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Boond Jo Ban Gayee Moti is a film of genre Drama directed by V. Shantaram with Jeetendra
Boond Jo Ban Gayee Moti (1967)
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Add to a movie listBoond Jo Ban Gayee Moti (The Drop That Became a Pearl) is a 1967 Hindi social crime drama film directed by V. Shantaram. The film was produced by Shantaram Productions under his Rajkamal Kalamandir banner and had music by Satish Bhatia with lyrics written by Bharat Vyas. The story, screenplay and dialogue were written by Virendra Sinha and the cinematographer was V. Avadhoot. The film starred Jeetendra, Mumtaz, Nana Palsikar, Lalita Pawar, Akash Deep and Vaishali.
The film revolves around an honest schoolteacher Satyaprakash (Jeetendra), who gets implicated in a murder committed by his brother (Akash Deep). Mumtaz plays the village girl in love with Satyaprakash, and who helps him get acquitted.
Synopsis
The story is told in a flashback with Satyaprakash (Jeetendra) reliving his past life in the village as a teacher. Satyaprakash's parents give him the task of looking after his younger brother, Mahesh (Akashdeep), before they die. Shefali (Mumtaz) is a village girl who falls in love with him. Satya is a teacher who honours truth and uses new teaching methods in school for which he continuously gets into trouble with the school Board and the principal (Nana Palsikar). He sends Mahesh to the city to study further in college. However, Mahesh turns out to be a spoilt brat who enjoys drinking and romancing girls. He fails his exams but fools his brother by giving him a wrong roll number. He has fallen in love with Renuka (Vaishali) and when she gets pregnant, he kills her. Satyaprakash is arrested for her murder. With Shefali's help Satya manages to find the real murderer, his brother, and he hands him over to the police.Actors
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Suggestions of similar film to Boond Jo Ban Gayee Moti
There are 319 films with the same actors, 45 films with the same director, 72239 with the same cinematographic genres (including 1099 with exactly the same 3 genres than Boond Jo Ban Gayee Moti), to have finally 70 suggestions of similar films.If you liked Boond Jo Ban Gayee Moti, you will probably like those similar films :
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, 2h31Directed by V. Shantaram
Genres Drama, Romance
Actors Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
Rating62%
Sherpal (Ulhas) and Tailab (Manmohan Krishan) are chiefs of two opposing clans who regularly meet at an annual competition that highlights their combative strengths in fields of weaponry. Sherpal's daughter Angara (Sandhya) is a tomboy who has been taught all that is required for the competition. She defeats Vikram (Prashant) who is from the clan of Taibal. The two fall in love, but cannot marry due to the old feud. Angara’s mother (Lalita Pawar) is after her to behave like a girl and dress accordingly. She finally gives in to her mother's demands. When her father dies, Mangal (M. Rajan) appears claiming to be her bethrothed, chosen by her father. When things start taking a violent turn she agrees to marry him. Mangal then treats her badly after marriage. Angara suffers the humiliation and even carries a heavy weight across the desert, a punishment meted out to her by Mangal. As she trudges through the desert she comes across a dying Vikram, who asks for water. She attempts to give him water against her husband's wishes, and is shot by Mangal. Angara and Vikram die together.
Geet Gaya Patharon Ne (1964)
Directed by V. Shantaram
Actors Jeetendra, Rajshree, Nana Palsikar, Bharathi Vishnuvardhan
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Vijay (Jeetendra), son of a poor temple sculptor and a toor guide, was a carefree young lad. One day while helping his father to guide a bunch of young women around the temple, he meets a beautiful young girl named Vidya (Rajshree). After some teasing, both fall in love. Vidya was a classical dancer and motivates the sculptor in Vijay, who makes many beautiful statues in a short time. Meanwhile Vidya comes to know that her mother wants to sell her to a rich man as a mistress. She succeeds in escaping from her mother's house and comes to Vijay. He wants to take his father's permission to marry her but rejected as his father thinks that Vidya is a prostitute. Moreover he thinks that Vidya couldn't stand poverty.
Navrang (1959)
Directed by V. Shantaram
Genres Drama, Musical, Romance
Themes Dance films
Actors Mahipal Singh, Sandhya Shantaram, Kaadhal Sandhya, Agha, Jeetendra
Rating67%
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.
Amar Bhoopali (1952)
Directed by V. Shantaram
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Shadow (1952)
, 2h30Directed by V. Shantaram
Genres Drama
Actors Sandhya Shantaram, V. Shantaram, Lalita Pawar, Saroj Khan
Rating59%
Tired of his life Deepak (V. Shantaram), a boat man, tries to commit suicide. However his inner voice stops him. As he's reurning home he gets hit in the eye by a bullet, blinding him. The accident has been caused by Saloni (Jayshree), a young lady also called Chhoti Rani (Young Queen), while she's out on a hunt. She takes him home with the view of getting him treatment. While staying in the big mansion Deepak soon falls in love with Saloni, who reciprocates his feelings. However this is not liked by the older Queen, Badi Rani (Lalita Pawar) as she wants Saloni to marry Vinod. She sends Deepak for eye treatment with Kishori (Sandhya), one of the maids in the house, whose voice is similar to Saloni's voice. Badi Rani dies, and when Saloni refuses to marry Vinod, he tries to rape her. While she's trying to escape, both are killed. On regaining his eyesight Deepak realises that Kishori, who has fallen in love with him is not Saloni. He returns to the mansion to be told about Saloni's death. He spends his days lighting a lamp on the shrine he builds for Saloni at the place where she died.
