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Raj Hath is a film directed by Sohrab Merwanji Modi with Madhubala
Raj Hath (1956)
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Add to a movie listRaj Hath, also called Rajhath (Devanagari:राजहठ; meaning "Royal obstinacy or stubbornness"), is a 1956 Indian (Hindi) romantic fantasy drama film directed and produced by Sohrab Modi. It starred Madhubala, Pradeep Kumar, Tun Tun, Sohrab Modi and Ulhas in the main roles. Music for the film was scored by well known music directors, Jaikishan Dayabhai Panchal and Shankarsingh Raghuwanshi, often credited as Shankar Jaikishan.
The story revolves around two neighboring empires with long term mutual enmity whose children turn their rivalry into love.
Synopsis
The king of Jagmer, Maharaja Daljeet (Sohrab Modi), sends a marriage proposal to the king of a neighboring city, Sultanpur. In the proposal Maharaja Daljeet asks to marry his daughter, Raja Beti (Madhubala), to Kumar (Pradeep Kumar), the son of the king of Sultanpur (Ulhas). The king of Sultanpur strongly rejects the proposal and states that the long term rivalry between the two empire is the reason for his refusal; he is injuriously disrespected by the messenger, Sabgram Singh (Murad). Later, the king of Sultanpur also says that Daljeet has conspired against his empire and by proposing the marriage he wants to take revenge. The disrespectful behavior of the king of Sultanpur makes Daljeet angry, and he orders preparations for a war against Sultanpur. Daljeet also provokes his daughter to take vengeance against the king of Sultanpur for the insult. The fortress of the king of Sultanpur is well known for a trap in which troops flounder. Daljeet learns of a map of the fortress, which will help troops navigate across the trap. While retrieving the map from the enemy camp, one of the Daljeet's important soldiers is caught and killed. Daljeet realizes the task is full of risk so he invites the bravest soldiers in the kingdom to try, but they all refuse. After the denial of the brave soldiers, Juhi (Kammo) and Raja Beti accept the task and dress up as men to infiltrate the enemy camp. After much hardship they at last get the map. While returning in disguise as a shepherdess, Raja Beti meets Kumar. Kumar on his first meeting begins to fall in love with her, but he is unaware that the shepherdess is actually the princess of Jagmer.Actors
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Suggestions of similar film to Raj Hath
There are 135 films with the same actors, 23 films with the same director, to have finally 70 suggestions of similar films.If you liked Raj Hath, you will probably like those similar films :
Sheesh Mahal (1950)
, 2h24Directed by Sohrab Merwanji Modi
Genres Drama
Actors Naseem Banu, Sohrab Merwanji Modi, Gajanan Jagirdar, Nigar Sultana, Pran Krishan Sikand, Leela Mishra
Rating18%
An old feudal aristrocrat, Thakur Jaspal Singh (Sohrab Modi) lives with his two daughters, Ranja (Naseem Banu) and Nalini (Pushpa Hans), and son Balram in a grand mansion called Sheesh Mahal. He maintains his long family ancestry and honour, citing the valour of olden days. His way of life far exceeds the money he has. His children try to warn him regarding his excessive spending but his feudal mind-set refuses to let others see that they are in dire straits. They finally have to sell their mansion to a former worker, Durgaprasad (Mubarak), who is now rich. They settle in a small hovel-like place. The brother finds work in the factory but meets with an accident where his leg is amputated. Desperate Ranjana finds work as a maid to Roopa (Nigar Sultana) Durgaprasad’s daughter. Jaspal Singh refuses Durgadas when he comes to ask for his daughter's hand in marriage to his son Vikram (Jawahar Kaul) claiming that Durgadas may have bought the Sheesh Mahal but he's still a labourer compared to the aristocratic family. Balram argues with his father about keeping up false pretences. Sundarmukh (Pran) who was to marry Ranjana but has broken the engagement because they are poor, comes and tells Jaspal that his daughter, in the guise of working at Durgadas' house is having an affair with his son. Jaspal is furious and rushes to kill Ranjana to avenge the Rajput honour. At the Sheesh Mahal, Durgadas stops him with a lecture on different warriors and honour. Jaspal falters and falls down the steps. Before he dies he blesses the union between Ranjana and Vikram.
Khoon Ka Khoon (1934)
, 2h2Directed by Sohrab Merwanji Modi
Themes Films about families, Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
Actors Sohrab Merwanji Modi, Naseem Banu
The film stays close to the play, with Hamlet's dead father wanting Hamlet to punish the people responsible for his death. Hamlet, unwilling to believe his mother's involvement is in a quandary and pretends to be insane. He has a play staged denouncing his mother and uncle. Gertrude drinks the poison intended for Hamlet, Hamlet kills his step-father and succumbs to the wounds received.
