Hunger (Danish: Sult, Swedish: Svält) is a 1966 black-and-white drama film directed by Denmark's Henning Carlsen, starring Swedish actor Per Oscarsson, and based upon the novel Hunger by Norwegian Nobel Prize-winning author Knut Hamsun. Filmed on location in Oslo, it was the first film produced as a cooperative effort among the three Scandinavian countries.
With its stark focus on a life of poverty and desperation, the film is considered a masterpiece of social realism. Film historians suggest it is the first Danish film to gain serious international attention since the work of Carl Theodor Dreyer. It is one of the ten films listed in Denmark's cultural canon by the Danish Ministry of Culture.
Synopsis
In 1890 Kristiania (Oslo), an impoverished and lonely writer named Pontus (Per Oscarsson) comes to the city from the country. He stands on a bridge, overlooking running water, writing but clearly starving. He visits a pawnbroker several times. He sells his waistcoat for a few cents, then gives the money to a beggar. Other money that falls into his hands he also gives away. He has written an article that a newspaper editor (Henki Kolstad) agrees to publish if he makes some corrections, but Pontus is too proud to accept an advance when offered, so he leaves elated but still hungry. He begs a bone for his dog, which he gnaws on secretly in an alley. He often has the chance to make things better for himself, but his pride gets in the way, such as when he declines the much-needed help of a worried friend.
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, 2h4 Directed byCarl Theodor Dreyer OriginDanemark GenresDrama ThemesPregnancy films, Medical-themed films, Films about religion, Films about sexuality, Films about psychiatry ActorsBirgitte Federspiel, Henrik Malberg, Emil Hass Christensen, Preben Lerdorff Rye, Ejner Federspiel, Ove Rud Rating81% The film centers around the Borgen family in rural Denmark. The devout widower Morten, patriarch of the family, prominent member of the community, and patron of the local parish church, has three sons. Mikkel, the eldest, has no faith, but is happily married to the pious Inger, who is pregnant with their third child. Johannes, who went insane studying Søren Kierkegaard, believes himself to be Jesus Christ and wanders the farm condemning the age's lack of faith, including that of his family and the modern-minded new pastor of the village. The youngest son, Anders, is lovesick for the daughter of the leader of a local Christian religious sect.