Projapoti: The Mystreious Bird is a Bangladeshi film released in 2011. This film was directed by popular director of television Mohammad Mostofa Kamal Raz and it is his first film. This film is produced by Enayetur Rahman Bappy and under the banner of NTV Production House. Main star cast of the film was Moushumi, Zahid Hasan, Mosharraf Karim.
, 2h36 Directed bySalauddin Lavlu OriginBangladesh GenresComedy ActorsMoushumi, Riaz, Shabnur, ATM Shamsuzzaman Rating68% The charming story of the film is picked up from village life of our country. The mischief of the so-called 'Molla' who has no knowledge except fanatic sentiments perturbed all. His home is the seat of an oppressive regime.
, 2h6 Directed byTauquir Ahmed OriginBangladesh GenresDrama, Comedy, Romantic comedy, Romance ActorsRiaz, Afsana Ara Bindu, Mamnun Hasan Emon, Zakia Bari Momo, Asaduzzaman Noor, Mosharraf Karim Rating78% A team of young boys and girls plan to have a big trip across Bangladesh. They all hail from the mega city of Dhaka. In Bangladesh, being a conservative country, it is not common to the sight of a group consisting of both young, single men and women traveling together. Yet in this story, the girls are seen to try to make it against the stream. Each had a different destination in mind: like Sundarban, Cox's Bazar, Saint Martin and many more places. Finally they decide to go to Daruchini Dwip. 'Shuvro'(Riaz) has a big problem for his weak eyesight because he may be put out from the program. But finally the full team goes on a train with 'Shuvro'.
Shakib Khan is a young landlord in an area. One day he saw Moushumi and fell love with her. But Moushumi loves a simple village man named Ferdous. Shakib Khan really desires Moshuimi. Moushumi tried to understand that he is junior to her and she loves another. But Shakib Khan is determined to get her.
, 1h46 Directed byMostofa Sarwar Farooki OriginBangladesh GenresDrama ActorsChanchal Chowdhury, Mosharraf Karim, Tanjin Tisha, Nusrat Imroz Tisha Rating81% As a leader of the local community, Chairman Amin (Shahir Huda Rumi) bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION.