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Antarnaad is a film directed by Shyam Benegal released in USA on 1 january 1991 with Kulbhushan Kharbanda
Antarnaad (1991)
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Add to a movie listAntarnaad (Hindi: अंतरनाद) ("Inner voice") was a 1991 Hindi film made by Shyam Benegal, based on the Swadhyay Movement by Pandurang Shastri Athavale.
Synopsis
Antarnaad is a movie explaining the theory of the Swadhyay Movement run by P.P. Pandurangshastriji Athavale. It explains how to Spread the divine power of the Lord Bhagawan's message of Love through meeting all kinds & categories of people all over the country & communicate, make a friendly relation. As the relation moves on just motivate the people to remember to perform the God's heavenly service of Remembering him, Salute & thank him as well for this beautiful Life. Since that is the great power which run our daily BodyShores. Make those people so devout through their honest daily work of earning bread and butter & homeshores by accompanying them.Actors
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Suggestions of similar film to Antarnaad
There are 489 films with the same actors, 23 films with the same director, to have finally 70 suggestions of similar films.If you liked Antarnaad, you will probably like those similar films :
The Essence (1987)
, 2h20Directed by Shyam Benegal
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Night's End (1975)
, 2h20Directed by Shyam Benegal
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Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and protection of his family, which also includes bending the law to his own advantage. The shy and quiet Vishwam is married to Rukmani (Smita Patil) and, unlike his brothers, does not indulge in alcohol or women, nor does he have any bad habits. Then the village gets a new schoolmaster (Girish Karnad), who has a wife, Sushila (Shabana Azmi). When Vishwam sees her for the first time, he is unable to take his eyes off her, and unable to get her out of his mind. Sushila does not reciprocate his attentions. Then one night, while the schoolmaster is enjoying a quiet dinner with his family, the bell rings and the two older brothers of Vishwam grab Sushila and take her forcibly when she goes to answer the door. Several people are present, but no one dares to raise a hand nor even a voice to stop this abduction. The distraught schoolteacher, who is denied justice by everyone from the local police officer to the district collector, is helped by the old priest (Satyadev Dubey) and finally they succeed in mobilizing the villagers and they slaughter their oppressors. In the end the frenzied villagers also kill the innocent Rukmani as well as Sushila whom her husband tried to rescue with the help of the rebellious villagers.
The Market Place (1983)
, 2h47Directed by Shyam Benegal
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Themes Films about sexuality, Erotic films, Films about prostitution
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For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.
The Churning (1976)
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Origin Inde
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Rating73%
Bhumika tells the life story of an actress, Usha (Smita Patil), who is the granddaughter of a famous female singer of the old tradition from Devadasi community of Goa. Usha's mother is married to an abusive and alcoholic Brahmin. Following his early death, and over her mother's objections, Usha is taken to Bombay by family hanger-on Keshav Dalvi (Amol Palekar) to audition successfully as a singer in a Bombay studio: the first step in a process, watched approvingly by Usha's doting grandmother and with horror by her mother, that will eventually carry her to on-camera adolescent stardom, and to an ill-starred love marriage with Keshav. Usha’s motives for stubbornly pursuing this relationship (culminating in a pre-marital pregnancy) with the unattractive and much older Keshav — who appears to have lusted after her since childhood — are not spelled out. Presumably she feels indebted to him for his loyalty to her family (of which he frequently reminds her) and for her own worldly success; she is also a headstrong girl who clearly enjoys her acting career and is bent on challenging her uptight mother (who opposes the match because Keshav does not belong to their caste, just as she opposes cinema itself because of its presumed un-respectability).
The Obsession (1978)
, 2h21Directed by Shyam Benegal
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The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.
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, 2h24Directed by Shyam Benegal
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Rating75%
Hari Mondal(Om Puri) is a poor village farmer who lives in the remote Bengal village of Giripur in Birbhum district with his wife, two sons, brother, an old widowed aunt Kalidashi (Gita Sen)and her daughter Panchi. The movie opens in the mid sixties when the Naxalbari uprising is spreading across Bengal and oppressed farmers are being united by youths who believe in communism ans a socialist republic. Hari and his brother Bolai (Noni Ganguly) are Borgadars, land tillers who plough and harvest the crop on land owned by Jotdars. Bibhutibhushan Ganguly (Victor Banerjee) is the young jotdar who has just lost his father and now wishes to employ new laws on his Borgadars ensuring his greatest profit while the poor farmer languishes in poverty. His estate agent Karmakar(Rajen Tarafdar)does most of his dirty dealings on his behalf that include keeping the poor villagers scared and in command. Hari's sister is about to get married and Hari asks Bibhutibhushan for a loan. Bibhutibhushan asks him to not register his Bargadari rights under the government office in exchange. Hari is naive and moulded under generations of servility and oppression to realise that his basic righta are being squandered although his younger brother Bolai isn't happy remaining as mere servants to the landlord. Bolai protests on multiple occasions only to be reprimanded by his brother and Karmakar. Bolai and Panchi(Sreela Majumdar) love each other.
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Set up in British Raj, after a political disagreement with Mahatma Gandhi, Bose's arrest and subsequent release sets the scene for his escape to Germany, via Afghanistan and the Soviet Union. A few days before his escape, he sought solitude and, on this pretext, avoided meeting British guards and grew a beard on the night of his escape. He dresses himself as a Pathan to avoid being identified. Bose escapes from under British surveillance at his house in Calcutta on 19 January 1941, accompanied by his nephew Sisir K. Bose in a car.