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Cautiva is a film of genre Drama released in USA on 20 march 2004 with Hugo Arana
Cautiva (2004)
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Add to a movie listReleased in USA 20 march 2004
Length 1h55
Genres Drama
Themes Films about adoption, Films about children, Films about families, Seafaring films, Transport films, Political films, Films about Latin American military dictatorships
Rating74%
Captive (Spanish: Cautiva) is a 2003 film that concerns itself with what happened to the children of the people killed after the 1970s military coup. The film states it was made with the support of Argentine National Institute of Cinema and Audiovisual Arts. Captive was an award winner at the 2003 San Sebastian Film Festival.
Synopsis
Cristina Quadri (Barbara Lombardo) is the model of a perfect student. Smart and affluent, her life is in perfect order until, one day, she is called from her class and made to appear in front of a judge. The judge informs her that her biological parents disappeared in the 1970s. Cristina is forced to go live with her grandmother, Elisa (Susana Campos), who has spent the past 16 years attempting to locate Cristina (whose birth name was Sofia). Although, at first, she is hurt, bitter and confused, Cristina/Sofia eventually grows to care for Elisa and begins to research the fate of her parents - and how much her adoptive parents knew of the truth.Actors
Hugo Arana
(Juez Barrenechea)
Susana Campos
(Elisa Dominich)
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Suggestions of similar film to Cautiva
There are 32 films with the same actors, 61463 with the same cinematographic genres, 16297 films with the same themes (including 0 films with the same 7 themes than Cautiva), to have finally 70 suggestions of similar films.If you liked Cautiva, you will probably like those similar films :
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Origin Argentine
Genres Drama, Historical
Themes Seafaring films, Politique, Transport films, Political films, Films about Latin American military dictatorships
Actors Héctor Alterio, Norma Aleandro, Chunchuna Villafañe, Hugo Arana, Guillermo Battaglia, Pablo Rago
Rating76%
The film is set in Argentina in the 1980s, in the last years of the country's last military dictatorship, during which a campaign of State sponsored terrorism produced thousands of killings and torture of accused political leftists and innocents alike, who were buried in unmarked graves or became desaparecidos.
Colonia (2015)
, 1h50Directed by Florian Gallenberger
Origin German
Genres Drama, Thriller, Horror, Historical, Romance
Themes Films about children, Seafaring films, Politique, Films about religion, Films about sexuality, Transport films, Films about pedophilia, Political films, Films about Latin American military dictatorships
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Set in 1973, a young couple become entangled in a Chilean military coup at a time when there is much protest on the streets against General Augusto Pinochet. When Daniel is abducted by Pinochet's secret police DINA, Lena tries to find and save her husband. She tracks him to a sealed-off village called "Colonia Dignidad", which presents itself as a charitable mission run by a lay preacher, Paul Schäfer, but is in fact a place from which no one has ever escaped. Lena decides to join the cult to attempt to rescue her husband.
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, 2hDirected by Andrés Wood
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Genres Drama
Themes L'adolescence, Films about children, Seafaring films, Politique, Films about sexuality, Transport films, La sexualité des mineurs, Political films, Films about Latin American military dictatorships
Actors Manuela Martelli, Ariel Mateluna, Matías Quer, Aline Küppenheim, Federico Luppi, Francisco Reyes Morandé
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The film is from the perspective of Gonzalo Infante, a privileged Chilean boy, during a time period in which the lower classes are politically mobilized, demanding more rights and forcing fundamental change. At the same time the upper middle class, including Gonzalo's own family, grow fearful of the growing socialist movement and plot against the country's elected president, Salvador Allende. Gonzalo's father, while sympathetic to the poor and not part of the right-wing movement, wants to leave the country to Italy, where he frequently travels for work, to avoid the Socialist policies. Sra. Infante is having an affair with a wealthy older gentleman, who gives Gonzalo gifts to keep him quiet. Gonzalo is sometimes bullied by his sister's boyfriend, who is a violent anti-Allende right-winger who uses nun-chucks to intimidate people. The family often buys products off of the black market, due to rationing and shortages.
