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The Essence is a film of genre Drama directed by Shyam Benegal with Shabana Azmi
The Essence (1987)
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Add to a movie listSusman (Essence) is a 1987 Hindi film directed by Shyam Benegal. The film highlighted the struggle of rural handloom weavers in the wake of rapid industrialization.
The film was selected for the Indian Panorama at Filmotsav 1987. Invited to the London Film Festival, the Chicago Film Festival, the Vancouver International Film Festival, the Sydney & Melbourne Film Festivals 1987.
^ Shyam Benegal Awards
Actors
Shabana Azmi
(Gauramma)
Om Puri
(Ramulu)
Kulbhushan Kharbanda
(Narasimha)
Neena Gupta
(Mandira)
Mohan Agashe
(President of Handloom Cooperative Society)
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Suggestions of similar film to The Essence
There are 411 films with the same actors, 23 films with the same director, 61888 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked The Essence, you will probably like those similar films :
The Market Place (1983)
, 2h47Directed by Shyam Benegal
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films, Films about prostitution
Actors Shabana Azmi, Naseeruddin Shah, Kulbhushan Kharbanda, Smita Patil, Neena Gupta, Amrish Puri
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For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.
The Churning (1976)
, 2h14Directed by Shyam Benegal
Origin Inde
Genres Drama
Themes Films about music and musicians, Politique, Musical films, Political films, Bollywood
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The film traces the origins of the movement through its fictionalised narrative, based around rural empowerment, when a young veterinary surgeon, played by Girish Karnad, a character based on then, National Dairy Development Board (NDDB) chief, the 33-year-old Verghese Kurien, who joined hands with local social worker, Tribhovandas Patel, which led to the setting up a local milk cooperative, in Anand, Gujarat.
The Seventh Horse of the Sun (1992)
, 2h10Directed by Shyam Benegal
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Antarnaad (1991)
, 2h40Directed by Shyam Benegal
Actors Kulbhushan Kharbanda, Girish Karnad, Shabana Azmi, Shubha Khote, Om Puri, Dina Pathak
Rating77%
Antarnaad is a movie explaining the theory of the Swadhyay Movement run by P.P. Pandurangshastriji Athavale. It explains how to Spread the divine power of the Lord Bhagawan's message of Love through meeting all kinds & categories of people all over the country & communicate, make a friendly relation. As the relation moves on just motivate the people to remember to perform the God's heavenly service of Remembering him, Salute & thank him as well for this beautiful Life. Since that is the great power which run our daily BodyShores. Make those people so devout through their honest daily work of earning bread and butter & homeshores by accompanying them.
, 3h42Directed by Shyam Benegal
Genres Drama, Biography, Action, Historical
Themes Spy films, Political films, Alternate history films
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Rating75%
Set up in British Raj, after a political disagreement with Mahatma Gandhi, Bose's arrest and subsequent release sets the scene for his escape to Germany, via Afghanistan and the Soviet Union. A few days before his escape, he sought solitude and, on this pretext, avoided meeting British guards and grew a beard on the night of his escape. He dresses himself as a Pathan to avoid being identified. Bose escapes from under British surveillance at his house in Calcutta on 19 January 1941, accompanied by his nephew Sisir K. Bose in a car.
Fertility (2000)
, 2h14Directed by Shyam Benegal
Genres Drama
Themes Feminist films, Political films
Actors Shabana Azmi, Rajit Kapur, Rajeshwari Sachdev, Nandita Das, Surekha Sikri, Shrivallabh Vyas
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The movie tells the story of a middle aged Muslim woman Gazala (Shabana Azmi), who is ill treated by her husband and sent back to her parent's home, just because she is unable to give birth to a son. Gazala does have a daughter Salma (Rajeshwari Sachdev). The plot revolves around Gazala's stay at her mother's home and the problems faced by the women of the house, being her mother and sisters-in-law. The film is a beautiful description of the problems faced by women in the name of fertility, or in a different sense the urge to have a male child, especially in rural India. Shyam Benegal provides a masterpiece, reflecting on the sorrowful plight of rural Indian women. The irony lies in the point where the movie begins with a scene which shows a bull being brought to impregnate a buffalo. Five different women, each with a different story depicting the harsh realities of a woman's life.
The Making of the Mahatma (1996)
, 2h24Directed by Shyam Benegal
Genres Drama, Biography
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Ankur: The Seedling (1974)
, 2h5Directed by Shyam Benegal
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Ankur is a film that analyzes human behavior in general and heavily stresses characterization (though the story is not fictional). The story revolves around two characters, Lakshmi and Surya. Ankur is also there.
The Obsession (1978)
, 2h21Directed by Shyam Benegal
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Rating75%
The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.
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, 2h17Directed by Shyam Benegal
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Rating70%