Bhakta Prahlada is a 1967 Telugu devotional film produced by AVM Productions about a devotee Prahlada in The Story of Narasimha of the Hindu religion. The film stars child actress Rojaramani as Prahlada, S. V. Ranga Rao as Hiranya Kasapa and Anjali Devi as Leelavati. The film was eventually dubbed into Kannada, Tamil and remade in Hindi with the same name.
The Tamil version was not fully dubbed. The part that Balaiyyah acted was remade.
There are 195 films with the same actors, 61441 with the same cinematographic genres, 3589 films with the same themes (including 106 films with the same 2 themes than Bhaktha Prahlada), to have finally 70 suggestions of similar films.
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, 3h4 Directed byKadiri Venkata Reddy GenresDrama, Comedy, Fantasy ThemesFilms based on mythology, Films about religion ActorsSamarla Venkata Ranga Rao, Kommareddy Savitri, Gemini Ganesan, Akkineni Nageswara Rao, Rushyendramani, Allu Rama Lingiah Rating90% Subhadra (the sister of Balarama and Krishna) marries a Pandava named Arjuna, and their son Abhimanyu falls in love with Balarama's daughter, Sasirekha. The families decide to marry them when they reach adulthood. By the time Abhimanyu and Sasirekha grow up, the Pandavas have lost a dice game to the Kauravas due to Sakuni's manipulation. Krishna, furious at an action of Dussasana that has insulted Draupadi, saves Draupadi. Balarama teaches the Kauravas a lesson and later reaches Hastinapuram. Sakuni and Duryodhana respect Balarama; after manipulating him, they seek his favour by requesting that Sasirekha be married to Duryodhana's son Lakshmana Kumara. They intend to force Balarama and Krishna to support them if the Pandavas wage war after their fourteen-year exile. Unaware of this, Balarama accepts.
There was a Prince in Hindustan named Ashwapati, ruling over the kingdom of Madra. He married Queen Malavi. Even after a longtime they did not have a child. He invoked Savitri, his favorite deity and by the grace of god, they had a daughter; named as Savitri. She grew into a lovely maiden and was always playing in the palace and in the forest with her companion Vasantika. She often used to relate her dreams to her companion and once she portrayed in words the form and beauty of her beloved.