Psycho is a 1998 American horror film produced and directed by Gus Van Sant for Universal Pictures, a remake of the 1960 film directed by Alfred Hitchcock about an embezzler who arrives at an old motel run by an insane killer named Norman Bates. Both films are adapted from Robert Bloch's 1959 novel of the same name, which was in turn inspired by the crimes of Wisconsin serial killer Ed Gein.
Although this version is in color, features a different cast, and is set in the present day (i.e, 1998), it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images. The film was both a commercial and critical failure.
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Marion Crane steals $400,000 from her employer to get her boyfriend, Sam Loomis, out of debt. She flees Phoenix, Arizona, by car. While en route to Sam's California home, she parks along the road to sleep. A highway patrol officer awakens her and, suspicious of her agitated state, begins to follow her. When she trades her car for another one at a dealership, he notes the new vehicle's details. Marion returns to the road but, rather than drive in a heavy storm, decides to spend the night at the Bates Motel.
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