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Suggestions of similar film to Aakrosh
There are 553 films with the same actors, 14 films with the same director, 61755 with the same cinematographic genres, 14616 films with the same themes (including 0 films with the same 6 themes than
Aakrosh), to have finally
70 suggestions of similar films.
If you liked
Aakrosh, you will probably like those similar films :
, 4h34
Directed by Govind NihalaniGenres DramaThemes Films about religion,
Political filmsActors Om Puri,
Bhisham Sahni,
Amrish Puri,
Deepa Sahi,
Manohar Singh,
Dina PathakRating87%
Nathu (Om Puri), a Chamar, is finishing his work in his shop when the thekedar (Pankaj Kapur) walks in and asks him to entice a pig from a nearby piggery into his shop and kill it for the Veterinary doctor who needs it for medical purposes. Nathu tries to decline saying he has never killed a pig before and doesn't have the necessary skill for it, offering instead to tan the hide if required provided the people from the piggery kill it. Thekedar insists that he wants Nathu to do it and gives him 5 rupees for it and leaves the shop saying that the work must be done by morning when the jamadar will come to take the carcass., 2h10
Directed by Govind NihalaniGenres Drama,
CrimeActors Om Puri,
Smita Patil,
Amrish Puri,
Shafi Ali Inamdar,
Naseeruddin Shah,
Sadashiv AmarapurkarRating80%
The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship., 2h14
Directed by Shyam BenegalOrigin IndeGenres DramaThemes Films about music and musicians,
Politique,
Musical films,
Political films,
BollywoodActors Kulbhushan Kharbanda,
Smita Patil,
Girish Karnad,
Amrish Puri,
Naseeruddin Shah,
Mohan AgasheRating76%
The film traces the origins of the movement through its fictionalised narrative, based around rural empowerment, when a young veterinary surgeon, played by Girish Karnad, a character based on then, National Dairy Development Board (NDDB) chief, the 33-year-old Verghese Kurien, who joined hands with local social worker, Tribhovandas Patel, which led to the setting up a local milk cooperative, in Anand, Gujarat., 2h21
Directed by Goutam GhoseOrigin IndeGenres DramaThemes Films about music and musicians,
Politique,
Musical films,
Political films,
BollywoodActors Shabana Azmi,
Naseeruddin Shah,
Om Puri,
Utpal Dutt,
Mohan Agashe,
Anil ChatterjeeRating76%
The film of exploitation in rural Bihar, in which a landlord (Utpal Dutt)’s men wreck a village and kill the benevolent schoolmaster (Anil Chatterjee) who was a progressive force in the village. The labourer Naurangia (Naseeruddin Shah) breaks with a tradition to passive resistance and retaliates by killing the landlord’s brother. Naurangia and his wife Rama (Shabana Azmi) become fugitives from justice. After many efforts to find sustenance elsewhere, the two decide to return home. To earn the fare, they agree to drive the herd of pigs through the river, causing the pregnant Rama to believe she has lost her baby.But they have to swim across a wide, swiftly flowing river, in which they nearly drown before reaching safety. At the end of the film Naurangia puts his ear to her belly and listens to the heartbeats of the unborn baby., 2h20
Directed by Shyam BenegalGenres Drama,
CrimeThemes Films about music and musicians,
Films about sexuality,
Rape in fiction,
Musical films,
BollywoodActors Shabana Azmi,
Naseeruddin Shah,
Girish Karnad,
Smita Patil,
Anant Nag,
Amrish PuriRating75%
Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and protection of his family, which also includes bending the law to his own advantage. The shy and quiet Vishwam is married to Rukmani (Smita Patil) and, unlike his brothers, does not indulge in alcohol or women, nor does he have any bad habits. Then the village gets a new schoolmaster (Girish Karnad), who has a wife, Sushila (Shabana Azmi). When Vishwam sees her for the first time, he is unable to take his eyes off her, and unable to get her out of his mind. Sushila does not reciprocate his attentions. Then one night, while the schoolmaster is enjoying a quiet dinner with his family, the bell rings and the two older brothers of Vishwam grab Sushila and take her forcibly when she goes to answer the door. Several people are present, but no one dares to raise a hand nor even a voice to stop this abduction. The distraught schoolteacher, who is denied justice by everyone from the local police officer to the district collector, is helped by the old priest (Satyadev Dubey) and finally they succeed in mobilizing the villagers and they slaughter their oppressors. In the end the frenzied villagers also kill the innocent Rukmani as well as Sushila whom her husband tried to rescue with the help of the rebellious villagers., 2h22
