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Suggestions of similar film to Runway
There are 15 films with the same actors, 7 films with the same director, 68947 with the same cinematographic genres (including 8964 with exactly the same 2 genres than
Runway), to have finally
70 suggestions of similar films.
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Runway, you will probably like those similar films :
, 1h34
Directed by Tareque MasudOrigin FranceGenres DramaThemes L'adolescence,
Films about education,
Films about children,
Films about religion,
Films about Islam,
Films about school violenceActors Jayanta Chattopadhyay,
Rokeya PrachyRating83%
The film is set against the backdrop of unrest in East Pakistan in the late 1960s leading up to the Bangladesh War of Liberation. In this setting, a small family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world. Anu, a young boy, is sent off to a madrasah by his unbendingly devout father Kazi. Anu's younger sister falls ill and dies because of Kazi's refusal to use conventional medicine. While at the madrasah, Anu befriends Rokon, an eccentric misfit in the rigorous religious school, who is forced by the teachers to undergo an exorcism by ducking in the freezing river to cure himself., 1h25
Directed by Catherine Masud,
Tareque MasudOrigin BangladeshGenres DramaActors Sara Zaker,
Jayanta Chattopadhyay,
Rokeya PrachyRating76%
Ontorjatra (literally meaning "inner journey") is an Bengali intimate exploration of the complex issues of dislocation and identity in a diasporic world. After 15 years in the UK, Shireen and her son Sohel return to their home in Sylhet, Bangladesh for the funeral of Sohel's father. For Shireen the homecoming allows her to make peace with her ex-husband and his family, for Sohel, the journey allows him to connect with a family and a "homeland" he has never known., 1h18
Directed by Catherine Masud,
Tareque MasudOrigin BangladeshGenres War,
DocumentaryRating91%
In 1971 the people of East Pakistan (now Bangladesh) waged a bitter war of liberation against West Pakistan, which ended in December in 1971 with the foundation of the state of Bangladesh. The film Muktir Gaan is an special and rear archive of footage of this war. Firstly the footage taken by American filmmaker Lear Levin shot of a group of young musicians and actors who at the time travelled through the country with battle songs and political puppet shows. The film follows the group not only during their performances for refugees and guerillas but also during their travels, which has produced many melancholy pictures. Levin's material is available for the first time thanks to two filmmakers from Bangladesh who, being discontent with the present regime, wanted to remind the Bengal people of the initial motives of the war of liberation: freedom and democracy. Despite opposition by the government, the film was screened in Bangladesh where it was a resounding success., 1h20
Directed by Catherine Masud,
Tareque MasudOrigin BangladeshGenres DocumentaryRating84%
Muktir Katha is a film about the liberation struggle of 1971. The film is an archive of the ways in which ordinary people fell victim to genocide, rape and other atrocities. The struggle still ranging in the countryside, and struggle for a more just and democratic society. The combined footage shot used in the film was taken from American film maker Lear Levin.Origin BangladeshGenres Drama,
Thriller,
RomanceActors Shakib Khan,
Tanjin Tisha,
Achol Akhe,
Nusrat Imroz Tisha,
Moushumi Hamid,
Misha SawdagorRating48%
An underworld mafia steals valuable mineral resources and sell them over to international crime organization . Simi (Nusrat Imrose Tisha); a news reporter finds out and exposes the whole criminal chain to the media, despite all threats from them. An unknown, mysterious but affectionate and intimidating man comes up to help, The story revolves around revealing the true identity of him and his link to the Underworld. , 1h46
Directed by Mostofa Sarwar FarookiOrigin BangladeshGenres DramaActors Chanchal Chowdhury,
Mosharraf Karim,
Tanjin Tisha,
Nusrat Imroz TishaRating81%
As a leader of the local community, Chairman Amin (Shahir Huda Rumi) bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION.