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Safar Barlek is a film of genre Drama directed by Henry Barakat

Safar Barlek (1967)

Safar Barlek
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Directed by
Genres Drama,    Musical
Rating77% 3.88923.88923.88923.88923.8892

Safar barlek est un film de guerre musical libanais dirigé par Henry Barakat en 1966. Le film tire son nom du safarbarlik.

Synopsis

Safar barlek est un film de guerre musical libanais dirigé par Henry Barakat en 1966. Le film tire son nom du safarbarlik.

Trailer of Safar Barlek

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Source : Wikidata

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Suggestions of similar film to Safar Barlek

There are 12 films with the same director, 64839 with the same cinematographic genres (including 2551 with exactly the same 2 genres than Safar Barlek), to have finally 70 suggestions of similar films.

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Waheed (Farid Al Atrache), a famous music composer, meets Wafa' (Faten Hamama), a family member and the daughter of a close friend and relative of his. Wafa' has secretly had a crush on him for years and tries unsuccessfully to show her affection and hint that to Waheed. He thinks her love is nothing more than an expected family member's fondness.
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Faten Hamama plays Nawal, a journalist who meets Samir, a young man. She encourages him to pursue a singing career and he does. He starts a successful career and becomes famous. Nawal gets paralyzed and, not willing to hinder his progress, tries to end their relationship without telling him the truth. Samir finds about the truth. Recognizing her great sacrifice, he returns to her and marries her.
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The film is set in 1914. It displays the struggles of a Lebanese village to smuggle wheat under Ottoman oppression.
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Au Caire, Asfour (Farid El Atrache) est chanteur dans un théâtre. Il est amoureux de sa partenaire la danseuse Aliya, elle-même fille du directeur du théâtre et sur le point d'épouser l'homme d'affaires Mimi Bey qui leur apporte une dot importante. À cause d'un quiproquo, Asfour se croit aimé d'Aliya et entreprend de demander sa main à son père. Ce dernier prend la demande en considération, mais à la condition qu'Asfour offre une dot plus élevée. Comme ce dernier est sans le sou, la demande échoue. Alors qu'Asfour désespéré se lamente dans un jardin, il fait la rencontre d'un vieil homme à l'air bienveillant, personnage mystérieux qui lui apparait parfois brièvement. L'apparition lui donne rendez-vous dans une grotte le soir même. Accompagné de son alter ego Bou'ou, personnage à la fois énergique et gaffeur, Asfour va au rendez-vous où l'homme lui remet un objet qui pourra lui donner le bonheur à la condition qu'il en fasse bon usage : c'est une lampe magique dont sort une séduisante ifrit, Kahramana (Samia Gamal). Celle-ci, invisible pour tout autre que lui, le confond avec son amour, le démon Astaroth, dont Asfour a joué le rôle.
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Tefeeda is a girl who leaves her brother-in-law, who was forcing her to steal. She hides with a friend who lives with three young men, and one of them, starts flirting with her, but she resists him. She marries her friend after the man tries to separate them several times. The story climaxes with a myterious murder investigation.
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Faten Hamama plays Amal, whose father loses most of his money and almost goes bankrupt. She gets abandoned by her fiancé. The owner of a nearby factory steps up and offers to help her father until his conditions get better. Amal marries this man, but their life together as a couple turns out to be boring. Amal, who wasn't very excited about their relationship initially, slowly discovers her husband's good qualities and their life turns into a happy one.
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The Nightingale's Prayer, 1h49
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Amna is a young woman that witnesses the death of her older sister by her uncle, who had abandoned her family and left them with no support. She understands from her mother that her sister deserves to die because she dishonors the family. Amna doesn't agree. She believes that her uncle should be blamed for their conditions. She seeks revenge from the engineer who swayed her sister and lied to her thus causing her death. Amna moves to his house to work as a maid and tries to poison him several times, but all her plans fail. She discovers it's impossible to kill him. This engineer starts to approach her, but she resists him, which makes him even more attracted to her.
The Sin
The Sin (1965)

Directed by Henry Barakat
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Azizah, a poor peasant, portrays worker oppression in this somber social drama. She gets savagely raped by a guard when she goes into the fields to gather potatoes. She does not reveal what had happened to her husband who is suffering from an illness. She conceals the pregnancy and throttles the baby after it is born. She also dies soon thereafter. The migrant workers rally around her memory as she becomes a martyr to the cause of the struggling peasants.