Dahej (1950)
, 2h29Directed by V. Shantaram
Actors Prithviraj Kapoor, Lalita Pawar, Karan Dewan
Rating68%
Thakur (Prithviraj Kapoor), his wife (Mumtaz Begum) and daughter Chanda (Jayshree) live in a big old-style house. Though he has this ancestral property, Thakur is not wealthy and he makes this clear to lawyer Biharilal (Ulhas) and his wife (Lalita Pawar) when they ask for Chanda's hand in marriage. He tells them that he can not give a dowry as tradition demands. The lawyer says he does not want a dowry for his son Suraj (Karan Dewan) and are happy having Chanda in their house. He has said this thinking that Thakur is rich and would anyway give a dowry. Soon after the marriage, the lawyer dies and Chanda's blamed by her mother-in-law for bringing bad luck. She plans to throw Chanda out of the house and get Suraj remarried. Meanwhile, seeing the suffering his daughter has to endure Thakur decides to sell his entire property and get a big dowry for Chanda. He proceeds to bring the dowry to Chanda's house with big fanfare. Suraj lies hurt following an accident and Chanda's mother-in-law refuses to let Chanda look after him. In the melee, Chanda also gets hurt when the door she's standing against is broken down. Suraj hearing the commotion gets out of his bed and collapses dead. Thakur reaches the house only to have Chanda die in his arms.
Manoos (1939)
, 2h44Directed by V. Shantaram
Genres Drama, Romance
Actors Ramchandra Purushottam Marathe, Raja Paranjape
Rating73%
Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.
Shakuntala (1943)
, 2h2Directed by V. Shantaram
Genres Drama, Romance
Actors Chandra Mohan
Shakuntala (Jayshree) is the daughter of sage Vishwamitra and Menaka, but is brought up by the sage Kanva, and stays with him in a forest dwelling. She meets King Dushyanta (Chandra Mohan), when he comes there for a hunt. The two fall in love and get married, with Dushyanta staying with her. Soon he has to leave and he promises to come back for her. Before leaving he gives her a ring as a token of their marriage. Shakuntala passes her days waiting for Dushyanta. She is so lost in his thoughts that she doesn’t hear a sage asking for water. He then leaves her with a curse that the one she is thinking about will forget her. She gives birth to a son, Bharata and several years pass without the return of Dushyanta who has lost his memory and has no recollection of Shakuntala. The ring he has given her is lost in the river and swallowed by a fish. Dushyanta turns her away when Shakuntala goes to the court. Later when Dushyanta recovers his memory Shakuntala refuses to go with him but both are finally united.
Two Eyes Twelve Hands (1957)
, 2h23Directed by V. Shantaram
Genres Drama, Thriller, Comedy, Crime
Themes Prison films
Actors V. Shantaram, Sandhya Shantaram, Phaldut Sharma, Sunil Dutt
Rating83%
The film portrays a young jail warden, Adinath, who rehabilitates six dangerous prisoners released on parole into persons of virtue.
Jhanak Jhanak Payal Baaje (1955)
, 2h23Directed by V. Shantaram
Genres Drama, Romance
Themes Dance films
Actors Gopi Krishna, Sandhya Shantaram, Bhagwan Dada, Madan Puri, Manorama, Nana Palsikar
Rating69%
Classical dance guru Mangal stumbles on a dance performance in a lavish haveli by Neela. He orders his talented son Girdhar to demonstrate to the audience the true method of classical dance. Entranced by Girdhar's skill, Neela begs Mangal to admit her as a pupil. He finally agrees on two conditions: she must devote her life to art and she must partner Girdhar in the Tandav portion of an upcoming dance competition. As the two practice together, she begins to fall in love with Girdhar. Manilal, a wealthy and jealous man who hopes to have Neera for himself, warns Mangal that the two are falling in love, but he ignores him. When Mangal goes away for some time to buy new costumes for the pair, they confess their love to each other and neglect their dancing in favor of idyllic walks and boat rides. Mangal returns and discovers that the two are in love. Enraged that Girdhar's dancing has suffered and believing that he will now never win the title of Bharat Natarajan, he renounces his son and resolves to leave him. Dismayed that she has endangered Girdhar's career, Neela pretends that she has betrayed him with Manilal and he returns to his father and his art. The devastated Neela tries to drown herself in the river, but is rescued by a kindly sadhu. She decides to follow the example of the minstrel Meerabai and devotes her life to Krishna, but is alarmed when Girdhar appears declaring that he can not forget her. She pretends not to know him and he is enraged; his father takes him away. She becomes ill and the sadhu and her servant Bindiya take her to the temple where the dance competition is being held. Hoping to sabotage his chances, Manilal has bribed Girdhar's new partner to drop out of the competition. Neela takes her place in the Tandav dance and Mangal realizes that she spurned Girdhar to help him win the competition. He then convinces his son to give her a second chance. With the help of Neela, Girdhar wins the competition and Mangal gives the couple his blessing to marry.