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Death Day is a american film of genre Documentary directed by Sergueï Eisenstein released in USA on 26 june 1934

Death Day (1934)

Death Day
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Released in USA 26 june 1934
Length 17minutes
OriginUSA
Rating64% 3.2221453.2221453.2221453.2221453.222145

Death Day est un court-métrage américain en noir et blanc réalisé par le cinéaste soviétique Sergueï Eisenstein sorti en 1934. Le film est considéré comme perdu.
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Suggestions of similar film to Death Day

There are 11 films with the same director, 8951 with the same cinematographic genres, to have finally 70 suggestions of similar films.

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Genres Drama, Documentary, Historical
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The film opens with the elation after the February Revolution and the establishment of the Provisional Government, depicting the throwing down of the Tsar's monument. It moves quickly to point out it's the "Same old story" of war and hunger under the new Provisional Government, however. The buildup to the October Revolution is dramatized with intertitles marking the dates of events.
Hurray Mexico!, 1h25
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Genres Documentary
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There is no evidence that Eisenstein had any specific idea for a film about or set in Mexico before his actual arrival there in December 1930, although he began shooting almost immediately. The Sinclairs had made it clear that they were expecting Eisenstein to concentrate on visual imagery, and anything by way of a plot would be secondary: they were looking for an artistic travelogue. Furthermore, although the film was to have been completed by April 1931, it wasn't until about that time that Eisenstein even settled on the basic idea of a multi-part film, an anthology with each part focussed on a different subculture of the Mexican peoples. Only later still would this idea resolve itself into the concept of a six-part film encompassing the history of the nation, its people and its societal evolution to the present time. Specific details and the contents of each section, and how to connect them, would evolve further over the ensuing months while Eisenstein, Alexandrov and Tisse shot tens of thousands of feet of film. Toward the latter part of 1931, the film was finally structured, in Eisenstein's mind, to consist of four primary sections plus a brief prologue and epilogue.
Glumov's Diary, 5minutes
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Une journée de la vie d'un certain Gloumov vue en quatre minutes.
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The film is set in June 1905; the protagonists of the film are the members of the crew of the Potemkin, a battleship of the Imperial Russian Navy's Black Sea Fleet. Eisenstein divided the plot into five acts, each with its own title:
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The Teutonic Knights invade and conquer the city of Pskov with the help of the traitor Tverdilo and massacre its population. In the face of resistance by the boyars and merchants of Novgorod (urged on by the monk Ananias), Nevsky rallies the common people of Novgorod and in a decisive Battle of the Ice, on the surface of the frozen Lake Peipus or Chudskoe, they defeat the Teutonic knights. The story ends in the retaken Pskov where the ordinary foot-soldiers are set free, the surviving Teutonic knights will be held for ransom and Tverdilo is swarmed over by the vengeful people (and supposedly torn to pieces).
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Part I begins with Ivan's coronation as Tsar of all the Russias, amid grumbling from the boyars. Ivan makes a speech proclaiming his intent to unite and protect Russia against the foreign armies outside her borders and the enemies within - a reference to the boyars, who are already seen as discontented with his coronation. Shortly after, the scene changes to Ivan's wedding celebration in which he marries Anastasia Romanovna. This causes him to lose the friendship of his two best friends, Prince Andrei Kurbsky and Fyodor Kolychev. The latter receives Ivan's permission to retire to a monastery, while Kurbsky attempts to resume his romance with the Tsarina, who repels his advances.
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The film opens with a montage of scenes of elemental violence—crashing waves and falling trees alternate with images of trees speeding past as if viewed from a motorcar. The imagery gradually changes to more tranquil vistas of clouds, grass swaying in a breeze, and rippling water. The first interior shot shows a woman silhouetted against a window. There are several shots of a fireplace and of clocks and their pendulums. The woman moves from the window to a piano, and begins singing a Russian song. Partway through her song, she is surrounded by starbursts and the dark, indoor setting of the scene is replaced by radiant clouds. Images of swans are intercut with images of Rodin sculptures. Eventually the indoor setting returns and rain is seen falling against the night sky. After an interval, the sun is shown moving through the sky, and the singer finishes her song as flowering nature reappears.
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Strike
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На заводе всё спокойно / At the factory all is quiet Using typography, the word "но" (but) is added to the title of the chapter which then animates and dissolves into an image of machinery in motion.