Romantic Warriors II: A Progressive Music Saga About Rock in Opposition is a 2012 feature-length documentary film about the Rock in Opposition movement of the late 1970s, the music genre it spawned, and the influence it has on experimental groups across the world. The film was written and directed by Adele Schmidt and José Zegarra Holder, and was released in the United States by Zeitgeist Media. It premiered in Washington, D.C. on September 28, 2012. The film was generally well received by critics, with a reviewer at AllMusic saying that it "covers all the points an aficionado could possibly want".
Romantic Warriors II is a sequel to Zeitgeist Media's 2010 documentary on progressive rock by Schmidt and Holder, Romantic Warriors: A Progressive Music Saga. In 2013 Zeitgeist also released Romantic Warriors II: Special Features DVD, comprising additional material filmed during the making of Romantic Warriors II. A third installment in the series, Romantic Warriors III: Canterbury Tales was released in April 2015.
Synopsis
Romantic Warriors II: A Progressive Music Saga About Rock in Opposition comprises interviews with people involved with or connected to Rock in Opposition (RIO), and archival and contemporary concert footage of RIO and RIO-related bands. RIO was formed in 1978 when English experimental rock group Henry Cow invited four similar bands from Europe to perform at a festival in London, Etron Fou Leloublan (France), Samla Mammas Manna (Sweden), Stormy Six (Italy) and Univers Zero (Belgium). Chris Cutler of Henry Cow explains in an interview that experimental groups of the day had no outlet for their music because they were ignored by the major record labels. The purpose of RIO was to share resources amongst its members and organize concerts for each other across Europe. The film features each of the original RIO groups with archival performance footage and present-day interviews with some of the band members. French progressive rock band Magma is also featured, and while never a member of RIO, the film shows how Magma operated outside the music industry and were a big influence on RIO.
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