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A Virus Knows No Morals is a film of genre Drama directed by Rosa von Praunheim with Rosa von Praunheim

A Virus Knows No Morals (1986)

A Virus Knows No Morals
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Length 1h24
Directed by
Genres Drama,    Science fiction,    Comedy
Rating57% 2.860142.860142.860142.860142.86014

A Virus Knows No Morals (German: Ein Virus kennt keine Moral) is a 1986 German film directed, written and produced by Rosa von Praunheim. The film is a black comedy about the AIDS epidemic. Made with a low budget, campy style and no professional actors, it covers many aspects of AIDS and its effects as well as attacking the rumors surrounding it in a satirical way.

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Suggestions of similar film to A Virus Knows No Morals

There are 4 films with the same actors, 18 films with the same director, 90000 with the same cinematographic genres (including 350 with exactly the same 3 genres than A Virus Knows No Morals), 10125 films with the same themes (including 77 films with the same 6 themes than A Virus Knows No Morals), to have finally 70 suggestions of similar films.

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During a gay march in Berlin, some of the men in the crowd are asked their opinion about gay men who have hard-core right wing views, are skinheads or neo-Nazis. All of those questioned express their disapproval. One of them comments the absurdity of the situation: if the gay right-wing and neo-Nazis would have lived in the era they admire, they would have been exterminated.
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Themes Films about sexuality, LGBT-related films, Documentary films about war, Documentary films about historical events, Documentary films about politics, Political films, Documentary films about World War II, LGBT-related films, LGBT-related film
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The first of the three women portrayed in this documentary is the innovative dancer/mime/choreographer Lotte Goslar (1907-1997), who worked with Mary Wigman in pioneering modern dance, and choreographed productions by Bertolt Brecht. She developed her own style of expressive dance. In 1933 she left Germany and toured in Europe. Disgusted with Germany's Nazism she exiled herself in the United States. In one of her most famous solos, Grandma Always Danced, she was seen, first, as a baby, then as a bride, a mother and as an old woman. Goslar became a popular teacher of mime and body movement for actors. In the late 1940s, she taught in Los Angeles, where one of her pupils was Marilyn Monroe.
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Genres Documentary
Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film
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Lotti Huber, in her late seventies at the time of filming, is a short, chubby flamboyant old lady of remarkable vivacity. Appearing wearing large hoop earrings and dramatic makeup, she recounts vividly important events and successes of her life. At the beginning of the film, she demands from Praunheim to make a documentary about her.
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Genres Drama, Comedy
Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film
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Rosa von Praunheim, a controversial German film director, Introduces the premiere of his new film before a live audience. A moviegoer leaps to his feet and shoots him. Gesine Ganzman-Seipel, a disdainful TV reporter, is assigned to do a mockumentary series on the victim's debauched existence and his career as a dilettante artist. The mystery surrounding von Praunheim's death is fueled by the disappearance of the corpse.
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Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film
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As a little boy Andy is severely mistreated by his father until the man leaves the small family for good. Left alone with her son, the mother forces Andy into incestuous acts. At the age of eight, Andy feels drawn to Japanese martial arts and begins to train on a daily basis. Unlike his familial situation, his dojo provides the security of a reliable hierarchy where he can thrive. His recklessness and his achievements as a tournament fighter assure him the attention of the local underworld. Lacking alternatives he accepts an opportunity to work as a racketeer. More than one pretty young girl is infatuated with his rugged charm. He takes advantage of their feelings by running a prosperous side business as a pimp until a girl named Hannah says something that reminds him of his abusive mother. Overwhelmed by anger he beats her badly and finds himself behind bars. Marion, one of his lovers, remains faithful. With her he opens up to a woman for the first time and that enables him to tell a therapist the secrets of his troubled childhood. Following his release he becomes Marion's faithful companion.
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Charlotte von Mahlsdorf, a male to female transsexual, recounts incidents from her eventful life. Now elderly, she runs the Gründerzeit Museum, fulfilling her dream of living as a woman from the turn of 20th century. Scenes of her life are dramatized. Two actors play the young and middle aged Charlotte and she plays herself in the later years.