Said-e-Havas (1935)
, 2h30Directed by Sohrab Merwanji Modi
Themes Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
Actors Sohrab Merwanji Modi
Jailor (1938)
, 2h30Directed by Sohrab Merwanji Modi
Genres Drama
Actors Sohrab Merwanji Modi, Leela Chitnis
Sohrab Modi is the benevolent prison warden whom everyone likes except his wife Kanwal (Leela Chitnis). The wife elopes with a doctor, Dr. Ramesh, leaving her young daughter behind. This turns the normally kind-hearted Jailor into a tyrannical man of whom everyone is scared. Circumstances make him bring his wife home when she and her lover meet with an accident and the lover turns blind. The Jailor keeps her imprisoned in a room, where she eventually kills herself due to his ill-treatment of her. The Jailor meets a blind girl and starts changing his despotic ways. On realising that the blind girl too loves Dr. Ramesh he helps unite them.
Ek Din Ka Sultan (1945)
, 2h27Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Political films, Films about royalty
Actors Mehtab, Sohrab Merwanji Modi, Ghulam Mohammed
Kundan (1955)
, 2h1Directed by Sohrab Merwanji Modi
Genres Drama
Actors Sohrab Merwanji Modi, Nimmi, Sunil Dutt, Pran Krishan Sikand, Manorama, Kumkum
Rating66%
The film starts with Kundan (Sohrab Modi) stealing a loaf of bread from a kitchen and running home with it to feed his young niece Radha, and ailing mother. He is arrested and in court he says he had tried to find work, begged, and in the end was forced to steal. The judge sentences him to two years in prison. His niece visits him in jail telling him of his mother’s death. Kundan bends the iron rods and escapes but is caught. He is imprisoned for a further five years for trying to escape. The second time he tries to do so he gets an additional seven years. Kundan spends a total of fourteen years in prison doing hard labour. Radha (Nimmi) is married to Gopal (Pran) and they have a baby girl Uma. Gopal, who is in bad company and a crook gets her to part with all her jewellery and disappears with it. Radha and her baby find refuge with a tea-stall owner (Om Prakash) and his wife (Manorama)) who employ her to work for them for minimal wages. Kundan on release from jail sets out to find Radha. He has been told by the jail authorities including Inspector Sher Singh (Ulhas), a devout policeman, to keep them informed about his whereabouts and to present himself regularly at the police station. When he returns to his locality he is unable to find Radha and the neighbours drive him away, calling him a dacoit.
Jhansi Ki Rani (1953)
, 2h28Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Actors Sohrab Merwanji Modi, Mehtab, Sapru, Srinath
Rating68%
Rajguru (Sohrab Modi) decides that Jhansi should get its proper recognition in history. He comes across a young girl Manu (the young Rani Lakshmibai) played by Baby Shikha. Her father has been hit by a carriage driven by an English driver. She gathers a few children to confront the driver. This and her confrontation with an elephant impresses the Rajguru who takes her in hand, shaping her into becoming a determined leader. He arranges for her, at the age of nine, to marry the much-older ruler of Jhansi, Gangadhar Rao (Mubarak), who is about fifty years, and become Queen.
Pukar (1939)
, 2h45Directed by Sohrab Merwanji Modi
Genres Historical
Themes Political films, Films about royalty
Actors Chandra Mohan, Sohrab Merwanji Modi, Chandra Mohan, Naseem Banu, Sardar Akhtar
Rating70%
Set at the court of the harsh Mughhal Emperor Jehangir (Chandra Mohan), the film tells two separate love stories: the first of Mangal Singh (Ali) and Kanwar (Sheela) amid the violent feud raging between their families, and the second, the famous one of Jehangir and Nurjehan (Banu). Mangal kills the brother and father of his lover. His father, the loyal Rajput chieftain Sangram Singh (Modi), captures his son and Jehangir passes the death sentence. Jehangir's claim that the law knows no class distinction is put on the test when a washerwoman (Akhtar) accuses Queen Nurjehan of having inadvertently killed her husband during a hunt. Jehangir offers his own life but the washerwoman magnanimously forgives him.
Sikandar (1941)
, 2h26Directed by Sohrab Merwanji Modi
Genres Drama, War, Historical, Peplum
Themes Politique, Political films, Films about royalty
Actors Prithviraj Kapoor, Sohrab Merwanji Modi, Meena Shorey, K. N. Singh (Krishan Niranjan Singh), Noor Jehan
Rating70%
The film begins after Alexander the Great (Sikander in Hindi/Urdu) conquers Persia and the Kabul valley and approaches the Indian border at Jhelum. Sohrab Modi plays the Indian king Puru (Porus to the Greeks).
Nausherwan-E-Adil (1957)
, 2h17Directed by Sohrab Merwanji Modi
Actors Sohrab Merwanji Modi, Naseem Banu, Mala Sinha, Raaj Kumar, Bipin Gupta, Agha
Sultan-e-Iran (Emperor of Iran) is a Just ruler and known as such, Nausherwane-e-Adil (Nausherwan The Just) (Sohrab Modi). His laws are equal for everyone and follows them in his dispensation of Justice. However when questioned about a certain ruling by a Christian priest David (Bipin Gupta), he realises that the laws he is following have come down through ages without being written down. He decides to rectify this and gets his Wazir (Niranjan Sharma) to start work on it. Nausherwan now decides to go incognito into his country to see for himself if his people are contented and happy. When he returns he sets about bringing reformation in the laws with the help of his judiciary. He puts forth two laws; anyone deceiving a girl will be walled up, and anyone betraying the state will be put to death.