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Karayuki-San, the Making of a Prostitute is a film of genre Documentary directed by Shōhei Imamura with Shōhei Imamura

Karayuki-San, the Making of a Prostitute (1975)

Karayuki-San, the Making of a Prostitute
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Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women who were forced into prostitution in Japanese-occupied territories during World War II. Imamura focuses on one particular woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."

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Suggestions of similar film to Karayuki-San, the Making of a Prostitute

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, 2h4
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Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
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Le film suit le parcours d’une femme, Tome, pendant une quarantaine d’années. Tome est originaire d’une province rurale du Nord du Japon – Tohoku. Elle se rend à Tokyo pour essayer de se sortir de la misère. Elle devient prostituée puis maquerelle, mais, arrêtée par la police, elle revient finalement à sa situation et à son point de départ.
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The film focuses on Kinta, a member of the Himori Yakuza, who has been put in charge of the gang's pork distribution and his girlfriend Haruko, who works at a bar. Kinta is shown working with other gangsters, beating up a local shopkeep who caters to Americans and paying the people who work on the hog farm. When Kinta goes to visit Haruko in the afternoon she leaves without speaking to him and Kinta finds out through her sister that Haruko is being paid 30000 yen to go on a date with a sailor (and that her mother has already spent the money). Haruko returns to Kinta later that night, although Kinta is unhappy because of the earlier events. Haruko reveals that she is pregnant and expresses her concerns about Kinta’s work.
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Warm Water Under A Red Bridge focuses on the troubles of a Japanese "everyman" who finds a new life with an unusual woman in a small fishing village. Imamura's last film contains considerable commentary on the search for happiness.
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Genres Documentary
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The documentary describes the life of a Moroccan woman employed as a prostitute in a military brothel by the French Colonial Army who took part in the Indochina War. Past 70, Fadma says she agreed to do the documentary so that France would recognize her as they do their veterans: "I too took part in the war".