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Guendalina is a italien film of genre Comedy directed by Alberto Lattuada with Jacqueline Sassard
Guendalina (1957)
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Add to a movie listGuendalina is a 1957 Italian comedy film directed by Alberto Lattuada. It was entered into the 1957 Cannes Film Festival.
Synopsis
À Viareggio, station balnéaire sur la mer Tyrrhénienne, l'été touche à sa fin : Guendalina, jeune adolescente de quinze ans, flirte avec Oberdan, le fils du maître-baigneur, sans grande conviction et surtout pour dissiper son ennui. Ses parents milliardaires s'apprêtent, quant à eux, à divorcer... Cette situation préoccupe beaucoup Guendalina, qui s'efforce de rapprocher ses parents. Elle finit également par aimer Oberdan, qui fait preuve de bonté et de constance. Le père de Guendalina revient bientôt et, malgré ses infidélités, se réconcilie avec Francesca, son épouse. Mais ses fonctions l'appellent aussi à Londres, et Guendalina constate amèrement la fin de son idylle amoureuse avec Oberdan, qui vient pourtant d'apprendre une heureuse nouvelle : il est reçu à son examen.Actors
Jacqueline Sassard
(Guendalina Redaelli)
Raf Vallone
(Guido Redaelli, padre di Guendalina)
Sylva Koscina
(Francesca Redaelli, madre di Guendalina)
Leda Gloria
(Madre di Oberdan)
Geronimo Meynier
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Suggestions of similar film to Guendalina
There are 136 films with the same actors, 35 films with the same director, 38761 with the same cinematographic genres (including 3961 with exactly the same 2 genres than Guendalina), to have finally 70 suggestions of similar films.If you liked Guendalina, you will probably like those similar films :
The Boarder (1954)
, 1h47Directed by Alberto Lattuada
Origin Italie
Genres Drama, Comedy, Comedy-drama
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
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Rating68%
Anna-Maria Mentorsi, une prostituée, part pour quelques jours en vacances à la mer, avec sa fille Caterina. Elles se posent dans un hôtel de luxe de la Riviera italienne, à Pontorso, qui est fréquenté par une clientèle de riches bourgeois. D'abord charmés par sa gentillesse, les pensionnaires et quelques figures locales du lieu lui font bon accueil. Mais une indiscrétion va bientôt redistribuer les cartes, et radicalement changer le regard que ce petit monde porte sur elle.
Anna (1951)
, 1h47Directed by Alberto Lattuada
Origin France
Genres Drama, Romance
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A man (Vallone) suffers a car accident. He's taken to hospital, where Sister Anna (Mangano) takes care of him. The man is the reason Anna became a nun. She remembers the days she was leading a life of sin as a night club singer.
The Overcoat (1952)
, 1h35Directed by Alberto Lattuada
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Genres Drama, Comedy, Comedy-drama, Fantasy
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The story of a very poor city-hall clerk (Renato Rascel) whose only desire is to own a new overcoat.
Variety Lights (1951)
, 1h30Directed by Alberto Lattuada, Federico Fellini
Origin Italie
Genres Drama, Comedy, Comedy-drama, Musical, Romance
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Actors Carla Del Poggio, Peppino De Filippo, Giulietta Masina, Folco Lulli, Franca Valeri, Carlo Romano
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Variety Lights is a bittersweet drama about a group of second-rate theatrical performers on tour. The actors, dancers, and performers struggle to make money from town to town, playing to minimal crowds, while the ageing manager of the company falls in love with a newcomer, to the chagrin of his faithful mistress Melina Amour, played by Fellini's real-life wife, Giulietta Masina. The movie begins with a sold-out vaudeville show in a small Italian town. A young woman, Liliana, played by Carla Del Poggio, sits in the appreciate crowd, enraptured by the performers. That evening, as the troupe boards a train, with two of the performers forced to sit in the train toilet to evade paying the fare, the young woman also boards the train. During the night, she unsuccessfully requests the head of the group, Checco Dal Monte, played by Peppino De Filippo, to join the group. In the morning when the group realizes it does not have enough money to pay for a carriage, Liliana hires the carriage with the last of her money. This saves the group several miles of walking and leads to them accepting her. At the performance that evening, a sparse and hostile crowd mocks each performer in turn. When the local promoter notices that the crowd responds approvingly to Liliana, he interrupts the performance and directs the group to feature the newcomer. This leads to repeat performances over the next two days to increasingly larger crowds. After the third and final performance, a local wealthy man invites the group to his mansion for dinner. That night Checco realizes he desires Liliana. In the morning, as the group walks towards the train station, Checco abandons his mistress Melina to walk alone with Liliana. When the group arrives in Rome, Checco leaves it in order to form his own troupe featuring Liliana. However, as this new group practices, Liliana arrives to tell Checco she has signed with a competitor. Checco collapses. The movie then follows Liliana in her brilliant debut in a minor role, hinting that she has a bright future ahead of her. The movie ends with Liliana, sporting an expensive fur coat, boarding a first-class train carriage en route to Milan. On the adjoining track, Checco and his old troupe board a train for Formaggio. In the final scene, the two trains leave the station as Checco, reunited with Melina, begins to flirt with a young woman who sits across the aisle from him. This suggest he is about to begin the cycle once again.
Mafioso (1962)
, 1h45Directed by Alberto Lattuada
Origin Italie
Genres Drama, Comedy, Mob film, Action, Crime
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Rating75%
Antonio Badalamenti, a Sicilian who has been settled for many years in Northern Italy and is employed in a car factory in Milan, takes a vacation with his family, leaving behind the modern conveniences of his home in northern Italy, to visit his ancestral home in Sicily and introduce his blond, northern-Italian wife, Marta, to his mother, father and other relatives back home.
Unexpected (1961)
, 1h45Directed by Alberto Lattuada
Origin Italie
Genres Drama, Comedy-drama, Crime
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Thomas Plemian, professeur d'anglais à Meaux (France), donne des leçons particulières chez un riche industriel dont l'épouse attend un enfant. Très ambitieux, le professeur organise, avec la complicité d'une élève, l'enlèvement du bébé. Mais le plan prévu échoue, car la femme du ravisseur, stérile, refuse de céder l'enfant...
Matchless (1967)
, 1h40Directed by Alberto Lattuada
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The Mandrake (1965)
, 1h43Directed by Alberto Lattuada
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The young student Ligurio returns to Florence from Paris after a long period of study. He did not just set foot in the Renaissance town falls in love with the beautiful Lucrezia, a noble woman already married to a wealthy city official: the rude, ignorant and pompous Nicias. Together with a pimp and his inept servant, Ligurio tries to conquer it, but in vain. The woman proves too chaste and faithful, yet Ligurio feels that the woman is not as it appears. After a failed attempt to seduce Lucretia in a bath in the hot springs of Florence, Ligurio has the opportunity to realize the situation of the city. Everything has changed significantly: the pilgrims now lend ear to the mocker friar Girolamo Savonarola, while the Medici who govern the city always seem to be the most corrupt, together with members of the Borgia. The ruffian, who became a friend of Ligurio advised him to investigate better about the married life of Lucrezia. So the young man, after a while ', he discovers that Lucrezia is not happy because he can not have a child. In fact, the useless Nicias is powerless, but family all think