Eclipse of Reason is a 1987 pro-life documentary video directed, filmed, and narrated by Bernard Nathanson, with an introduction by Charlton Heston. Eclipse of Reason is a follow up to Nathanson’s first film The Silent Scream. The film is perhaps most known for its controversial depiction of a dilation and evacuation (D&E) abortion. The subject matter of this film focuses more on the moral implications of abortion. It served as Nathanson’s call to the women of the world to end the practice of abortion. This film, as well as The Silent Scream, was instrumental in the Right to Life Committee's garnering the attention of the United States public regarding the issue of abortion.
Eclipse of Reason represented the argument that the fetus is human, and therefore abortion is murder, a belief in line with the pro-life movement. The film also serves to combat critics to The Silent Scream who argue that, although Nathanson claimed the film relied only on imagery and not pejorative speech, the film was heavily reliant on upon the language of the narrator. Therefore, Eclipse of Reason delivers the same message that abortion is murder, with similar imagery as its predecessor The Silent Scream; however, to avoid the previous appropriation of language over imagery Eclipse of Reason asks it viewers to consider reason rather than using emotionally charged narration.
There are 75 films with the same actors, 8954 with the same cinematographic genres, 9915 films with the same themes (including 14 films with the same 4 themes than Eclipse of Reason), to have finally 70 suggestions of similar films.
If you liked Eclipse of Reason, you will probably like those similar films :
, 28minutes OriginUSA GenresDocumentary ThemesPregnancy films, Films about sexuality, Documentaire sur une personnalité, Documentary films about health care Rating51% Dans ce film, Bernard Nathanson, ancien avorteur repenti, sert à la fois d'expert médical et de narrateur. Il décrit les événements de l'avortement « du point de vue de la victime ». Le film compile une série d'images floues de nature échographique. Nathanson montre au grand public les instruments utilisés pour un avortement typique et prétend que la tête, même à la gestation de 12 semaines, sera trop grande pour entrer dans le dispositif d'aspiration ; il montre alors comment les forceps sont utilisés pour écraser le crâne, où les ondes cérébrales, d'après lui, ont été actives pendant six semaines.
GenresDocumentary ThemesPregnancy films, Films about racism, Films about sexuality, Documentary films about racism, Documentary films about law, Documentaire sur une personnalité, Documentary films about health care Rating76% The title comes from the Swahili term "maafa," which means tragedy or disaster and is used to describe the centuries of global oppression of African people during slavery, apartheid and colonial rule, while the number "21" refers to an alleged maafa in the 21st century (though beginning in the 19th), which the film says is the disproportionately high rate of abortion among African Americans. The film states that abortion has reduced the black population in the United States by 25 percent. It discusses some of Planned Parenthood's origins (formerly the American Birth Control League), attributing to it a "150-year-old goal of exterminating the black population." It attacks Margaret Sanger, along with other birth control advocates, as a racist eugenicist. The film features conservative African Americans who are associated with the Tea Party movement, including politician Stephen Broden, and Martin Luther King, Jr.'s niece Alveda King, who claims that Sanger targeted black people.