Themes Films about children,
Films about families,
Medical-themed films,
Psychologie,
Films about religion,
Films about sexuality,
Films about suicide,
Rape in fiction,
Bisexuality-related films,
Erotic films,
BDSM in films,
LGBT-related films,
Films about pedophilia,
Films about prostitution,
Transgender in film,
Films about psychiatry,
Political films,
LGBT-related films,
Same-sex marriage in film,
LGBT-related film,
Lesbian-related films,
Cross-dressing in film Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), commonly referred to as simply Salò ([saˈlɔ]), is a 1975 Italian-French art film written and directed by Pier Paolo Pasolini, with uncredited writing contributions by Pupi Avati. It is based on the book The 120 Days of Sodom, by the Marquis de Sade. The story is in four segments, inspired by Dante's Divine Comedy: the Anteinferno, the Circle of Manias, the Circle of Shit and the Circle of Blood. The film also contains frequent references to and several discussions of Friedrich Nietzsche's 1887 book On the Genealogy of Morality, Ezra Pound's poem The Cantos, and Marcel Proust's novel sequence In Search of Lost Time. It was Pasolini's last film; he was murdered shortly before Salò was released. Because it depicts youths subjected to intensely graphic violence, relentless sadism, sexual depravity, and horrific murder, the film was extremely controversial upon its release, and remains banned in several countries. For instance, it was only in the year 2000 that it was granted an uncut release in the UK.
The film focuses on four wealthy, corrupt fascist libertines after the fall of Benito Mussolini's Italy in July 1943. The libertines kidnap eighteen teenagers and subject them to four months of extreme violence, sadism, and sexual and mental torture. The film is noted for exploring the themes of political corruption, abuse of power, sadism, perversion, sexuality and fascism.
It has been praised by various film historians and critics and Salò was named the 65th scariest film ever made by the Chicago Film Critics Association in 2006 and is the subject of an article in The Penguin Encyclopedia of Horror and the Supernatural (1986).Synopsis
In 1944 in the Republic of Salò, the Fascist-occupied portion of Italy, four wealthy men of power, the Duke, the Bishop, the Magistrate, and the President, agree to marry each other's daughters as the first step in a debauched ritual. They recruit four teenage boys to act as guards and four young soldiers (called "studs", "cockmongers", or "fuckers"), who are chosen because of their big penises. They then kidnap nine young men and nine young women and take them to a palace near Salò. Accompanying them are four middle-aged prostitutes, also collaborators, who recount arousing stories for the men, who sadistically exploit their victims.
Actors