukawa, Sachiko Hidari, Teruko Kishi, Tanie Kitabayashi, Hiroyuki Nagato, Asao Koike
Rating73%
A woman, Tome, (Sachiko Hidari) is born to a lower-class family in Japan in 1918. The film is a metaphor for life in Japan through the middle twentieth century, including World War II. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.
The Insect Woman (1963)
, 2h3Directed by Shōhei Imamura
Origin Japon
Genres Drama
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Sachiko Hidari, Masumi Harukawa, Teruko Kishi, Tanie Kitabayashi, Asao Koike, Hiroyuki Nagato
Rating73%
Le film suit le parcours d’une femme, Tome, pendant une quarantaine d’années. Tome est originaire d’une province rurale du Nord du Japon – Tohoku. Elle se rend à Tokyo pour essayer de se sortir de la misère. Elle devient prostituée puis maquerelle, mais, arrêtée par la police, elle revient finalement à sa situation et à son point de départ.
Vengeance Is Mine (1979)
, 2h20Directed by Shōhei Imamura, Taku Shinjō
Origin Japon
Genres Drama, Crime
Themes Serial killer films
Actors Ken Ogata, Mayumi Ogawa, Rentarō Mikuni, Mitsuko Baishō, Taiji Tonoyama, Kazuko Shirakawa
Rating76%
The film's story is told in a series of flashbacks. In the opening scenes, Iwao Enokizu (Ken Ogata), is a prisoner of the police. A huge crowd of journalists and an angry mob greets him as he enters a cell. The police quiz him but he refuses to answer. The story goes back to the initial murders. Enokizu tricks and then kills two men and steals a large sum of money. He puts on a suit and disappears. Enokizu travels to another city. At the train station, he asks a taxi driver to take him to an inn where he can get a prostitute. Enokizu is sexually insatiable. He tells the innkeeper, a woman called Haru (Mayumi Ogawa), that he is a professor at Kyoto University. The police, searching for Enokizu, put out bulletins with his face on television. The prostitute thinks the professor is Enokizu, but she is told not to go to the police because of her job.
, 1h45Directed by Shōhei Imamura
Origin Japon
Genres Documentary, Historical
Actors Rikiya Yasuoka, Fukumi Kuroda
Rating71%
Shōhei Imamura filme et interroge une Japonaise, patronne d'un bar, sur sa vie, son histoire, en la mettant en parallèle avec les événements qui ont secoué le Japon de l'immédiate après-guerre jusqu'à la fin des années 1960. Le cinéaste propose ainsi un double documentaire, illustrant l'histoire événementielle et le vécu de la population.
11’09”01—September 11 (2002)
, 2h15Directed by Sean Penn, Claude Lelouch, Amos Gitaï, Youssef Chahine, Alejandro González Iñárritu, Danis Tanović, Ken Loach, Idrissa Ouédraogo, Shōhei Imamura, Mira Nair, Samira Makhmalbaf
Origin Iran
Genres Drama
Themes Films based on the September 11 attacks, Medical-themed films, Films about terrorism, Transport films, Aviation films, Films about disabilities, Dans un avion, Disaster films, Sign-language films, French Sign Language films, Films about language and translation, Films about hijackings
Actors Ernest Borgnine, Emmanuelle Laborit, Akira Emoto, Mitsuko Baishō, Ken Ogata, Keren Mor
Rating67%
Dans un village au Moyen-Orient, la population se prépare à des représailles américaines en préparant des abris de terre cuite. Personne n'appréhende vraiment ce qui s'est passé à New York, mais ils savent que, même s'ils n'ont rien à voir avec cela, ils vont en subir les conséquences. Le film dénonce la manière dont des villages innocents dont la réalité n'a rien à voir avec les attentats du 11 septembre subissent finalement le même sort que les tours, sans vraiment comprendre.
Dr. Akagi (1998)
, 2h9Directed by Shōhei Imamura
Origin Japon
Genres Drama, War, Comedy, Comedy-drama, Historical
Actors Akira Emoto, Kumiko Asō, Jacques Gamblin, Jūrō Kara, Keiko Matsuzaka, Misa Shimizu
Rating71%
The film concerns Dr. Akagi, a doctor on an island in the Seto Inland Sea area during World War II. He runs into conflict with the military while trying to combat a hepatitis epidemic. Akagi earns the nickname "Dr. Liver" (カンゾー先生 Kanzō-sensei) because of his work.
The Eel (1997)
, 1h57Directed by Shōhei Imamura
Origin Japon
Genres Drama, Crime
Themes Films about domestic violence
Actors Kōji Yakusho, Misa Shimizu, Mitsuko Baishō, Akira Emoto, Shō Aikawa, Etsuko Ichihara
Rating72%
Acting on the advice of an anonymous note, Takuro Yamashita (Kōji Yakusho) returns home early one night to find his wife in bed with another man. He kills her and then turns himself in to the police. After being released from prison, he opens a barber shop and brings along a pet eel which he talks to while mostly ignoring conversation with others. He helps save Keiko Hattori (Misa Shimizu) from a suicide attempt, resulting in her working at the shop. She starts developing romantic feelings for him, but he acts nonchalant and refuses the boxed lunches she prepares for him when he goes eel-hunting with the fisherman Jukichi Takada. Takuro recognizes the local garbageman from prison and the garbageman starts to stalk Takuro and Keiko, believing that Takuro isn't repentant enough for his crimes. He attempts to rape Keiko and leaves a letter revealing Takuro's past on the door of his barber shop, but it is removed by Takada. Keiko finds out that she is pregnant with the baby of Eiji Dojima (Tomorowo Taguchi), a loan shark, and that it is too late for an abortion. One night the garbageman goes to Takuro's shop and lectures him, accusing him of killing his wife out of jealousy. The two get into an altercation and Takuro fends him off. Keiko goes back to her old company, where she is the vice-president, and retrieves her mother's bankbook. This results in Dojima angrily going to the barber shop, along with henchman, and accusing her of theft since he was planning to reinvest the funds into his business. Dojima's group and Keiko's fight, with the false revelation that Keiko is pregnant with Takuro's child. The police find that Keiko's mother never signed power of attorney papers for Dojima, but a parole violation meeting for Takuro causes him to be sent back to prison for a year. Takuro lets his eel go and accepts a boxed lunch from Keiko, who promises to wait for him with her baby.