Blue Eyed is a 1996 documentary film by Bertram Verhaag in which Jane Elliott is teaching a workshop on racism.
She separates people regarding their eye color. The brown or green eye color people are considered to be superior to the blue eye color people. Through this division she creates a whole environment where educated adults, many times in position of power, even though being aware of taking part in a workshop, disagree, argue with each other and cry, not being able to cope or stand the situation in which they are put.
Jane Elliott argues that despite people considering themselves open and caring, they never know how deep is the repression and outcasting which they help to create by doing nothing against it and conforming with the current situation.
The documentary received the 1996 IDFA Audience Award.
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In the mid-1940s, a tenant farmer named Gonzalo Mendez moved his family to the predominantly white Westminster district in Orange County and his children were denied admission to the public school on Seventeenth Street. The Mendez family move was prompted by the opportunity to lease a 60-acre (240,000 m) farm in Westminster from the Munemitsus, a Japanese family who had been relocated to a Japanese internment camp during World War II. The income the Mendez family earned from the farm enabled them to hire attorney David Marcus and pursue litigation.
, 1h33 GenresDocumentary ThemesFilms about racism, Films about religion, Documentary films about racism, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentaire sur une personnalité, Documentary films about religion, Political films, Films about Jews and Judaism, Documentary films about World War II Rating66% Joseph Fischer's memoir was discovered only after his death. His children refused to confront it, except for David, the filmmaker, for whom it became a compass for a long journey. When David found it unbearable to be alone in the wake of his father's survival story and in his struggle not to lose his sanity, he convinced his brothers and sister to join him in the hope that this would also contribute to releasing tensions and bring them as close as they used to be. His siblings, for their part, couldn’t understand why anyone should want to dig into the past instead of enjoying life in the present. The journey eventually leads the Fishers into the dark depths of the B8 Bergkristall tunnels, part of the Austrian KZ Gusen II concentration camp, where their father endured forced labor during the Holocaust. Illuminated only by flashlights, they seek meaning in their personal and family histories and undergo surgical and revealing discussions about family, survival and individualism only to come to the realization that they are unable to fully understand their father's past and the events that haunted him. Joseph Fischer's last couple of weeks at Gunskirchen concentration camp, were an inhuman experience that blocked his writing. In order to find out what his father failed to describe about Gunskirchen's liberation David located veterans of the 71st Infantry Division who liberated the camp. The elderly soldiers are still haunted and traumatized by the horrific sights they came across when entering the camp. Through their journey, the Fishers become emblematic of the entire second generation who are still grappling with the experience of their survivor parents.