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The Grief of Geumgan is a film of genre Drama directed by Na Woon-gyu with Na Woon-gyu
The Grief of Geumgan (1931)
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Add to a movie listDirected by Na Woon-gyu
Geumganghan (금강한, The Grief of Geumgan) is a 1931 Korean film written by Lee Chang-Yong. It was directed by and starred Na Woon-gyu. It premiered at Dan Sung Sa theater in downtown Seoul.
Synopsis
The film concerns the playboy son of a rich man. After he gets a village girl pregnant, she commits suicide. The playboy is later murdered by his ex-wife.Actors
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Suggestions of similar film to The Grief of Geumgan
There are 18 films with the same actors, 16 films with the same director, 70286 with the same cinematographic genres (including 7514 with exactly the same 2 genres than The Grief of Geumgan), to have finally 70 suggestions of similar films.If you liked The Grief of Geumgan, you will probably like those similar films :
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
This action-oriented film tells the story of a traveling theatrical troupe. When one of the actresses is sold to criminals running an opium den, Na Woon-gyu's character rescues her and returns her to the troupe.
Village of strong guys (1930)
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
The plot concerns two rival villages separated by a hill, and the competition between men from both villages over the daughter of Reverend Suh.
Arirang (1926)
Directed by Na Woon-gyu
Genres Drama, Action
Actors Na Woon-gyu
Rating73%
The film concerns a student, Ch'oe Yeongjin, who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the March 1, 1919 protest against the Japanese colonial rule. He returns to live with his father and sister, Yeongheui, in their small village home. Yeongjin's friend, Yun Hyeon'gu, is in love with Yeongheui. While the villagers are preoccupied with a harvest festival, O Kiho, a collaborationist for the Japanese police, attempts to rape Yeongheui. Hyeon'gu fights with Kiho, striking and killing him with a sickle. When Yeongjin regains his sanity, he believes himself to have killed Kiho. The film ends with the Japanese police taking Yeongjin over Arirang hill to return to prison.
A Soldier of Fortune (1926)
Directed by Na Woon-gyu
Genres Action
Actors Na Woon-gyu
In Punguna, Na Woon-gyu plays the role of Nicolai Park, a veteran of the Russian army, who has returned to Korea from European battlefields. Broke, hungry, and unable to find employment, he is taken in as a boarder by Kim Chang-ho. Chang-ho's friend, Cha-duk becomes romantically involved with Hae-ok, who had sold herself to support her parents. Cha-duk's wife, Yeong-ja becomes involved with Nicolai, who rejects her proposal to run away with him. The romantic complications spiral until Yeong-ja kills Cha-duk. The film ends with Nicolai departing for destinations unknown while the other boarders bid him farewell.
Field Mouse (1927)
, 1h20Directed by Na Woon-gyu
Genres Action, Romance
Actors Na Woon-gyu
The plot concerns a young couple who have made a marriage vow with each other. Their marriage is thwarted when the woman is forced to marry a rich gangster. A fighter for justice called "Field Mouse" stops the wedding, killing the gangsters, and returns the bride to her betrothed.
Farewell (1927)
Directed by Na Woon-gyu
Genres Drama
Actors Jeon Ok, Na Woon-gyu
This film is a melodrama telling a story of greed and lust. It begins with millionaire Min Bum-shik's wife and a steward plotting Min's murder in order to collect his money. Rapes, murder and prison sentences follow in the convoluted plot.
Immunity (1932)
Directed by Na Woon-gyu
Genres Drama, Historical
Actors Na Woon-gyu
The film concerns the 3-day rule of Kim Ok-kyun (1851–1894), and his attempt to modernize Korea.
Arirang 3 (1936)
Directed by Na Woon-gyu
Genres Drama
Actors Na Woon-gyu
This third and last installment in the story of the mentally ill student, Choi Yeong-jin, begins with him being released from prison. He attempts to live a peaceful existence until he witnesses the rape of his sister, at which point his mental problems return.