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In Public is a film of genre Documentary directed by Jia Zhang-ke (贾樟柯)
In Public (2001)
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Add to a movie listIn Public (simplified Chinese: 公共场所; traditional Chinese: 公共場所; pinyin: Gōng gōng cháng sǔo; literally: "Public space") is a short documentary film directed by Jia Zhangke, a Chinese cinema "Sixth Generation" movement filmmaker. In Public was shot on digital video for the 2001 Jeonju International Film Festival.
In many ways, the film was a test-run for the feature length fiction film, Unknown Pleasures. Both films are shot digitally (a medium Jia would return to in Still Life (2006) and 24 City (2008)), both are set in the city of Datong, and both share the same shooting locations. As usual, Jia's regular collaborator Yu Lik-wai served as the film's director of photography.
The film also screened at the 2002 Marseille Festival of Documentary Film, where it won the Grand Prix.
Synopsis
Trente plans-séquences tournés dans la ville minière de Datong, dans le ShanxComments
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Suggestions of similar film to In Public
There are 15 films with the same director, 8953 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked In Public, you will probably like those similar films :
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Rating62%
Jia Zhang Ke suit le travail du peintre chinois Liu Xiaodong à travers deux œuvres de l'artiste : la première se fait au village de Fengjie, bientôt englouti par les eaux à la suite de la construction du barrage des Trois-Gorges. Liu Xiadong y peint les ouvriers au travail et dans la détente. La deuxième met en scènes des jeunes femmes de Bangkok, belles et sensuelles.
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, 2h5Directed by Jia Zhang-ke (贾樟柯)
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Stories on Human Rights (2008)
Directed by Pablo Trapero, Walter Salles, Idrissa Ouédraogo, Jia Zhang-ke (贾樟柯), Charles de Meaux, Abderrahmane Sissako, Apichatpong Weerasethakul, Jasmila Žbanić, Hany Abu-Assad, Sergueï Bodrov, Murali Nair, Daniela Thomas, Shira Geffen, Ange Leccia
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Vingt courts métrages sur les droits de l'homme.
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, 1h48Directed by Jia Zhang-ke (贾樟柯)
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The film is set in 1997, with the transfer of sovereignty over Hong Kong being mentioned in the background. The place is a small provincial town, dirty and poor. Xiao Wu is one of a group of pickpockets, most of whom have moved on to become small traders and legal or semi-legal. One of them, formerly a close friend, is getting married and decides not to invite Xiao Wu, a reminder of the past. He drifts around, discontent with this, but makes no effort to change. He acquires a girlfriend, a prostitute who takes a liking to him, but she drops him when she gets some better prospect. He visits his poor-peasant family but ends up quarrelling with his parents and saying he won't ever come back. Finally he gets arrested and we last see him handcuffed in the middle of the street with a disapproving crowd watching him. There is a big crack-down on crime, something mentioned at the start of the film, so his fate is likely to be harsh.
Ash Is Purest White (2018)
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Genres Drama, Crime, Romance
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Rating69%
À Datong, une histoire d'amour difficile relie l'ancienne danseuse Qiao et le gangster Bin, de 2001 à 2017.
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Set in the present and based on allegedly true events from the recent past, the film also draws on the history of wuxia stories. The title in Chinese, 天注定 (Tian zhuding) is literally translated as "heavenly fate" or "fated doom," while its English title is a reference to King Hu's 1971 action epic A Touch of Zen, one of the most influential wuxia films.
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The film has three parts, set in the 1990s, the present and in Australia in the year 2025, respectively.
Xiao Shan Going Home (1995)
, 59minutesDirected by Jia Zhang-ke (贾樟柯)
Genres Drama
Actors Wang Hongwei
Rating58%
Xiao Shan, un employé intérimaire du restaurant Hongyuan, vient d'être licencié par son patron Zhao Guoqing. Décidant de quitter Pékin et de rentrer chez lui à Anyang, il va voir une série de personnes de sa ville natale qui vivent également à Pékin - ouvriers du bâtiment, vendeurs de billets de train, étudiants d'université, préposés, prostituées – mais personne ne veut rentrer avec lui. Découragé et confus, il cherche un à un ses anciens amis qui sont encore à Pékin. Finalement, il laisse ses longs cheveux sauvages, symbole de sa vie en ville, chez un coiffeur en bord de route, en guise d'offrande à Pékin.