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Safar is a film of genre Musical directed by Asit Sen with Rajesh Khanna

Safar (1970)

Safar
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Length 2h20
Directed by
Genres Musical,    Romance
Rating71% 3.5852153.5852153.5852153.5852153.585215

Safar (Hindi: सफर; English: Journey) is a 1970 Indian Hindi film produced by the Mushir-Riaz duo and directed by Asit Sen, based on a novel by Bengali writer Ashutosh Mukherjee. The film stars Ashok Kumar, Rajesh Khanna, Sharmila Tagore and Feroz Khan in lead roles. The film became the tenth top-grossing production of the year. It won one Filmfare Awards and four BFJA Awards.

Synopsis

Movie starts with the desperate attempt of surgeon Dr.Neela (Sharmila Tagore) to save a patient, who she knew wouldn't going to survive. She works under the guidance of Dr. Chandra (Ashok Kumar) who tells her that however hard doctor might try, sometimes patient wouldn't survive. Story drifts into flashback. Neela meets Avinash (Rajesh Khanna) at medical college and after initial misunderstanding, grows close with him. Avinash was a poor guy who earns his living him-selves while attending medical college. He paints too and Neela finds out that most of his paintings are of her. Though he admires Neela very much, he never talks about love or marriage. Everyone thinks that it's because of his financial status, but it is later revealed that he was a cancer patient and not have much time to live.

Actors

Rajesh Khanna

(Avinash)Sharmila Tagore

(Neela)Ashok Kumar

(Dr. Chandra)Feroz Khan
I. S. Johar

(Kalidas (Neela's brother))
And :
Aruna Irani
Florence Ezekiel Nadira
Iftekhar
Sachin
Trailer of Safar

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Safar

There are 421 films with the same actors, 12 films with the same director, 24053 with the same cinematographic genres (including 1848 with exactly the same 2 genres than Safar), to have finally 70 suggestions of similar films.

If you liked Safar, you will probably like those similar films :
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Rating69% 3.45683.45683.45683.45683.4568
Monish Rai (Ashok Kumar) comes from a wealthy family, and is in love with Deviyani (Suchitra Sen), who is poor. Monish has to travel abroad to further his education in law, but promises to stay in touch with Deviyani. After his departure, financial problems overwhelm Deviyani and her father. She approaches Monish's mother for financial assistance, but is refused. In desperation, Deviyani's father marries her off to a much older man, Rakhal Bhattacharya, who has loaned money to Deviyani's father. Rakhal is also an alcoholic and frequents prostitutes.
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Maa Aur Mamta
Maa Aur Mamta (1970)

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Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?
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The events depicted in the film take place on a single night and results in several characters sharing their life stories. It is a fascinating depiction of some of the challenges faced by the poor and by women in Indian society, some of which continue to this day.
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The story opens against the backdrop of idyllic hilly terrain with Indian air force officer Arun Varma (Rajesh Khanna) crooning "Mere sapno ki rani" atop an open jeep along with his co-pilot Madan (Sujit Kumar), while Vandana (Sharmila Tagore), the daughter of a doctor Gopal Tripathi (Pahadi Sanyal) demurely sneaks glances at him from a mini train. After a brief romance, they have a secret wedding.
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This is a story of a nurse in a psychiatric hospital, played by Suchitra Sen. Sen's character is a part of a team exploring new therapy for patients who have suffered emotional trauma. The approach taken by the team is to offer these individuals an emotional resort, which is where Sen's character plays her part. Her role is to act as a friend and a lover for the patient, but at the same time, refrain from any emotional involvement on her own part as her role is purely that of a nurse who is helping the patient recover. She has to repeatedly break the emotional attachments that she experiences because as a nurse, she is a part of therapy.