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Navrang is a film of genre Drama directed by V. Shantaram with Mahipal Singh
Navrang (1959)
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Add to a movie listNavrang is a 1959 Hindi film bollywood movie by Shantaram Rajaram Vankudre (V. Shantaram) . The film noted for its dance sequences with lead actress Sandhya and music by C. Ramchandra, while playback singer Mahendra Kapoor made his singing debut with the hit Aadha Hai Chandrama Raat Aadhi.
Synopsis
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.Actors
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Suggestions of similar film to Navrang
There are 277 films with the same actors, 45 films with the same director, 70851 with the same cinematographic genres (including 993 with exactly the same 3 genres than Navrang), 561 films with the same themes, to have finally 70 suggestions of similar films.If you liked Navrang, you will probably like those similar films :
Jhanak Jhanak Payal Baaje (1955)
, 2h23Directed by V. Shantaram
Genres Drama, Romance
Themes Dance films
Actors Gopi Krishna, Sandhya Shantaram, Bhagwan Dada, Madan Puri, Manorama, Nana Palsikar
Rating69%
Classical dance guru Mangal stumbles on a dance performance in a lavish haveli by Neela. He orders his talented son Girdhar to demonstrate to the audience the true method of classical dance. Entranced by Girdhar's skill, Neela begs Mangal to admit her as a pupil. He finally agrees on two conditions: she must devote her life to art and she must partner Girdhar in the Tandav portion of an upcoming dance competition. As the two practice together, she begins to fall in love with Girdhar. Manilal, a wealthy and jealous man who hopes to have Neera for himself, warns Mangal that the two are falling in love, but he ignores him. When Mangal goes away for some time to buy new costumes for the pair, they confess their love to each other and neglect their dancing in favor of idyllic walks and boat rides. Mangal returns and discovers that the two are in love. Enraged that Girdhar's dancing has suffered and believing that he will now never win the title of Bharat Natarajan, he renounces his son and resolves to leave him. Dismayed that she has endangered Girdhar's career, Neela pretends that she has betrayed him with Manilal and he returns to his father and his art. The devastated Neela tries to drown herself in the river, but is rescued by a kindly sadhu. She decides to follow the example of the minstrel Meerabai and devotes her life to Krishna, but is alarmed when Girdhar appears declaring that he can not forget her. She pretends not to know him and he is enraged; his father takes him away. She becomes ill and the sadhu and her servant Bindiya take her to the temple where the dance competition is being held. Hoping to sabotage his chances, Manilal has bribed Girdhar's new partner to drop out of the competition. Neela takes her place in the Tandav dance and Mangal realizes that she spurned Girdhar to help him win the competition. He then convinces his son to give her a second chance. With the help of Neela, Girdhar wins the competition and Mangal gives the couple his blessing to marry.
Boond Jo Ban Gayee Moti (1967)
, 2h31Directed by V. Shantaram
Genres Drama, Crime, Romance
Actors Jeetendra, Mumtaz, Nana Palsikar, Lalita Pawar
Rating69%
The story is told in a flashback with Satyaprakash (Jeetendra) reliving his past life in the village as a teacher. Satyaprakash's parents give him the task of looking after his younger brother, Mahesh (Akashdeep), before they die. Shefali (Mumtaz) is a village girl who falls in love with him. Satya is a teacher who honours truth and uses new teaching methods in school for which he continuously gets into trouble with the school Board and the principal (Nana Palsikar). He sends Mahesh to the city to study further in college. However, Mahesh turns out to be a spoilt brat who enjoys drinking and romancing girls. He fails his exams but fools his brother by giving him a wrong roll number. He has fallen in love with Renuka (Vaishali) and when she gets pregnant, he kills her. Satyaprakash is arrested for her murder. With Shefali's help Satya manages to find the real murderer, his brother, and he hands him over to the police.
Directed by V. Shantaram
Genres Musical, Romance
Actors Sandhya Shantaram, Abhijeet Bhattacharya, Iftekhar, Raja Paranjape, Dina Pathak, Siddharth Ray
Rating72%
Alaknanda lives a wealthy lifestyle with her widowed dad, Dr. Verma. She is fond of dancing and singing to such an extent that she refuses to marry the groom her dad has chosen for, runs away to Laitpur, enlists in the song and dance troupe that Rajkumar Kailash runs in his palatial house called 'Lalit Mahal'. Both Kailash and Alaknanda meet and fall in love, but Kailash's mom wants him to get married to Rajkumari Rupmati. Then when Alaknanda is performing, she meets with an accident, is hospitalized with a fractured leg that may never heal. Afraid to show her face to Kailash, who still insists on marrying her, she uses her crutches to escape from the hospital, ends up with a gang of bandits, is rescued by Kailash and brought home - where circumstances will again put her on the stage to perform a dance.
