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Jhansi Ki Rani is a film of genre Drama directed by Sohrab Merwanji Modi released in USA on 1 january 1956 with Sohrab Merwanji Modi
Jhansi Ki Rani (1953)
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Add to a movie listJhansi Ki Rani is a 1953 Hindi historical drama film produced and directed by Sohrab Modi for his Minerva Movietone production banner. It is credited as the first Technicolor film made in India and starred Modi's wife, Mehtab in the title role, with Modi in the important role of her mentor Rajguru (royal adviser). The film was dubbed in English as The Tiger and the Flame which released in 1956 with the same star cast. The cast besides Mehtab and Sohrab Modi included Mubarak, Ulhas, Sapru, Ram Singh, Baby Shikha, Marconi, and Shakila.
Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British. She was one of the first Indians to do so.
Synopsis
Rajguru (Sohrab Modi) decides that Jhansi should get its proper recognition in history. He comes across a young girl Manu (the young Rani Lakshmibai) played by Baby Shikha. Her father has been hit by a carriage driven by an English driver. She gathers a few children to confront the driver. This and her confrontation with an elephant impresses the Rajguru who takes her in hand, shaping her into becoming a determined leader. He arranges for her, at the age of nine, to marry the much-older ruler of Jhansi, Gangadhar Rao (Mubarak), who is about fifty years, and become Queen.Actors
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Suggestions of similar film to Jhansi Ki Rani
There are 39 films with the same actors, 23 films with the same director, 62801 with the same cinematographic genres (including 4057 with exactly the same 2 genres than Jhansi Ki Rani), to have finally 70 suggestions of similar films.If you liked Jhansi Ki Rani, you will probably like those similar films :
Ek Din Ka Sultan (1945)
, 2h27Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Political films, Films about royalty
Actors Mehtab, Sohrab Merwanji Modi, Ghulam Mohammed
Sikandar (1941)
, 2h26Directed by Sohrab Merwanji Modi
Genres Drama, War, Historical, Peplum
Themes Politique, Political films, Films about royalty
Actors Prithviraj Kapoor, Sohrab Merwanji Modi, Meena Shorey, K. N. Singh (Krishan Niranjan Singh), Noor Jehan
Rating70%
The film begins after Alexander the Great (Sikander in Hindi/Urdu) conquers Persia and the Kabul valley and approaches the Indian border at Jhelum. Sohrab Modi plays the Indian king Puru (Porus to the Greeks).
Jhansi Ki Rani (1953)
, 2h28Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Films based on mythology, Films about religion
Actors Mahipal Singh, Shobhna Shilotri Samarth, Mehtab
The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Pukar (1939)
, 2h45Directed by Sohrab Merwanji Modi
Genres Historical
Themes Political films, Films about royalty
Actors Chandra Mohan, Sohrab Merwanji Modi, Chandra Mohan, Naseem Banu, Sardar Akhtar
Rating70%
Set at the court of the harsh Mughhal Emperor Jehangir (Chandra Mohan), the film tells two separate love stories: the first of Mangal Singh (Ali) and Kanwar (Sheela) amid the violent feud raging between their families, and the second, the famous one of Jehangir and Nurjehan (Banu). Mangal kills the brother and father of his lover. His father, the loyal Rajput chieftain Sangram Singh (Modi), captures his son and Jehangir passes the death sentence. Jehangir's claim that the law knows no class distinction is put on the test when a washerwoman (Akhtar) accuses Queen Nurjehan of having inadvertently killed her husband during a hunt. Jehangir offers his own life but the washerwoman magnanimously forgives him.
Jailor (1938)
, 2h30Directed by Sohrab Merwanji Modi
Genres Drama
Actors Sohrab Merwanji Modi, Leela Chitnis
Sohrab Modi is the benevolent prison warden whom everyone likes except his wife Kanwal (Leela Chitnis). The wife elopes with a doctor, Dr. Ramesh, leaving her young daughter behind. This turns the normally kind-hearted Jailor into a tyrannical man of whom everyone is scared. Circumstances make him bring his wife home when she and her lover meet with an accident and the lover turns blind. The Jailor keeps her imprisoned in a room, where she eventually kills herself due to his ill-treatment of her. The Jailor meets a blind girl and starts changing his despotic ways. On realising that the blind girl too loves Dr. Ramesh he helps unite them.
Prithvi Vallabh (1943)
Directed by Sohrab Merwanji Modi
Genres Drama
Actors Durga Khote, Sohrab Merwanji Modi, K. N. Singh (Krishan Niranjan Singh), P. Santha Kumari, Amirbai Karnataki
Rating73%
Sheesh Mahal (1950)
, 2h24Directed by Sohrab Merwanji Modi
Genres Drama
Actors Naseem Banu, Sohrab Merwanji Modi, Gajanan Jagirdar, Nigar Sultana, Pran Krishan Sikand, Leela Mishra
Rating18%
An old feudal aristrocrat, Thakur Jaspal Singh (Sohrab Modi) lives with his two daughters, Ranja (Naseem Banu) and Nalini (Pushpa Hans), and son Balram in a grand mansion called Sheesh Mahal. He maintains his long family ancestry and honour, citing the valour of olden days. His way of life far exceeds the money he has. His children try to warn him regarding his excessive spending but his feudal mind-set refuses to let others see that they are in dire straits. They finally have to sell their mansion to a former worker, Durgaprasad (Mubarak), who is now rich. They settle in a small hovel-like place. The brother finds work in the factory but meets with an accident where his leg is amputated. Desperate Ranjana finds work as a maid to Roopa (Nigar Sultana) Durgaprasad’s daughter. Jaspal Singh refuses Durgadas when he comes to ask for his daughter's hand in marriage to his son Vikram (Jawahar Kaul) claiming that Durgadas may have bought the Sheesh Mahal but he's still a labourer compared to the aristocratic family. Balram argues with his father about keeping up false pretences. Sundarmukh (Pran) who was to marry Ranjana but has broken the engagement because they are poor, comes and tells Jaspal that his daughter, in the guise of working at Durgadas' house is having an affair with his son. Jaspal is furious and rushes to kill Ranjana to avenge the Rajput honour. At the Sheesh Mahal, Durgadas stops him with a lecture on different warriors and honour. Jaspal falters and falls down the steps. Before he dies he blesses the union between Ranjana and Vikram.
Kundan (1955)
, 2h1Directed by Sohrab Merwanji Modi
Genres Drama
Actors Sohrab Merwanji Modi, Nimmi, Sunil Dutt, Pran Krishan Sikand, Manorama, Kumkum
Rating66%
The film starts with Kundan (Sohrab Modi) stealing a loaf of bread from a kitchen and running home with it to feed his young niece Radha, and ailing mother. He is arrested and in court he says he had tried to find work, begged, and in the end was forced to steal. The judge sentences him to two years in prison. His niece visits him in jail telling him of his mother’s death. Kundan bends the iron rods and escapes but is caught. He is imprisoned for a further five years for trying to escape. The second time he tries to do so he gets an additional seven years. Kundan spends a total of fourteen years in prison doing hard labour. Radha (Nimmi) is married to Gopal (Pran) and they have a baby girl Uma. Gopal, who is in bad company and a crook gets her to part with all her jewellery and disappears with it. Radha and her baby find refuge with a tea-stall owner (Om Prakash) and his wife (Manorama)) who employ her to work for them for minimal wages. Kundan on release from jail sets out to find Radha. He has been told by the jail authorities including Inspector Sher Singh (Ulhas), a devout policeman, to keep them informed about his whereabouts and to present himself regularly at the police station. When he returns to his locality he is unable to find Radha and the neighbours drive him away, calling him a dacoit.
Jailor (1958)
, 1h50Directed by Sohrab Merwanji Modi
Actors Sohrab Merwanji Modi, Kamini Kaushal, Geeta Bali, Abhi Bhattacharya, Nana Palsikar, Daisy Irani
Rating61%
Dilip (Sohrab Modi is a kind-hearted prison warden (Jailor), who lives with his wife Kanwal (Kamini Kaushal) and little daughter Bali (Daisy Irani). Kanwal enjoys herself by staying out late at parties and meeting people. She equates her life in the house as a jail. Dilip tells her that her life is within the four walls of the house, and orders her not to go out without his permission. Kanwal hates the scar on her husband’s face and taunts Dilip about his ugly looks. Kanwal finally elopes with Dr Ramesh leaving her daughter behind. This turns Dilip into a hard cruel man who becomes oppressive. Kanwal and Dr. Ramesh go through hardships with Ramesh turning blind and Kanwal becoming disfigured following an accident. Dilip goes to the hospital and brings Kanwal back home. He has her locked up in her room forbidding her to meet her daughter. His constant taunts and berating compel Kanwal to commit suicide. Bali falls sick and dies.
Raj Hath (1956)
, 2h30Directed by Sohrab Merwanji Modi
Actors Madhubala, Pradeep Kumar, Tun tun (Uma Devi Khatri), Sohrab Merwanji Modi
Rating62%
The king of Jagmer, Maharaja Daljeet (Sohrab Modi), sends a marriage proposal to the king of a neighboring city, Sultanpur. In the proposal Maharaja Daljeet asks to marry his daughter, Raja Beti (Madhubala), to Kumar (Pradeep Kumar), the son of the king of Sultanpur (Ulhas). The king of Sultanpur strongly rejects the proposal and states that the long term rivalry between the two empire is the reason for his refusal; he is injuriously disrespected by the messenger, Sabgram Singh (Murad). Later, the king of Sultanpur also says that Daljeet has conspired against his empire and by proposing the marriage he wants to take revenge. The disrespectful behavior of the king of Sultanpur makes Daljeet angry, and he orders preparations for a war against Sultanpur. Daljeet also provokes his daughter to take vengeance against the king of Sultanpur for the insult. The fortress of the king of Sultanpur is well known for a trap in which troops flounder. Daljeet learns of a map of the fortress, which will help troops navigate across the trap. While retrieving the map from the enemy camp, one of the Daljeet's important soldiers is caught and killed. Daljeet realizes the task is full of risk so he invites the bravest soldiers in the kingdom to try, but they all refuse. After the denial of the brave soldiers, Juhi (Kammo) and Raja Beti accept the task and dress up as men to infiltrate the enemy camp. After much hardship they at last get the map. While returning in disguise as a shepherdess, Raja Beti meets Kumar. Kumar on his first meeting begins to fall in love with her, but he is unaware that the shepherdess is actually the princess of Jagmer.