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Suggestions of similar film to We Are All Demons
There are 26 films with the same actors, 7 films with the same director, 61697 with the same cinematographic genres, to have finally
70 suggestions of similar films.
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We Are All Demons, you will probably like those similar films :
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Directed by Henning CarlsenOrigin DanemarkGenres DramaActors Per Oscarsson,
Gunnel Lindblom,
Birgitte Federspiel,
Knud Rex,
Hans W. Petersen,
Henki KolstadRating76%
In 1890 Kristiania (Oslo), an impoverished and lonely writer named Pontus (Per Oscarsson) comes to the city from the country. He stands on a bridge, overlooking running water, writing but clearly starving. He visits a pawnbroker several times. He sells his waistcoat for a few cents, then gives the money to a beggar. Other money that falls into his hands he also gives away. He has written an article that a newspaper editor (Henki Kolstad) agrees to publish if he makes some corrections, but Pontus is too proud to accept an advance when offered, so he leaves elated but still hungry. He begs a bone for his dog, which he gnaws on secretly in an alley. He often has the chance to make things better for himself, but his pride gets in the way, such as when he declines the much-needed help of a worried friend., 2h29
Directed by Andreï TarkovskiOrigin SuedeGenres DramaThemes Philosophie,
Arme nucléaireActors Erland Josephson,
Allan Edwall,
Susan Fleetwood,
Sven Wollter,
Valérie Mairesse,
Guðrún GísladóttirRating78%
The film opens on the birthday of Alexander (Erland Josephson), an actor who gave up the stage to work as a journalist, critic, and lecturer on aesthetics. He lives in a beautiful house with his actress wife Adelaide (Susan Fleetwood), stepdaughter Marta (Filippa Franzén), and young son, "Little Man", who is temporarily mute due to a throat operation. Alexander and Little Man plant a tree by the sea-side, when Alexander's friend Otto, a part-time postman, delivers a birthday card to him. When Otto asks, Alexander mentions that his relationship with God is "nonexistent". After Otto leaves, Adelaide and Victor, a medical doctor and a close family friend who performed Little Man's operation, arrive at the scene and offer to take Alexander and Little Man home in Victor's car. However, Alexander prefers to stay behind and talk to his son. In his monologue, Alexander first recounts how he and Adelaide found this lovely house near the sea by accident, and how they fell in love with the house and surroundings, but then enters a bitter tirade against the state of modern man. As Tarkovsky wrote, Alexander is weary of "the pressures of change, the discord in his family, and his instinctive sense of the threat posed by the relentless march of technology"; in fact, he has "grown to hate the emptiness of human speech".