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Face to Face is a film of genre Drama directed by Adoor Gopalakrishnan with Kaviyoor Ponnnamma
Face to Face (1984)
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Add to a movie listMukhamukham (Translation: Face to Face; Malayalam: മുഖാമുഖം) (1984) is a Malayalam feature film written and directed by Adoor Gopalakrishnan.
^ "Mukhaamukham". www.malayalachalachithram.com. Retrieved 2014-10-20.
^ "Mukhaamukham". malayalasangeetham.info. Retrieved 2014-10-20.
^ "Mukhaamukham". spicyonion.com. Retrieved 2014-10-20.
Synopsis
The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.Actors
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Suggestions of similar film to Face to Face
There are 697 films with the same actors, 10 films with the same director, 61105 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Face to Face, you will probably like those similar films :
Kodiyettam (1978)
, 2h8Directed by Adoor Gopalakrishnan
Genres Drama
Actors Bharath Gopi, K. P. A. C. Lalitha, Thikkurissy Sukumaran Nair, Kaviyoor Ponnnamma, Kuttyedathi Vilasini, Adoor Bhavani
Rating71%
The film captures the ascent of the protagonist, Shankaran Kutty, from a carefree individual to a mature responsible adult. The opening sequences, canned by the director himself, shows Shankaran Kutty- attending a temple festival. The film proceeds to show the irresponsible and often nomadic life style of Shankaran Kutty. Shankaran Kutty, though seemingly at the beginning of middle age, spends most of his time playing around with children, joining political processions and helping the villagers when he is not attending temple festivals. He is provided for by his younger sister who works as a house maid in the city of Thiruvananthapuram. His sister in an attempt to get his life organized arranges a marriage for him. But to the dismay of his new wife, Shankaran Kutty continues his life style often staying away from home for weeks. The already pregnant wife soon leaves him, and Shankaran Kutty does not make any attempt to have her back at home.
Elippathayam (1982)
, 2h1Directed by Adoor Gopalakrishnan
Genres Drama
Actors Karamana Janardanan Nair, Sharada, Balan K. Nair, Jalaja, Devan
Rating74%
A middle-aged man, Unni, and his three sisters struggle as the feudal way of life becomes unviable in Kerala. Eventually, succumbing to the adverse conditions surrounding him, Unni becomes helpless like a rat in a trap. The 'rat trap' is a metaphor for a state of oblivion to changes in the external world, such as the disintegration of the feudal system, in which some are caught and which leads to destruction.
Mathilukal (1990)
, 2hDirected by Adoor Gopalakrishnan
Genres Drama, Biography, Romance
Actors Mammootty, Murali, Krishnan Kutty Nair, Sreenath, Karamana Janardanan Nair, Thilakan
Rating81%
Confined to the narrow space of a prison cell, Bashir falls in love with a woman in the neighbouring prison compound. They are separated by a high wall so that they never see each other and have to devise ingenious ways for communicating. Narayani, Bashir's love is presented as a female voice and never appears in person in the film.
Anantaram (1987)
, 2h5Directed by Adoor Gopalakrishnan
Genres Drama
Actors Mammootty, Ashokan, Shobana, Thikkurissy Sukumaran Nair, Sudheesh, Bahadoor
Rating79%
The film develops through a commentary by Ajayan (Ashokan) about himself in the first person. Later he tells another story about his life with the same background. Finally both these stories fuse together.
A Climate for Crime (2008)
, 1h55Directed by Adoor Gopalakrishnan
Genres Drama
Actors Nedumudi Venu, M.R. Gopakumar, Vijayaraghavan, Seema G. Nair, Sudheesh, P. V. Jagadish Kumar
Rating64%
The four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.
Four Women (2007)
, 1h45Directed by Adoor Gopalakrishnan
Genres Drama
Actors Padmapriya, Nandita Das, Kavya Madhavan, Geetu Mohandas, Murali, Manju Pillai
Rating64%
Naalu Pennungal is the story of four women from Kuttanad in Alappuzha district in Kerala. The stories are set in the years between the 1940s to the 1960s.
