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Face to Face is a suédois film of genre Drama directed by Ingmar Bergman released in USA on 5 april 1976 with Liv Ullmann
Face to Face (1976)
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Add to a movie listFace to Face (Swedish: Ansikte mot ansikte) is a 1976 Swedish psychological drama film written and directed by Ingmar Bergman. It tells the story of a psychiatrist who is suffering from a mental illness. It stars Liv Ullmann and Erland Josephson.
It is also the film debut of Lena Olin.
Synopsis
Dr. Jenny Isaksson (Liv Ullmann) is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, Jenny succumbs to a breakdown. She is haunted by images and emotions from her past and eventually cannot function as a wife, doctor, or individual.Actors
Liv Ullmann
(Dr. Jenny Isaksson)
Erland Josephson
(Dr. Tomas Jacobi)
Gunnar Björnstrand
(Jenny's Grandfather)
Aino Taube
(Jenny's Grandmother)
Gösta Ekman, Sr.
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Suggestions of similar film to Face to Face
There are 122 films with the same actors, 55 films with the same director, 71233 with the same cinematographic genres (including 468 with exactly the same 3 genres than Face to Face), 1378 films with the same themes, to have finally 70 suggestions of similar films.If you liked Face to Face, you will probably like those similar films :
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Origin Suede
Genres Drama, Fantasy
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The Magic Flute (1975)
, 2h15Directed by Ingmar Bergman
Origin Suede
Genres Drama, Science fiction, Comedy, Fantasy, Musical, Romance
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Rating74%
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Autumn Sonata (1978)
, 1h39Directed by Ingmar Bergman
Origin Suede
Genres Drama, Musical
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Rating80%
Eva (Liv Ullmann), wife of the village pastor, invites her mother Charlotte (Ingrid Bergman) for a visit to her village. She has not seen her for over seven years. Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. Eva is not as talented as the mother (despite the fact that she has written two books, and has a passing talent at playing the piano). Eva's main concern is to be the mistress of her home, wife, mother and loving sister. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: a husband (Halvar Björk) she respects, but does not really have affection for, their son drowned when only 4 years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. As part of her day-to-day life, Eva takes her disabled and paralyzed sister Helena (Lena Nyman) out of the Hospital into her own home, and she appears to be the only person who can understand her sister's limited speech ability.
Fanny and Alexander (1982)
, 3h8Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
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Rating80%
The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids.
Hour of the Wolf (1968)
, 1h30Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Horror
Themes Films about sexuality, LGBT-related films, LGBT-related film
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During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.
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Actors Max von Sydow, Liv Ullmann, Bibi Andersson, Erland Josephson, Erik Hell, Sigge Fürst
Rating75%
The audience is introduced to Andreas Winkelman, a man living alone and emotionally desolate after the recent demise of his marriage. He meets Anna, who is grieving the recent deaths of her husband and son. She uses a cane as a result of the car crash that killed them. While Anna uses Andreas' phone, he listens to her conversation, after which she departs visibly distraught. Anna has left her handbag behind and Andreas searches it, finding and reading a letter from her husband that will later prove she is deceptive.
Shame (1968)
, 1h43Directed by Ingmar Bergman
Genres Drama, War
Themes Seafaring films, Transport films
Actors Liv Ullmann, Max von Sydow, Gunnar Björnstrand, Sigge Fürst, Ulf Johanson, Birgitta Valberg
Rating79%
The story follows a husband and wife (Jan and Eva) who, as a result of civil war, have moved away from society to a farm on a rural island. Their response to war has been escapist and they are mostly living in isolation (their radio and telephone do not work).
Saraband (2003)
, 2hDirected by Ingmar Bergman
Origin Suede
Genres Drama, Musical
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Rating74%
The film is structured around ten acts with a prologue and epilogue. It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a glider off somewhere and disappearing), she reflects that it would be nice to see her first husband again.
Persona (1966)
, 1h20Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes L'adolescence, Films about films, Films about children, Pregnancy films, Medical-themed films, Films about sexuality, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Films about pedophilia, Vampires in film, Films about psychiatry, LGBT-related films, LGBT-related film
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Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.
Cries and Whispers (1972)
, 1h31Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Rating78%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.