Penny Serenade (1941)
, 1h59Directed by George Stevens
Origin USA
Genres Drama, Melodrama, Romance
Themes Films about adoption, Films about children, Films about families, Seafaring films, Transport films
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Rating69%
Applejack Carney pulls from a shelf an album of records entitled "The Story of a Happy Marriage" and places the song "You Were Meant for Me" on the Victrola. Julie Adams, Applejack's old friend and owner of the album, asks him to turn off the tune and announces that she is leaving her husband Roger. After glancing at the nursery, Julie restarts the song and remembers meeting Roger years earlier: The same ballad is playing over the loudspeakers at the San Francisco music store where Julie works. When the record begins to skip, passerby Roger Adams enters the store and meets Julie. The two begin to date, and while at the beach one day, Julie breaks open a fortune cookie, which reads "you will get your wish --a baby." Roger, a confirmed bachelor who has no patience with children, hides his fortune, which predicts a "wedding soon," and replaces it with "you will always be a bachelor." Roger, a reporter, changes his mind, however, when he bursts into a New Year's Eve party with the news that his paper is assigning him to a post in Japan and asks Julie to marry him that evening. Knowing that they will not see each other for three months until Roger can earn enough money for Julie's passage to Japan, the newlyweds kiss goodbye in Roger's train compartment. As they embrace, the train pulls out, and as a result, Julie stays in Roger's compartment until the train stops the next morning. Three months later, when Julie is reunited with Roger in Japan, she reports that she is pregnant. Julie becomes concerned for the future of her family when she learns that Roger has lavishly furnished their house by spending advances on his salary. Later, when Roger inherits a small sum of money and announces that he has quit his job so that they can travel the world, Julie, disturbed by her husband's financial irresponsibility, goes upstairs to pack. At that moment, a violent earthquake strikes, demolishing the house and causing Julie to lose the baby. Roger and Julie return to San Francisco, and while hospitalized there, Julie learns that she will never be able to have children. Roger tries to console her by telling her that he wants to settle down and buy a small town paper, but Julie responds that a baby is all she ever wanted. Soon after, Roger buys the Rosalia Courier Press , and the couple moves into the apartment above the newspaper office, which is equipped with a small nursery. Roger hires their friend Applejack to manage the paper, but despite their hard work, circulation remains low. Two years later, while Roger is working late one night, Applejack encourages Julie to adopt a child, and when Roger returns home, Applejack prods him into agreeing to consider adoption. When Julie writes to the orphanage to request a two-year-old boy with curly hair and blue eyes, Mrs. Oliver, the administrator, interviews the prospective parents and later pays a surprise visit to their home. At first disapproving because the Adams house is a cluttered mess, Mrs. Oliver is charmed by the little nursery and tells Julie that a five-week-old baby girl is available for adoption. When Julie and Roger protest that they wanted a two-year-old boy, the age their own baby would have been, Mrs. Oliver assures them that this is the child for them. Roger and Julie consent to see the infant, and when Julie falls in love with the baby, Mrs. Oliver allows them to take her home for a one-year probation period. One year later, as the time for the adoption hearing approaches, Mrs. Oliver visits the family to update her records. When Julie admits that the paper has gone out of business and that Roger has no income, Mrs. Oliver solemnly caps her pen. Steeling themselves to return their baby, whom they have named Trina, to the orphanage, Roger bundles up the infant and proceeds to the judge's chambers. When the judge denies the adoption, Roger, near tears, begs to keep the little girl, pleading that she is like his own child. Moved by Roger's plea, the judge relents and grants the adoption, prompting Julie cheerily to proclaim that nothing can take Trina from them now. Years pass, and Trina's proud parents watch their daughter sing the echo to "Silent Night" in her school's Christmas play. When Trina slips on a platform while onstage, she worries that she will not be allowed to play an angel in the play the following year. The next Christmas, Mrs. Oliver receives a tragic letter from Julie, notifying her of Trina's death after a sudden, brief illness. Julie confides that Roger is punishing himself for Trina's fate and behaves like a stranger to her. 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, 1h30Directed by Isao Takahata
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Rating84%
The film begins at Sannomiya Station on 21 September 1945, shortly after the end of World War II. A boy, Seita (清太), is shown dying of starvation. Later that night, having removed Seita's body, a janitor digs through his possessions and finds a candy tin which he throws away into a nearby field. The spirit of Seita's younger sister, Setsuko (節子), springs from the tin and is joined by Seita's spirit as well as a cloud of fireflies. Seita's spirit then begins to narrate their story accompanied by an extended flashback of the final months of World War II.
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