Man of the Story (1995)
, 1h47Directed by Adoor Gopalakrishnan
Genres Drama
Actors Aranmula Ponnamma, Narendra Prasad, Urmila Unni, Babu Namboothiri, K. P. A. C. Lalitha, Oduvil Unnikrishnan
Rating70%
Kunjunni's (Vishwanathan) parents separate soon after his birth, and he's left to be cared by his mother, void of paternal care and affection. He is brought up by his mother with the help of his grandmother, an estimate manager and his friend Meenakshi (Mini Nair), the daughter of a maid servant working in Kunjunni's house. Inspired by his Uncle (Narendra Prasad), who was initially a Gandhian, and eventually a Marxist, Kunjunni finds himself drawn to left-wing ideologies during his studies at college, believing that communism is the answer to heal all social hardships and inequalities. Eventually he joins an extremist Marxist group, and his affairs land him in trouble. After an attack at a police station, Kunjunni is arrested and taken to court, but later acquitted of all charges.
Vidheyan (1994)
, 1h52Directed by Adoor Gopalakrishnan
Genres Drama
Actors Mammootty, Tanvi Azmi, M.R. Gopakumar, Sabitha Anand, Azeez, Babu Namboothiri
Rating82%
Thommy, a Christian migrant labourer from Kerala is an obedient slave of his aggressive, tyrannical landlord Bhaskara Pattelar. Thommy obeys all the orders of his master, whether it is to make his own wife sexually available to his master or in killing Pattelar's kindly wife, Saroja. When Pattelar escapes to a jungle, due to his own deeds, Thommy escorts him like a pet. But when Pattelar is killed Thommy exults in freedom.
One's Own Choice (1972)
, 2h11Directed by Adoor Gopalakrishnan
Genres Drama
Actors Madhu, Sharada, Adoor Bhavani, K. P. A. C. Lalitha, Thikkurissy Sukumaran Nair, Bharath Gopi
Rating70%
A newly wed couple, Vishwam (Madhu) and Sita (Sharada), have married against the preference of their families, and left their hometown. Both want to start a new life at a new place. Initially, they stay in a decent hotel but soon due to financial reasons they move to another, ordinary hotel.
Chilambu (1987)
, 1h55Directed by Bharathan
Genres Drama, Crime, Romance
Actors Rashin Rahman, Thilakan, Shobana, Nedumudi Venu, Ashokan, K. P. A. C. Lalitha
Rating64%
Paramu, a young man is living with his grandfather, mother and his sister who is dumb. His family lost their property to his uncle who killed his father in the explosion of explosives set for a festival long back. His sister lost her normal life due to a man who tried to rape her during a festival which also happened long back and when Paramu was a child. The man who raped her, Shankunni is an assistant of Parmu’s uncle. One day on the request of his grandfather for the Chilambu (a special ornament of religious significance) Paramu sets off to the place of his ancestral home where his uncle is enjoying their family properties and ancestral home and where the chilambu is now. His childhood friend and fiancée Ambika (daughter of his uncle) was waiting for Paramu’s return. She is overjoyed on Paramu’s return. The friendship and love rekindles between the two. On his return Paramu makes his point clear that he has come for nothing but the chilambu. But his resolute and cruel uncle rejects him and threatens to kill him if he comes again for the same demand. Meanwhile his childhood frineds Ramu and Sahadevan also rekindles their friendship with Paramu. To them Ramu tells why he has come there. When Paramu’s intervention becomes unbearable for his uncle he tries to sell off the chilambu to a foreigner and a Christian jewellery merchant. But after experiencing some traumatic supernatural incidents the night after he decided to sell the chilambu, he decides to abandon the idea of selling the chilambu. The Christian jewellery merchant also experiences similar supernatural incidents. Later the uncle decides to appoint someone for his security since Paramu is a valiant martial art expert. He calls his nephew who knows Karate for his security. One day Ambika comes to Paramu and tells him that she will give him the chilambu if he comes to the ancestral home at night upon her signal. He does the same way. When they meet Ambika tells him her wish that she wants to bear his child thereby cleansing the brunt upon the ancestral home. Initially he drops the idea but ultimately succumbs to her wish. But sooner she discovers Paramu is carrying martial weapons around his waist. Realizing how deep his wishes about taking the chilambu back to his family, she tells him that she will show where the chilambu is and gives him a set of keys. When he tries to open the door of the room where the chilambu is kept the light apparatus which was in Ambika’s hand slips and everyone comes to the scene. But Paramu somehow manages to take the chilambu with him. After that, the night ensues his fight between him and the people arranged by his uncle. In that fight many of them including the man who tried to rape her sister and others get killed or injured. In the end he rescues Ambika from her parents who try to detain her, and leaves the place victoriously with the chilambu and Ambika.