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People Forward is a brésilien film of genre Drama
People Forward (2014)
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Add to a movie listLength 1h12
OriginBresil
Genres Drama
Themes Seafaring films, Transport films, Political films, Films about Latin American military dictatorships
Rating60%
Avanti Popolo is a 2012 Brazilian drama film directed by Michael Wahrmann. It was selected for the Rotterdam and Rome festivals in 2013, awarded for best film at the CinemaXXI competition.
The film mixes fiction and documentary, following the story of André Gatti, a researcher that rescues a Super 8 film captured by his brother in 1970, while in the resistance of dictatorship, trying to revive the memory of his father, which is waiting for his missing son for the last 30 years.
^ "Avanti Popolo : Curiosidades". AdoroCinema. Retrieved 2013-09-09.
^ Hessel, Marcelo (2012-11-17). "Filme brasileiro Avanti Popolo vence mostra no Festival de Roma". Omelete. Retrieved 2013-09-09.
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Suggestions of similar film to People Forward
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Set in 1973, a young couple become entangled in a Chilean military coup at a time when there is much protest on the streets against General Augusto Pinochet. When Daniel is abducted by Pinochet's secret police DINA, Lena tries to find and save her husband. She tracks him to a sealed-off village called "Colonia Dignidad", which presents itself as a charitable mission run by a lay preacher, Paul Schäfer, but is in fact a place from which no one has ever escaped. Lena decides to join the cult to attempt to rescue her husband.
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During a time of economic and political unrest and State-sponsored terrorism in Argentina in the mid-1970s, the students want reduced bus fares, so they take to the streets and protest in support of the boleto estudiantil: the students' ticket. At first, under Isabel Martínez de Perón's government they succeed, but their protests draw hostile attention from the ensuing military regime led by Jorge Rafael Videla, which overthrows Perón on March 24, 1976.
, 2h26Origin Bresil
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Themes Seafaring films, Politique, Transport films, Political films, Films about Latin American military dictatorships
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The story takes place entirely during a few months in 1970, in the city of São Paulo. Mauro, a 12-year-old boy, is suddenly deprived of the company of his young parents, Bia and Daniel Stein, who are political activists on the run from the harsh military government, which was strongly repressing leftists all over the country. Against this backdrop of fear and political persecution, the country is at the same time bursting with enthusiasm for the coming World Cup, to be held in Mexico, the first one to be transmitted live via satellite.
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The film revolves around a working-class family in São Paulo in 1980. Otávio, a syndicalist leader, and Romana are the parents of Tião, whose girlfriend, Maria, becomes pregnant. Fearing to be fired and thus cannot support his now fiancée, Tião does not participate on a strike, what starts a series of family conflicts.
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After fifteen years of military dictatorship but facing considerable international pressure, the public of Chile is asked by the government to vote in the national plebiscite of 1988 on whether General Augusto Pinochet should stay in power for another eight years or whether there should be an open democratic presidential election the next year.
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L'action se déroule dans un pays imaginaire, l'Eldorado, qui offre, cependant, des similitudes avec le Brésil des années 1960. Au plus fort d'une époque en crise, le poète Paulo Martins est écartelé entre ses aspirations politiques et sa passion artistique. À l'agonie, il évoque, à présent, son parcours. Il a servi deux leaders politiques. L'un, Dom Porfirio Diaz, l'a protégé, utilisant son talent littéraire à des fins de pouvoir. Pourtant, Paulo Martins le trahit pour rejoindre ses adversaires politiques groupés autour de Don Felipe Vieira, dirigeant populiste et démagogique. Après son élection comme gouverneur, Vieira, confronté à l'inconsistance des promesses faites aux paysans pauvres, finit par utiliser Paulo Martins à des fins policières. Désabusé, le poète se replie sur lui-même et sur ses premières amours avec une fiancée bourgeoise présentée, autrefois, par Dom Porfirio Diaz, commettant une infidélité à l'égard de Sara, militante de l'autre camp... Mais, Sara et ses camarades l'enjoignent et le convainquent de les rallier à nouveau. Il trahit une seconde fois Diaz et de façon plus grave. Ce dernier réussit, cependant, à être couronné. Quant à Paulo Martins, « sa quête conjointe de la "justice et de la beauté" le vouera donc à un destin de déchirure, de trahisons successives de lui-même et de ses amis (et de ses amantes), et finalement à ne pouvoir dépasser l'horreur et le dégoût que dans la mort et le sacrifice.
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Rating67%
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