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Farewell is a film of genre Drama directed by Na Woon-gyu with Jeon Ok
Farewell (1927)
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Add to a movie listDirected by Na Woon-gyu
Genres Drama
Jalitgeola (잘 있거라; Farewell) is a 1927 Korean film. The silent, black and white film was written, directed, produced, edited by and starred Na Woon-gyu (1902-1937). This was the first film from Na's own production company, Na Woon-gyu Productions, financed by Park Seung-pil, owner of the Danseongsa theater in Seoul. The film premiered at the Danseongsa theater in November 1927.
Synopsis
This film is a melodrama telling a story of greed and lust. It begins with millionaire Min Bum-shik's wife and a steward plotting Min's murder in order to collect his money. Rapes, murder and prison sentences follow in the convoluted plot.Actors
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Suggestions of similar film to Farewell
There are 18 films with the same actors, 16 films with the same director, 61475 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Farewell, you will probably like those similar films :
Arirang (1926)
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
Rating73%
The film concerns a student, Ch'oe Yeongjin, who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the March 1, 1919 protest against the Japanese colonial rule. He returns to live with his father and sister, Yeongheui, in their small village home. Yeongjin's friend, Yun Hyeon'gu, is in love with Yeongheui. While the villagers are preoccupied with a harvest festival, O Kiho, a collaborationist for the Japanese police, attempts to rape Yeongheui. Hyeon'gu fights with Kiho, striking and killing him with a sickle. When Yeongjin regains his sanity, he believes himself to have killed Kiho. The film ends with the Japanese police taking Yeongjin over Arirang hill to return to prison.
Arirang 3 (1936)
Directed by Na Woon-gyu
Genres Drama
Actors Na Woon-gyu
This third and last installment in the story of the mentally ill student, Choi Yeong-jin, begins with him being released from prison. He attempts to live a peaceful existence until he witnesses the rape of his sister, at which point his mental problems return.
Immunity (1932)
Directed by Na Woon-gyu
Genres Drama, Historical
Actors Na Woon-gyu
The film concerns the 3-day rule of Kim Ok-kyun (1851–1894), and his attempt to modernize Korea.
The Grief of Geumgan (1931)
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
The film concerns the playboy son of a rich man. After he gets a village girl pregnant, she commits suicide. The playboy is later murdered by his ex-wife.
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
This action-oriented film tells the story of a traveling theatrical troupe. When one of the actresses is sold to criminals running an opium den, Na Woon-gyu's character rescues her and returns her to the troupe.
Salangeul chajaseo (1929)
Directed by Na Woon-gyu
Actors Jeon Ok, Na Woon-gyu
The plot concerns three characters who have lost hope in continuing their lives in Korea—Kokosu (Lee Geum-ryong), an old man who has lost his farmland; Dong-min (Na Woon-gyu); and Jong-hui (Jeong Ok), who had been betrayed by her boyfriend. Kokosu had been a bugler in the Korean military during the last days of the Joseon Dynasty. Seeking a better life in northeast China, the three are attacked by bandits and the Japanese while attempting the ice-covered Tumen River crossing of the China–North Korea border . With his last breath, Kokosu blows the army bugle he had carried with him all his life. Dong-min takes the bugle and continues playing it.
Village of strong guys (1930)
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
The plot concerns two rival villages separated by a hill, and the competition between men from both villages over the daughter of Reverend Suh.
Deaf Sam Yong (1964)
Directed by Shin Sang-ok, Na Woon-gyu
Genres Romance
Actors Na Woon-gyu, Kim Jin-kyu, Do Kum-bong
The plot concerns Sam-ryong, a deaf servant who is in love with his landlord's daughter-in-law. Critics praised the final scene of the film, in which the house burns, as a work of pioneering and experimental film making.