Directed by Shyam BenegalGenres Drama,
Biography,
MusicalThemes Films about films,
Films about music and musicians,
Films about television,
Musical films,
BollywoodActors Smita Patil,
Amol Palekar,
Anant Nag,
Amrish Puri,
Naseeruddin Shah,
Dina PathakRating73%
Bhumika tells the life story of an actress, Usha (Smita Patil), who is the granddaughter of a famous female singer of the old tradition from Devadasi community of Goa. Usha's mother is married to an abusive and alcoholic Brahmin. Following his early death, and over her mother's objections, Usha is taken to Bombay by family hanger-on Keshav Dalvi (Amol Palekar) to audition successfully as a singer in a Bombay studio: the first step in a process, watched approvingly by Usha's doting grandmother and with horror by her mother, that will eventually carry her to on-camera adolescent stardom, and to an ill-starred love marriage with Keshav. Usha’s motives for stubbornly pursuing this relationship (culminating in a pre-marital pregnancy) with the unattractive and much older Keshav — who appears to have lusted after her since childhood — are not spelled out. Presumably she feels indebted to him for his loyalty to her family (of which he frequently reminds her) and for her own worldly success; she is also a headstrong girl who clearly enjoys her acting career and is bent on challenging her uptight mother (who opposes the match because Keshav does not belong to their caste, just as she opposes cinema itself because of its presumed un-respectability)., 2h32
Directed by Govind NihalaniGenres DramaThemes Political filmsActors Jaya Bachchan,
Anupam Kher,
Nandita Das,
Joy Sengupta,
Seema Biswas,
Milind GunajiRating75%
Dibyanath Chatterji, his bank-employed wife, Sujata, and youngest son, Brati, live an affluent existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed. Dibyanath and Sujata go to identify Brati's body, mourn, lament inconsolably. They know now that their lives will never be the same again - for by the police they will be called the mother and father of corpse No. 1084. Sujata struggles to understand Brati's passing, meets his friends one by one, comes to know that Brati had a girlfriend, Nandini Mitra, and that's when she finds out that Brati was part of a rebel group often referred to as "Naxalbari", a militant leftist group. As she delves deeper and deeper into Brati's former life, she begins to understand her son's struggle, and decides to continue to further this. What Sujata does not know is her and Dibyanath's lives are in danger, and they well turn up dead and end up as numbered corpses in a police morgue., 2h56
Directed by Govind NihalaniGenres DramaActors Amitabh Bachchan,
Fardeen Khan,
Kareena Kapoor,
Om Puri,
Amrish Puri,
Rati AgnihotriRating66%
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aaliya is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth. Dev is the saga of Dev and Tej's friendship, a bond stronger than blood ties in which Farhaan emerges as the wedge driving them apart. The story unfolds against the vitiated atmosphere of present times where innocent lives become fodder for political expediency. The spark of terrorist violence unknowingly set off by Farhaan under the aegis of the corrupt politician Latif engulfs the whole city in its flames. Tej transgresses beyond the boundaries of law in his passion to eliminate anti-national crime. Dev is faced with the spectre of the tragic human cost and a moral compulsion to act. The stakes rise beyond self-interest. Dev and Tej are set on a path of dramatic collision. Even as Dev and Farhaan's fate gets irreversibly linked, two soldiers whose allegiance may be to different causes but admiration for each other's courage and integrity brings them together.