Amar Bhoopali (1952)
Directed by V. Shantaram
Genres Drama, Romance
Actors Lalita Pawar, Sandhya Shantaram
Rating73%
Sehra (1963)
, 2h31Directed by V. Shantaram
Genres Drama, Romance
Actors Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
Rating62%
Sherpal (Ulhas) and Tailab (Manmohan Krishan) are chiefs of two opposing clans who regularly meet at an annual competition that highlights their combative strengths in fields of weaponry. Sherpal's daughter Angara (Sandhya) is a tomboy who has been taught all that is required for the competition. She defeats Vikram (Prashant) who is from the clan of Taibal. The two fall in love, but cannot marry due to the old feud. Angara’s mother (Lalita Pawar) is after her to behave like a girl and dress accordingly. She finally gives in to her mother's demands. When her father dies, Mangal (M. Rajan) appears claiming to be her bethrothed, chosen by her father. When things start taking a violent turn she agrees to marry him. Mangal then treats her badly after marriage. Angara suffers the humiliation and even carries a heavy weight across the desert, a punishment meted out to her by Mangal. As she trudges through the desert she comes across a dying Vikram, who asks for water. She attempts to give him water against her husband's wishes, and is shot by Mangal. Angara and Vikram die together.
Pinjra (1972)
, 2h55Directed by V. Shantaram
Genres Drama, Musical
Themes Films about education, Films about music and musicians, Musical films
Actors Dr. Shriram Lagoo, Sandhya Shantaram, Nilu Phule, Ganpat Patil
Rating84%
The film is a loose adaptation of the first major German sound film "Der Blaue Engel".
Girl From Sahyadri (1966)
, 2h31Directed by V. Shantaram
Genres Drama, Thriller
Actors Sandhya Shantaram
Rating54%
Rani (Sandhya) and her family are poor but she is not allowed to work when offered a job in a theatrical company, as it is against the custom of her family to have girls working. However she takes on the job when the village temple needs money for repairs. The stage-owner starts drinking and makes inappropriate advances to Rani. When she snubs him he stops the work on the temple restoration. Rani is separated from her family but finally reunites with them and has the temple completed.
Three Lights & Four Streets (1953)
, 1h52Directed by V. Shantaram
Genres Drama, Comedy
Actors Sandhya Shantaram, Shashikala, Leela Mishra, Nirupa Roy, Sheila Ramani, Karan Dewan
Rating69%
Lala Gulabchand (Dewan Sharar), is a Punjabi and his wife is from Uttar Pradesh. They live at the corner of a crossroads with three lights and four roads. He is a firm believer in national unity and has had five of his six sons, each married to a girl from a different state; a Marathi, Sindhi, Bengali, Tamil and a Gujarati. His sixth son Ramesh (Karan Dewan), works in the press and is a writer and an artist. He is a bachelor but falls in love with a woman named Kokila whose singing he hears on the radio. He draws a portrait of Kokila from imagination just listening to her sing. Unbeknownst to him, Kokila, called Shyama (Sandhya), is the dark-complexioned maid who works in their home and is proficient in all the different languages that the wives of the brothers' speak and very efficient in her chores. However, he rejects her as she's dark and Shyama leaves the house despondent. The turmoil the household goes through with the absence of Shyama and a repentant Ramesh finally makes for a happy ending by everyone getting together again.
Two Eyes Twelve Hands (1957)
, 2h23Directed by V. Shantaram
Genres Drama, Thriller, Comedy, Crime
Themes Prison films
Actors V. Shantaram, Sandhya Shantaram, Phaldut Sharma, Sunil Dutt
Rating83%
The film portrays a young jail warden, Adinath, who rehabilitates six dangerous prisoners released on parole into persons of virtue.
Shadow (1952)
, 2h30Directed by V. Shantaram
Genres Drama
Actors Sandhya Shantaram, V. Shantaram, Lalita Pawar, Saroj Khan
Rating59%
Tired of his life Deepak (V. Shantaram), a boat man, tries to commit suicide. However his inner voice stops him. As he's reurning home he gets hit in the eye by a bullet, blinding him. The accident has been caused by Saloni (Jayshree), a young lady also called Chhoti Rani (Young Queen), while she's out on a hunt. She takes him home with the view of getting him treatment. While staying in the big mansion Deepak soon falls in love with Saloni, who reciprocates his feelings. However this is not liked by the older Queen, Badi Rani (Lalita Pawar) as she wants Saloni to marry Vinod. She sends Deepak for eye treatment with Kishori (Sandhya), one of the maids in the house, whose voice is similar to Saloni's voice. Badi Rani dies, and when Saloni refuses to marry Vinod, he tries to rape her. While she's trying to escape, both are killed. On regaining his eyesight Deepak realises that Kishori, who has fallen in love with him is not Saloni. He returns to the mansion to be told about Saloni's death. He spends his days lighting a lamp on the shrine he builds for Saloni at the place where she died.