Drifters (1929) is silent documentary film by John Grierson, his first and only personal film.
It tells the story of Britain's North Sea herring fishery. The film's style has been described as being a "response to avant-garde, Modernist films, adopting formal techniques such as montage – constructive editing emphasising the rhythmic juxtaposition of images – but also aimed to make a socially directed commentary on its subject"(Tate Gallery: Liverpool 2006). The film was successful both critically and commercially and helped kick off Grierson's documentary film movement. This film also showed that Grierson was not afraid to alter reality slightly in order to have his vision shown. For example when the boat he was on returned without a catch he bought another boats catch and tried to fake it. He ended up scrapping that film as it was not authentic enough.
^ http://www.tate.org.uk/liverpool/exhibitions/makinghistory/film/films/rm1_drifters.shtm Tate Gallery – Liverpool- Making History: Art and Documentary in Britain from 1929 to now Exhibition: 3 February–23 April 2006 (Accessed July 2011)
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, 1h11 OriginBelgique GenresDocumentary ThemesFilms about animals, Seafaring films, Transport films, Films about the labor movement, Documentaire sur le monde du travail Rating67% In Dakhla (in the southernmost part of Morocco), one of the richest fishing regions in the world, hundreds of Moroccan fishermen, pushed by the increasing shortage of resources in the north, huddle together in tents sprayed by the ocean. However, their quest for a miraculous catch has revealed itself to be a tragic trap. As they have no licenses, they are sentenced to remain a few yards from the shoreline and catch what they can, while foreign trawlers equipped with the latest in sonar technology, captures the sea's riches to export them to other continents.