that the fault is of Lucretia, because sick to her stomach. Ligurio then, along with the pimp, really wants to use this opportunity perfingersi a good doctor and get in good with the fool Nicias. Ligurio advised her husband to ingest a particular potion to Lucrezia, obtained by melting a special plant called the mandrake. Nicias is concerned, because they fear the rejection of his wife, who has had enough to ingest and take ineffective remedies for evil. Then, under the guidance of the pimp, Nicias went to the convent by the corrupt brother Timothy, famous for his favors in payment. The pimp along with Nicias, who pretends to be deaf to deceive the friar in turn, exposes the subject to Timothy, telling him that he should have received Lucrezia in confession. In addition, the pimp, paying it says to Timothy that he had to convince Lucrezia and her mother to do something not quite respectable to have a child. In fact, according to local legend modified by deception from Ligurio, who ingested the mandrake to a son, he would have killed with poison with which he would meet with in bed at night. While brother Timothy is preparing to receive Lucrezia and her mother for the special confession, and the servant Ligurio capture the mabdragola. It is a very delicate operation, because according to the beliefs of those times, the mandrake, not being like other normal plants, he had paranormal powers. It defines the same anthropomorphic shape of the part that grows underground. The Mandrake you had to pick only during the nights of the full moon, at the foot of a tree that had just been hanged a convicted. The plant would have blossomed by itself, fueled by drops of semen from the penis out of the condemned in the last spasms of life. Ligurio and servant, aided by an old alchemist, observe these rules, tearing the mandrake with the help of a dog. In fact, if touched by human hands, the mandrake would immediately poisoned the blood of his fingers, bringing the poor binder to death. So the old alchemist, tied one end of a rope around the dog's neck and another to the stem of the mandrake, orders at the servant of Ligurio to play a horn continuously. In fact, the mandrake, once extracted by force from the ground, would have screamed inhumanly, with the risk of piercing the ears of collectors. Said these instructions, the old and the dog starts in less than no Duke, the beast dies with ears buffeted by the sharp cry of the mandrake. Merged plant, Ligurio offers the potion to Lucrezia, who drinks it with suspicion. For man to choose from for the night, Ligurio really wants to disguise himself as silly boy. In fact, the mandrake would not do any harm to him or to Lucrezia was all a sham! In this role. Ligurio is brought to the room of Lucretia, which loses scared when you see a monster in front of the people. Ligurio then takes off his disguise and explains everything in which Lucrezia, a lot of fun, decided to join him and to procreate a child. A few days later Nicias, mocked at large, has not yet noticed anything and so admits in his family the talented Dr.
Sweet Deceptions (1960)
, 1h35Directed by Alberto Lattuada
Origin Italie
Genres Drama, Comedy-drama, Romance
Actors Catherine Spaak, Christian Marquand, Jean Sorel, Marilù Tolo, Giacomo Furia, Serena Vergano
Rating66%
Francesca (Catherine Spaak), a 17-year-old girl, who has a vivid dream of making love to Enrico (Christian Marquand), a 37-year-old divorced architect and family friend. She skips school to watch lovers as she contemplates whether she should act on her feelings.
Don Juan in Sicily (1967)
, 1h44Directed by Alberto Lattuada
Origin Italie
Genres Comedy
Actors Lando Buzzanca, Ewa Aulin, Katia Christine, Rossana Martini, Roberto De Simone, Giovanni Petrucci
Rating58%
Lattuada suit les lignes directrices du roman homonyme dû à Vitaliano Brancati : Giovanni Percolla, jeune avocat catanais mène une existence morne et paresseuse auprès de ses trois sœurs, de vieilles filles qui ne cessent de le choyer. Son occupation principale consiste à traquer la gent féminine et à entretenir, avec d'autres amis masculins, de nombreux fantasmes sexuels. Or, l'arrivée en ville de Ninetta, une fille de l'aristocratie helvète qui semble être attirée par sa personnalité, le trouble profondément. Il s'éprend d'elle et l'épouse. Après s'être séparé de ses sœurs, il s'installe avec Ninetta, au Nord, à Milan. Là, il parvient à arracher un poste intéressant qui lui permet de progresser en affaires. Sa vie amoureuse le laisse néanmoins insatisfait. Dès lors, son travail, très contraignant pourtant, ne l'empêche pas de courtiser d'autres femmes : en particulier, Wanda, l'épouse d'un concurrent. Hélas, Wanda finit dans les bras d'un de ses amis catanais. Écœuré, puis lassé par l'ambiance milanaise, Giovanni retourne en Sicile où il renoue avec ses anciennes habitudes et son mode de vie nonchalant. Lattuada a, d'une part, modifié l'état d'esprit du héros à Milan et, aspect plus important encore, l'époque du roman : Brancati situe son récit, paru en 1942, à son époque, le fascisme, tandis que le cinéaste le transporte à la sienne, celle du miracle économique italien.