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Suggestions of similar film to Saraband
There are 91 films with the same actors, 55 films with the same director, 65498 with the same cinematographic genres (including 2575 with exactly the same 2 genres than
Saraband), 13748 films with the same themes (including 223 films with the same 3 themes than
Saraband), to have finally
70 suggestions of similar films.
If you liked
Saraband, you will probably like those similar films :
, 1h39
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
MusicalThemes Films about families,
Films about music and musicians,
Films about classical music and musiciansActors Ingrid Bergman,
Liv Ullmann,
Lena Nyman,
Gunnar Björnstrand,
Erland Josephson,
Marianne AminoffRating80%
Eva (Liv Ullmann), wife of the village pastor, invites her mother Charlotte (Ingrid Bergman) for a visit to her village. She has not seen her for over seven years. Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. Eva is not as talented as the mother (despite the fact that she has written two books, and has a passing talent at playing the piano). Eva's main concern is to be the mistress of her home, wife, mother and loving sister. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: a husband (Halvar Björk) she respects, but does not really have affection for, their son drowned when only 4 years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. As part of her day-to-day life, Eva takes her disabled and paralyzed sister Helena (Lena Nyman) out of the Hospital into her own home, and she appears to be the only person who can understand her sister's limited speech ability., 1h30
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
Thriller,
HorrorThemes Films about sexuality,
LGBT-related films,
LGBT-related filmActors Max von Sydow,
Liv Ullmann,
Georg Rydeberg,
Gertrud Fridh,
Erland Josephson,
Ingrid ThulinRating74%
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot., 2h15
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
Science fiction,
Comedy,
Fantasy,
Musical,
RomanceThemes Films about magic and magicians,
Films about music and musicians,
Musical films,
Films based on operasActors Ingmar Bergman,
Jane Darling,
Erland Josephson,
Birgit Nordin,
Sven Nykvist,
Liv UllmannRating73%
La Reine de la nuit demande au prince Tamino de retrouver sa fille Pamina, qui a été enlevée par un prêtre nommé Sarastro. Le prince part avec Papageno, un oiseleur. Lorsqu'ils retrouvent la princesse, ils découvrent que la situation n'est pas aussi tranchée que le disait la reine. Sarastro accepte l'union de Tamino et Pamina à condition qu'ils réussissent chacun leur parcours initiatique., 1h20
Directed by Ingmar BergmanOrigin SuedeGenres DramaThemes L'adolescence,
Films about films,
Films about children,
Pregnancy films,
Medical-themed films,
Films about sexuality,
Bisexuality-related films,
LGBT-related films,
La sexualité des mineurs,
Films about pedophilia,
Vampires in film,
Films about psychiatry,
LGBT-related films,
LGBT-related filmActors Bibi Andersson,
Liv Ullmann,
Gunnar Björnstrand,
Margaretha KrookRating80%
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces., 1h48
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
Comedy,
RomanceThemes Films about sexuality,
Erotic filmsActors Ulla Jacobsson,
Eva Dahlbeck,
Harriet Andersson,
Björn Bjelfvenstam,
Jarl Kulle,
Gunnar BjörnstrandRating76%
The film takes place in Sweden around the turn of the twentieth century. Fredrik Egerman is a middle-aged lawyer married to a 19-year-old beauty, Anne. Their two-year marriage is still unconsummated, due to Anne's reluctance. Fredrik has a son, Henrik, from his marriage to his late first wife. Henrik is in his early twenties and is studying to be a minister but is currently tormented by his love for his step-mother, who secretly loves him in return. Henrik is distracting himself from his urges by attempting an inconclusive affair with Fredrik's lusty young servant, Petra. , 1h29
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
Thriller,
Fantasy,
Horror,
Historical,
CrimeThemes Seafaring films,
Films based on mythology,
Films about sexuality,
Transport films,
Rape in fiction,
Erotic films,
Films set in the Viking Age,
Rape and revenge films,
Films based on Norse mythology,
Auto-justiceActors Max von Sydow,
Birgitta Valberg,
Gunnel Lindblom,
Birgitta Pettersson,
Axel Düberg,
Allan EdwallRating79%
The Virgin Spring tells the story, set in the late medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson), is appointed to take candles to the church. Karin is accompanied by her pregnant servant Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, Ingeri becomes frightened when they come to a stream-side mill and the two part and Karin sets out on her own., 1h36
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
FantasyThemes Jeu,
Medical-themed films,
Films about religion,
Films about sexuality,
Sports films,
Films about chess,
Films about viral outbreaks,
Films based on playsActors Gunnar Björnstrand,
Bengt Ekerot,
Nils Poppe,
Max von Sydow,
Bibi Andersson,
Inga GillRating81%
Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire Jöns (Gunnar Björnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game., 3h8
Directed by Ingmar BergmanOrigin SuedeGenres Drama,
FantasyThemes Films about children,
Films about families,
Christmas films,
Films about religion,
Films about Jews and JudaismActors Börje Ahlstedt,
Anna Bergman,
Lena Olin,
Harriet Andersson,
Gunn Wållgren,
Bertil GuveRating80%
The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids., 1h31
Directed by Ingmar BergmanOrigin SuedeGenres DramaThemes Films about familiesActors Harriet Andersson,
Kari Sylwan,
Ingrid Thulin,
Liv Ullmann,
Inga Gill,
Erland JosephsonRating78%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.