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How a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns is a american film of genre Comedy directed by Edwin S. Porter released in USA on 26 august 1904
How a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns (1904)
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Add to a movie listHow a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns est un film muet américain comique de poursuite réalisé par Edwin S. Porter, produit par Edison Studios et sorti en 1904. Ce film est un remake de Personal de Wallace McCutcheon
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Suggestions of similar film to How a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns
There are 96 films with the same director, 60252 with the same cinematographic genres (including 637 with exactly the same 3 genres than How a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns), to have finally 70 suggestions of similar films.If you liked How a French Nobleman Got a Wife Through the 'New York Herald' Personal Columns, you will probably like those similar films :
Cupid’s Pranks (1908)
, 10minutesDirected by Edwin S. Porter, J. Searle Dawley
Origin USA
Genres Comedy, Fantasy, Romance
Actors D. W. Griffith, Laura Sawyer
Rating49%
The Gay Shoe Clerk (1903)
, 1minutesDirected by Edwin S. Porter
Origin USA
Genres Comedy, Romance
Themes Films about sexuality, Erotic films
Rating56%
Dans un magasin de chaussures, le vendeur soigne son présentoir. Une dame entre, suivie par sa fille, la vingtaine, à qui elle veut offrir une nouvelle paire de chaussures. En conformité avec l’époque, les deux femmes portent des robes tombant jusqu’au sol et une capeline. La jeune fille choisit un modèle et le vendeur entreprend l’essayage habituel. Tandis qu’il noue le lacet, la jeune fille découvre lentement son mollet. En se relevant, le vendeur embrasse alors à pleine bouche la jeune fille consentante. Furieuse, la mère assaille le vendeur à coups d’ombrelle et quitte le magasin en réprimandant sa fille.
Such a Little Queen (1914)
Directed by Edwin S. Porter, Hugh Ford
Origin USA
Genres Drama, Comedy, Romance
Themes Films based on plays
Actors Mary Pickford, Carlyle Blackwell, Harold Lockwood, Russell Bassett, Arthur Hoops
Directed by Edwin S. Porter
Origin USA
Genres Comedy, Fantasy, Romance
Rating51%
The moon, painted with a smiling face hangs over a park at night. A young couple walking past a fence learn on a railing and look up. The moon smiles. They embrace, and the moon's smile gets bigger. They then sit down on a bench by a tree. The moon's view is blocked, causing him to frown. In the last scene, the man fans the woman with his hat because the moon has left the sky and is perched over her shoulder to see everything better.
College Chums (1907)
, 11minutesDirected by Edwin S. Porter, J. Searle Dawley
Origin USA
Genres Comedy
Actors Katherine Griffith
Rating55%
Cohen’s Fire Sale (1907)
, 13minutesDirected by Edwin S. Porter, Wallace McCutcheon
Origin USA
Genres Comedy
Rating46%
Devant la boutique de mode de Cohen, un nouvel arrivage de chapeau est accidentellement ramassé par l'éboueur. Le commerçant lésé poursuit dans New York la benne à ordures, afin de ramasser les chapeaux semés...
, 1minutesDirected by Edwin S. Porter
Genres Biography, Comedy, Documentary
Themes Political films
Rating40%
Lasting just 61 seconds and consisting of two shots, the first shot is set in a wood during winter. The actor representing then vice-president Theodore Roosevelt enthusiastically hurries down a hillside towards a tree in the foreground. He falls once, but rights himself and cocks his rifle. Two other men, bearing signs reading "His Photographer" and "His Press Agent" respectively, follow him into the shot; the photographer sets up his camera. "Teddy" aims his rifle upward at the tree and fells what appears to be a common house cat, which he then proceeds to stab. "Teddy" holds his prize aloft, and the press agent takes notes. The second shot is taken in a slightly different part of the wood, on a path. "Teddy" rides the path on his horse towards the camera and out to the left of the shot, followed closely by the press agent and photographer, still dutifully holding their signs.